Limited edition of the Folio Society's A Christmas Carol, illustrated by me. It's bound in red leather with embossed gold wreath and lettering, and the box is lined by and illustration of a snowy night time Dickensian city scene. Surrounded by stuff on my desk (pens, glasses, glue etc).
The standard edition of the Folio Society's A Christmas Carol illustrated by me. The book itself featured a view of Scrooge in a long black coat with a top hat and red scarf from the back, surveying the snowy London skyline. The slip case is green and has vignettes of relevent scenes and motifs in the style of Georgian wallpaper. One of the vignettes is a circular cut out, so when the book is in the slipcase you can see Scrooge's head through it. Surrounded by the loads of rubbish I have on my desk.
An illustration from the first stave of A Christmas Carol. Scrogge is sat by his fire eating his gruel when across his large but shabby drawing room, Marley's ghost appears.
An illustration of the fourth stave, featuring Scrooge and the Ghost of Christmas yet to come (who is a Victorian widow in high mourning, completely draped and almost invisible in black net and bombazine). They are in a graveyard, which is based largely on St Cuthbert's Kirkyard in Edinburgh. She points to his grave, and he looks at it in horror. There is a smaller gravestone to his right, capped with snow which features a skull in bas relief and the words 'MOMENTO MORI' in a motto scroll over the top. The moon shines from an Atkinson Grimshaw-esque greenish winter sky, illuminating the dome of St Paul's Cathedral.
The big thing I did this year and haven't been able to say much about up until now is that I was SOMEHOW asked to illustrate the new Folio Society edition of A Christmas Carol, introduced by Simon Callow. Bit of a dream job. www.foliosociety.com/uk/a-christm...