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Posts by tanya/таня

not going to say anything except Robert Pattinson is aging very well

12 hours ago 0 0 0 0

so glad i didn't see any spoilers for The Drama before watching

12 hours ago 1 0 1 0

euphoria commentary is infinitely worse than the pitt

1 day ago 1 0 0 0

while i agree the male gaze is very strong on the show, especially this season, i don't understand why people continue to watch it if they hate the graphic scenes so much

1 day ago 1 0 1 0

euphoria has always been graphic/uncomfortable/r-rated why is everybody acting so shocked when they watch it? and think that they're endorsing any of it?

1 day ago 3 0 2 0

i loooooove the huge shift to vintage fashion for her, it suits her so much better

1 day ago 0 0 0 0

god alexa demie's hair, makeup, wardrobe, everything is absolutely perfect in euphoria s3

1 day ago 0 0 1 0

my partner loves telling me all the funny parts from your episodes

1 day ago 3 0 0 0

oh yeah it was very pretentious! but people are defending the song like it's a work of art lol

2 days ago 1 0 0 0

the song sucks and was written by a bunch of white music producers, leave it in the 2010s where it belongs

2 days ago 5 0 1 0
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sorry but australian tiktok losing their minds over an usher song being covered by a triple j band is so funny. it's not that serious

2 days ago 8 1 2 0

phenomenal television.

4 days ago 1 0 0 0

i was too busy crying to even notice that in s1 that room was the makeshift morgue, and now represents new life. and the symbolism of the wallpaper behind him looked like a halo 🥺

4 days ago 3 0 0 0
“It’s a couple of things that work beautifully in concert. First: no music. Audiences are so sophisticated, but what they’re not accustomed to is not being told how to feel,” Wyle says. “You take all that out and it forces a level of engagement where you’re now looking for clues within the frame of the screen, which forces you to look up from your phone. And I think that is extremely engaging, especially to young viewers who aren’t accustomed to being asked to participate in a nonpassive way in the viewing experience.

“It’s a couple of things that work beautifully in concert. First: no music. Audiences are so sophisticated, but what they’re not accustomed to is not being told how to feel,” Wyle says. “You take all that out and it forces a level of engagement where you’re now looking for clues within the frame of the screen, which forces you to look up from your phone. And I think that is extremely engaging, especially to young viewers who aren’t accustomed to being asked to participate in a nonpassive way in the viewing experience.

“Second point, shooting it with almost exclusively 50-millimeter or 65-millimeter lenses, which is the most comparable to the human eye—and only shooting from the point of view of a human being that’s present in this space. There are no cameras on gurney wheels going in the hallway. There’s no cameras on the ceiling looking down from a God point of view. You are limited to the perspective of a participant. You can look away, but you can’t leave, and it becomes an endurance test for you to stay on your feet as long as we’re on our feet. Which [brings me to my] third point: real time. Real time has an aggregate sense of tension that you don’t get in any other form of storytelling. What happened before is happening now, and these two things are going to add up to the next thing. And if we throw more ingredients into this cooker and keep ratcheting it up, it’s going to pop.”

“Second point, shooting it with almost exclusively 50-millimeter or 65-millimeter lenses, which is the most comparable to the human eye—and only shooting from the point of view of a human being that’s present in this space. There are no cameras on gurney wheels going in the hallway. There’s no cameras on the ceiling looking down from a God point of view. You are limited to the perspective of a participant. You can look away, but you can’t leave, and it becomes an endurance test for you to stay on your feet as long as we’re on our feet. Which [brings me to my] third point: real time. Real time has an aggregate sense of tension that you don’t get in any other form of storytelling. What happened before is happening now, and these two things are going to add up to the next thing. And if we throw more ingredients into this cooker and keep ratcheting it up, it’s going to pop.”

Wyle makes eye contact for his next point, delivering it with a Robby-esque matter-of-factness. “Fourth point: The election went the other way,” he says with a shrug. “We could have been a really good show with a lot of nice things to say in a perfectly normal Kamala Harris universe. And instead we became almost a beacon of hope and humanity in an alternative universe. But in the midst of that, fifth point—this is essentially competence porn. You’re watching really smart, dedicated people do what only they know how to do at a level that you don’t know how to do it, and you’re so fucking glad that they’re there doing it, and compartmentalizing their own stuff to put your broken pieces back together. You’re so reassured by knowing that there are people out there that laugh and joke and have the ability to lock in like that.”

Wyle makes eye contact for his next point, delivering it with a Robby-esque matter-of-factness. “Fourth point: The election went the other way,” he says with a shrug. “We could have been a really good show with a lot of nice things to say in a perfectly normal Kamala Harris universe. And instead we became almost a beacon of hope and humanity in an alternative universe. But in the midst of that, fifth point—this is essentially competence porn. You’re watching really smart, dedicated people do what only they know how to do at a level that you don’t know how to do it, and you’re so fucking glad that they’re there doing it, and compartmentalizing their own stuff to put your broken pieces back together. You’re so reassured by knowing that there are people out there that laugh and joke and have the ability to lock in like that.”

this is fucking unreal stuff from Noah Wyle on the magic of The Pitt. www.gq.com/story/noah-w...

4 days ago 7043 1677 12 276

the fireworks set me off and then i didn't stop

4 days ago 1 0 0 0

dr robby struggling to cope with his unrelenting standards, speaking to his inner child while holding baby jane doe.. this show man

4 days ago 4 0 1 0

the pitt finale has me ugly sobbing

4 days ago 5 0 2 0

anyway sounds like they have a rock solid case now so i hope he rots in prison

4 days ago 1 0 0 0
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yeah i watched it all unfold in september when they found the body, and we all assumed he had zero connection to it, until they named her and internet sleuths worked it out 💀

i knew a couple of his songs off tiktok and they are VERY suss lyrics in hindsight

4 days ago 0 0 1 0

we don't know the method, we don't know if he had accomplices, all we had were discord screenshots confirming their relationship

4 days ago 4 0 1 0

"tiktok solved this case last year" no it fucking didn't. if tiktok/reddit/twitter took this to trial he would have been dismissed due to lack of evidence

4 days ago 5 0 2 0

D4VD FINALLY ARRESTED LETS GOOOOOO

4 days ago 3 0 0 1

(behind the bastards and lpotl covering heinrich himmler and now jimmy savile)

6 days ago 0 0 0 0

why are the two podcasts i mostly listen to releasing episodes about the exact same people at the exact same time

6 days ago 0 0 1 0

not yet

6 days ago 14 0 1 0

imagine if clavicular doesn't make it and his last television appearance was 60 minutes australia

6 days ago 32 5 1 0
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Has anyone ever uploaded the spinning helicopter lady on Bluesky before? Just in case

6 days ago 494 55 29 10

i just watched the part where he walked out, he accused the interviewer of cheating on his wife even though he isn't married lmao

6 days ago 5 0 0 0

this is how i found out he was on 60 minutes 😭

6 days ago 1 0 1 0

imagine if clavicular doesn't make it and his last television appearance was 60 minutes australia

6 days ago 32 5 1 0