A b/w ink and graphite drawing of the artist's outstretched left hand - a ring on the ring finger, a beaded bracelet around the wrist. Behind the hand is an abstracted version of the marshy New Jersey landscape ornamented by electrical wire, as seen from the window of a train.

A b/w ink and graphite drawing of the artist's outstretched right hand - light faded scars on the thumb and the back of the hand. Behind is the abstracted skyline of some houses in Queens, splotches of ink to represent evening clouds. Tree branches lightly frame the borders of the open sky.

passage #1 / passage #2
graphite, ink 2026

illustration for a postcard, a painterly stylized image split into many smaller boxes with one item each. Main image is a cat, others are summer plants, a watermelon, a mouse, a sun, a bottle of Rainer beer

spot illustration of a bottle of beer with a big Rainier R, framed with eyes

Spot illustration of a dandelion, framed by stars

illustration for a postcard, a painterly stylized image split into many smaller boxes with one item each. Main image is a rabbit with a cut leg. Other boxes feature a bat, a candelabra, moon, skull, gourd, key, dandelion

Tricking the postcard and spot illustrations I did for my calendars last year.

digital half-body painting of a person in three fourths, facing right, standing tall and touching his lips with the fingers of one hand in a pensive gesture, while the other arm is crossed over his chest. the character has light skin, very long and straight black hair and black jagged horns curving down and towards his mouth, with the underside being a vivid cyan color. his skin is partially covered in dark scales: under his eyes, over the bridge of his nose and on his forehead, as well as on the backs of his hands and fingers. he has long cyan claws, and his eyes have black sclera and vivid cyan irises. he is dressed in a heavy dark blue regal cloak with a massive fur collar. under it, he wears a layered brown wrap around tunic, its sleeves caught at the forearms with dark leather braces. luminous illusory chains are swinging vertically from above all around him, and the background behind him is a muted blue with a stylized motif of sun rays and eyes.

digital half-body painting of a person in three fourths, facing left, mirroring the first painting. the character is also standing proudly, with his arms crossed and chin raised. he has light skin, long wavy hair that is half brown and half white, and long horns curling back from the top of his head and then back forward and towards his face. the horns are broken, the pieces magically floating in the shape the horns used to have. the upper side of the horns is brown and covered in filigree, while the underside is dark blue and glittering like starlight. the character's eyes, including a third one in the middle of his forehead, have dark brown sclera, blue irises and very light pupils. he is wearing dramatic eye makeup, and his neck, chest and arms are covered in delicate brown tattoos. he is dressed in a heavy regal cloak similar to his partner's, in a dark wine color with stars shining in the fur collar. under the cloak, there is a wine red sleeveless tunic with golden embroidery and a diamond-shaped chest window, and he is wearing a long midnight blue scarf draped over his forearms. the same blue chains are visible hanging from up above to the left of the character, and behind his head there is a stylized sun and eye motif that is radiating around him and into the other painting.

diptych commission for @adomania.bsky.social, their character Lazarus and their friend's character Cas! thank you for commissioning me, these two have been a blast 💙🤎
#art

Close enough...

Gaile Lee!!!
A new kitty man for the shelf lmfao but I at least have some ideas for him 🥺
Class is undecided but he plays the banjo and sleeps in a rundown hayloft!

💀💀💀

👁️

Hey artists, if you see this, post a dog

(Drawing long dogs until I can adopt a long dog)

night patrol #oc

Collage of two images: on the top is an illustration of a sea dragon, below it is a photo of a pacific sailfin tang, which inspired the creature design above it

Sea Dragon inspired by the Pacific Sailfin Tang! (Photo also by me)

User dratsab huffman asks the question: To amuse myself i researched revacholian nationalism as well as measure head's race theories etc etc and focused my character on "traditionalism". Anyway, ive noticed that if i ever click dialogue options that are in tune with my character's political compass, i lose morale. Whats the point of having this as a mechanic if its going to be so detrimental and feels like the character doesnt believe he actually is this or something... is there anyway to overcome that kind of morale loss?

Recalcitrant Jester replies: Being a fascist is a deeply demoralizing experience. You have to not only radically alter your worldview to make reality fit into your unhinged schema, but that worldview is predicated on the notion that the weakest, most unworthy degenerate worms on the planet are somehow overpowering and humiliating you on a moment-by-moment basis. In mechanical terms too, the lowered morale also reduces your volition score—the more you indulge in your delusions, the less you are able to exercise self-control and self-awareness. The point of fascism being mechanically detrimental—the ludonarrative theme—is that fascism is an unequivocally self-destructive ideology, the practice of which only serves to nurture that self-destructive urge and turn it outward. It's not like Dark Side points in KotOR where you can access cool new abilities and get to enjoy being such a nasty lil rascal; you are not supposed to enjoy being a fascist in Disco Elysium. Fascism is the act of self-deception in service of making your own life more painful, solely for the payoff of making life more painful for people you dislike.

"Facism is the act of self-deception in service of making your own life more painful, solely for the payoff of making life more painful for people you dislike."

Take care of your thirsty boys please! 🍋✨☀️

I know I already posted Haricot, but I've drawn Bram now so really they should be kept together (even if they don't want to admit that's what they'd both like 🤫)

Sundered Eminence.

Hey artists, if you see this, post a dog

Link (2021)

Watercolour style ko-fi commission ✨

joy radiates from you!

2018 sketchbook 😮‍💨

An illustration of Superman posing in front of the sun, in outer space, smiling with his hands on his hips and his face partly out of view

Happy Superman Day, everyone!

black and white drawing of an underwater scene. a large bird sticking it's head into the water, surrounded by shocked fish

WHATS UP YOU WET MOTHERFUCKERS

A black and white line art sketch of a character with pointy ears and long hair worn in a high ponytail

Finished black and white portrait of the same character

Sketch vs finished art

that's a beefcake if I've ever seen one.

Two people sitting face-to-face holding up and outward masks of their own, pleasant outward emotions, while each face subsequently further back reveals less pleasant faces and emotions. Where their faces should actually be are black holes. The text reads: "we all have something to hide... except me... I have nothing to hide."

Back to doodling again in my doodlebook yay :)

Illustration of a demonic creature. It has wing-like limbs and a long tail/body

Demon ✨

little gods

A comic. Emma is wearing a hospital gown in a nondescript white space. A voice says, “you’re so pretty.” She responds with irritation, “me? you must not have noticed my many flaws i'm actually large and awkward and lumpy and sweaty and i-” She is cut off mid-sentence by a corrective electric shock. “no,” says the voice. “i like your comics,” the voice says. Emma, who is still recovering from the shock, says without thinking, “you are so full of—“ before catching herself and amending to, “nnnice words,” but she can’t stop herself from adding, “but i genuinely can’t see my work as anything but trash and it makes me thínk less of you for liking—” She is cut off again by a shock. “no,” says the voice. The voice says, “you’re a good mom.” “Tha—“ says Emma, starting to contradict, before gritting her teeth and saying, “—ank you. That’s kind of you to say.” She holds her forced smile but flinches, anticipating another shock. Instead, the voice says, “you’re good at your job.” Emma, frustrated, yells, “what???” She quickly tries to add “a sweet thing to say,” but is cut off again by another shock.

a quick comic about deflection

Commission