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Posts by david đŸ‡”đŸ‡ž

no sé a qué se refiere agente yo digo una cosa

16 hours ago 0 0 0 0

me corrí fuera del tabaco (I ran out of tobacco para los que no sepan español)

16 hours ago 10 0 0 0
Three panel comic. Panel 1: person who has post-op bandages wrapped around their nose, nervously holding someone’s hand. Another speaker off panel says, “alright
 let’s get these bandages off.” Panel 2: the person is gleefully looking at themself in a handheld mirror, their friends are overjoyed. Their new nose is a gigantic, elongated and pointed sword shape. Panel 3: they are jumping out of the ocean with a smile on their face, in unison with two swordfish who are also breaching the water.

Three panel comic. Panel 1: person who has post-op bandages wrapped around their nose, nervously holding someone’s hand. Another speaker off panel says, “alright
 let’s get these bandages off.” Panel 2: the person is gleefully looking at themself in a handheld mirror, their friends are overjoyed. Their new nose is a gigantic, elongated and pointed sword shape. Panel 3: they are jumping out of the ocean with a smile on their face, in unison with two swordfish who are also breaching the water.

17 hours ago 6104 813 50 30

yo a ayuso creo que hay que hacerle una cosa

18 hours ago 4 0 3 0

bsky.app/profile/mala...

18 hours ago 167 78 2 0

ginasio.ir?

18 hours ago 2 0 1 0

Hey man, we cool? I just noticed that when I look at you the reticle turns red.

1 day ago 6437 1737 30 29
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MarĂ­a del Monster

20 hours ago 4 2 0 0

si mi compa se tuitea una mierda pim

retuit que se lleva

1 day ago 2 1 0 0

FULL BUSH IN A THONG SUMMER: EL RETORNO DEL SETO

1 day ago 11 3 1 0

me he metido en tuiter punto com para decir lo de que vendo la entrada de la magiccon y el Ășnico tuit que me ha dado tiempo a leer antes de salir me ha confirmado q un niñato desagradable q veĂ­a a veces en los fnm ahora es nazi.

on brand supongo.

1 day ago 4 0 0 0

advertising technology in the 1990s: look at this “website” you can “surf”. it has an image of a cat on it

advertising technology in the 2020s: you must adopt this now or die. we are going to completely kill you if you don’t download this app immediately

1 day ago 4474 799 45 6
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Bienvenido a Zaira 113.

2 days ago 24 11 2 1

Share this with your friends who use ChatGPT to answer questions (and are fucking stupid and dumb)

2 days ago 232 78 2 0
if you like having a silly goofy time, you should try large scale industrial sabotage

if you like having a silly goofy time, you should try large scale industrial sabotage

3 days ago 641 165 6 4
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𝙰đ™Č𝚄𝚃𝙮 𝚆𝙮𝙮𝙳 𝙿𝚂𝚈đ™Čđ™·đ™Ÿđš‚đ™žđš‚

1 day ago 17 3 0 1

a mí no tienes que vendérmela mås

1 day ago 0 0 0 0

From “The Simpsons” house genius John Swartzwelder, interviewed in The New Yorker by Mike Sacks

2 days ago 5400 1398 32 0
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Coachella is trying to wipe all of the footage of The Strokes protest set so I’m gonna post it here. The last images on the screen made me cry.

2 days ago 10183 4644 9 0
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Wild West
(repost)

2 days ago 2043 454 7 1
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Mox Amber is a quiet image painted with meticulous detail – perhaps too much detail for a tiny trading card. Who would commit to such monotony, knowing it would never be seen at scale?

đŸŽ„: youtu.be/yNxh_fEmO1k

4 days ago 539 113 10 15

macarrones.gratinar mmm

4 days ago 4 0 1 0
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Poco a poco

4 days ago 9 1 2 0

I am seeking financial assistance to help my family get through this hard time. I will truly appreciate any support, no matter how small. Please visit the pinned link.

@jellboi.bsky.social

4 days ago 0 1 0 0

no te lo vas a creer

4 days ago 1 0 0 0
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Preview
‘Robby Has Never Been Your Daddy’ On the set of The Pitt finale, the acclaimed series zooms in on its main character.

