A depiction of Jesus Christ facing the camera, though his eyes are obscures by a bronze frame with Greek on it going around the illustration. The picture depicts the side wound of Christ, with holy light emitting from it, and the doubting Thomas putting his fingers inside of it. On the right stands Peter, observing this. Jesus wears a red robe to indicate his blood and sacrifice. On the top of the picture is scripture, reading: "Reach hither thy hand and thrust it into my side;" and it continues at the bottom of the picture, reading: "and be not faithless — but believing. John XX.XXVII."
A large tiefling or firbolg man stands looking right, legs straight, his left hand outstretched to hold a greataxe doubling as a shovel, and right hand in a fist at his hip. He is covered in heavy orange cloths and extremely intricate, burnished gold and brass armor. Even his toes are armored, with large pieces of candelabras, lanterns, clocks, and chandeliers making up his armor. His face is covered with a three-part theatrical mask, obscuring his own expressions; instead, a frown and a grin can be seen. His large pontifical headpiece and pauldron are covered in melted wax and burning candles.
A medieval-style illustration of Lancelot on the left pointing a lance towards sir Turquine on the right. They are framed by an illuminated frame of bronze and green. Both are on horseback: Lancelot on a grey horse, and Turquine on a black-orange one made out of starlight and shadow. Above them is Lancelot's coat-of-arms, and below them in Latin: "Lancelot bellat Turquine".
Happy Trans Day of Visibility 🏳️⚧️
I'm Theo! Mostly known as a trans nonbinary artist
... but above all else, I'm a graduating Master of Theology; a trans, queer scholar.
Transness is a part of both my art AND my research. I specialize in queer church history ❤️🔥
[ #tdov #TransDayOfVisibility ]
