new in Parapraxis online!
Love's Work
the romance boom, psychoanalysis, Emily Henry, and creative labor
www.parapraxismagazine.com/articles/lov...
Posts by Max Shirley
Woohoo, here's my essay with my fav co-author on 30,000 fellowship wins across the Guggenheim, Stanford CASBS, NAEd, National Humanities Center, RSF visiting scholar, and Harvard Radcliffe.
Spoiler: it's the people working at prestigious universities
www.publicbooks.org/who-gets-gug...
The Red May 2026 schedule is up, congratulations for ten years of annual vacation from capitalism.
www.redmayseattle.org/2026-schedule
The CfP for this year's Historical Materialism annual conference in London, under the title 'Planetary Warscapes Ablaze: Imperial Mutations in Infernal Times', is now online!
Mark it in your calendars, prepare your abstracts, book your travel!
Parks cites writer and theorist McKenzie Wark’s 2023 book Raving, which examines this framework through a blend of theory and memoir, as one source of inspiration, particularly on her song “Jetta.” xtramagazine.com/culture/arlo...
Cover drop! Extremely excited to have this incredible sculpture, Marisol’s Love (1962), on the cover of Relatability, out later this year press.uchicago.edu/ucp/books/bo...
“The characters are the main entrance into the work because they’re shaped like humans and they’re lit more brightly than their surroundings.” —Dennis Cooper
“According to the Committee to Protect Journalists, there were more journalists imprisoned in Israel at the end of last year (29) than in Russia (27) or Belarus (25); only China (50) and Myanmar (30) were worse.”
www.lrb.co.uk/blog/2026/ma...
crucial coverage from The Guardian that features our collaborative, movement-building website
against-a-i.com
I am offline next week. I didn't quite manage to write a newsletter this week. Here's something from last week. Or maybe it was this week. Time is as surreal as the times we are in. With killjoy solidarity to everyone surviving and fighting imperial war machines. FKJ xx substack.com/@feministkil...
‘If Trump’s intention was to remove Khamenei from the political landscape, he may instead have fixed him in it, recast in the eyes of his devotees as a figure of sacrifice rather than failure.’
@eskandarsadeghi.bsky.social on the US war on Iran, new on the blog.
www.lrb.co.uk/blog/2026/ma...
Imagine this kind of student organizing against Ed Tech / AI.
“I lost out on learning! Relationships! Oh and all of my personal data, too!”
www.bbc.com/news/article...
Thank you Dom! Hope you are well
Joan Scott on why the attack on gender studies by powerful patriarchal men is not a coincidence, but an attempt to silence critique and analysis of their abusive behavior. www.theguardian.com/commentisfre...
I don’t expect it to happen, but having unlawfully arrested and branded hundreds of your citizens ‘terrorists’ should really be a resigning matter for the Prime Minister in any free society.
"Only two English words rhyme with culture, and these, as it happens, are sepulture and vulture. We don’t yet call museums or galleries or even universities culture-sepultures, but I hear a lot, lately, about culture-vultures (man must rhyme)."
Raymond Williams
Close Reading Is For Everyone Dan Sinykin and Johanna Winant Call for Pitches Based on our previous Close Reading for the Twenty-First Century, we are at work on a new version that’s shorter, slimmer, and aimed at a more general audience. We’re looking for a new set of contributors who would write excellent, brief, model close readings of texts that high schoolers might know and care about. Think: “The Gettysburg Address,” Macbeth, and Plato’s “Allegory of the Cave,” but also song lyrics, idioms, or even a visual image. What is your best, most instructive, most exciting, most welcoming example of how a close reading builds a real argument out from a tiny, perhaps overlooked detail? If you’re interested in pitching us, please send us your 250-word close reading of the text you propose. Your close reading should be mappable using our vocabulary of close reading: the five steps of scene setting, noticing, local claiming, regional argumentation, and global theorizing. (Our close reading of “The Red Wheelbarrow” in the early pages of our introduction is the sort of thing we’re seeking.) If we think we can use yours, we’ll ask you to expand it to a 1,200 word essay in which you explain how your close reading works step by step. We seek close readings both of texts that are canonical and also ones that aren’t. And so we invite contributors both from the discipline of literary studies, and other disciplines across the university, and the public humanities beyond it. Send your pitches—please include your name and contact info—to daniel.sinykin@emory.edu and jwinant@reed.edu by March 15.
CALL FOR PITCHES
@dan-sinnamon.bsky.social and I are at work on a new version of Close Reading for the Twenty-First Century aimed at a more general audience.
We’re looking for new contributions: your model close readings of texts, canonical and not, from literary studies and not.
Details below!
Overjoyed to have my first article published in Textual Practice today on life-writing, network infrastructures, and formal experimentation in work by Kathy Acker and Joanna Walsh.
It’s open access too! Read here: www.tandfonline.com/doi/full/10....
'A consultation run by the City of London Corporation and published on Thursday found that nearly 90% of respondents backed trans-inclusive access to the ponds' 💪🏳️⚧️❤️
I hate to tap the sign but again: this is all made to make in-person education and access to knowledge transfer a preserve of the elite. Human education for the few, bots for the many.
Another turn on the Genre Turn (and a review of Jeremy Rosen’s excellent Genre Bending). www.chronicle.com/article/is-l...
“In my writing, I want to display a self that disintegrates. I can prop that up with theory, but something must compel me in the first place.” —Robert Glück buff.ly/hw5gXxh
Really enjoyed thinking with your work!
wow - honoured to be here
This essay is part of my ongoing PhD research into the legacy and afterlife of Acker’s oeuvre. I’m exploring how Acker’s innovative strategies inform experimental literature by women and queer writers today.