I went to the set of The Pitt finale, I saw a silicone baby in an aluminum roasting pan, and I wrote about Dr Robby Rabinovitch

www.vulture.com/article/the-...

5 days ago 107 16 4 5
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does the 5th season get better? I'm kinda stuck on episode two and the script feels weaker than on previous seasons

4 days ago 0 0 1 0
“It’s a couple of things that work beautifully in concert. First: no music. Audiences are so sophisticated, but what they’re not accustomed to is not being told how to feel,” Wyle says. “You take all that out and it forces a level of engagement where you’re now looking for clues within the frame of the screen, which forces you to look up from your phone. And I think that is extremely engaging, especially to young viewers who aren’t accustomed to being asked to participate in a nonpassive way in the viewing experience.

“It’s a couple of things that work beautifully in concert. First: no music. Audiences are so sophisticated, but what they’re not accustomed to is not being told how to feel,” Wyle says. “You take all that out and it forces a level of engagement where you’re now looking for clues within the frame of the screen, which forces you to look up from your phone. And I think that is extremely engaging, especially to young viewers who aren’t accustomed to being asked to participate in a nonpassive way in the viewing experience.

“Second point, shooting it with almost exclusively 50-millimeter or 65-millimeter lenses, which is the most comparable to the human eye—and only shooting from the point of view of a human being that’s present in this space. There are no cameras on gurney wheels going in the hallway. There’s no cameras on the ceiling looking down from a God point of view. You are limited to the perspective of a participant. You can look away, but you can’t leave, and it becomes an endurance test for you to stay on your feet as long as we’re on our feet. Which [brings me to my] third point: real time. Real time has an aggregate sense of tension that you don’t get in any other form of storytelling. What happened before is happening now, and these two things are going to add up to the next thing. And if we throw more ingredients into this cooker and keep ratcheting it up, it’s going to pop.”

“Second point, shooting it with almost exclusively 50-millimeter or 65-millimeter lenses, which is the most comparable to the human eye—and only shooting from the point of view of a human being that’s present in this space. There are no cameras on gurney wheels going in the hallway. There’s no cameras on the ceiling looking down from a God point of view. You are limited to the perspective of a participant. You can look away, but you can’t leave, and it becomes an endurance test for you to stay on your feet as long as we’re on our feet. Which [brings me to my] third point: real time. Real time has an aggregate sense of tension that you don’t get in any other form of storytelling. What happened before is happening now, and these two things are going to add up to the next thing. And if we throw more ingredients into this cooker and keep ratcheting it up, it’s going to pop.”

Wyle makes eye contact for his next point, delivering it with a Robby-esque matter-of-factness. “Fourth point: The election went the other way,” he says with a shrug. “We could have been a really good show with a lot of nice things to say in a perfectly normal Kamala Harris universe. And instead we became almost a beacon of hope and humanity in an alternative universe. But in the midst of that, fifth point—this is essentially competence porn. You’re watching really smart, dedicated people do what only they know how to do at a level that you don’t know how to do it, and you’re so fucking glad that they’re there doing it, and compartmentalizing their own stuff to put your broken pieces back together. You’re so reassured by knowing that there are people out there that laugh and joke and have the ability to lock in like that.”

Wyle makes eye contact for his next point, delivering it with a Robby-esque matter-of-factness. “Fourth point: The election went the other way,” he says with a shrug. “We could have been a really good show with a lot of nice things to say in a perfectly normal Kamala Harris universe. And instead we became almost a beacon of hope and humanity in an alternative universe. But in the midst of that, fifth point—this is essentially competence porn. You’re watching really smart, dedicated people do what only they know how to do at a level that you don’t know how to do it, and you’re so fucking glad that they’re there doing it, and compartmentalizing their own stuff to put your broken pieces back together. You’re so reassured by knowing that there are people out there that laugh and joke and have the ability to lock in like that.”

this is fucking unreal stuff from Noah Wyle on the magic of The Pitt. www.gq.com/story/noah-w...

5 days ago 7050 1676 12 276
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Perpetual

5 days ago 173 34 5 0