It's hard to be in more than one place at a time. I need some Beasts of Burden to help me out.

Greetings ganbrood!

Thanks!

Ways of Seeing II
1/1
200 tez objkt.com/asset/KT1PaZqeg2pMonecnf...

Yes, yes, a thousand times yes!

Double Fault
Game, set, match.

This work is composed of two separate works of raw AI.

marco! Hello!

Harnessing animals for computational power in the 19th century.

Chromolithographic AI work.

Harnessing animals for computational power in the 19th century.

Chromolithographic AI work.

This is an excellent question. Unfortunately, I have no insight, but I am equally perplexed.

More raw DALL-E glitch aesthetic exploration.

More raw DALL-E glitch aesthetic exploration.

Leaning into glitch aesthetic with some raw DALL-E output again.

In a strict sense, no. I intentionally prompt DALL-E to create a glitch aesthetic. I explored this first in a work called This Is Not A Work Of Glitch Art last year when DALL-E was new.

objkt.com/asset/KT1PaZqeg2pMonecnf...

At a time when one can explore so-breathtaking-it-may-be-becoming-banal verisimilitude with AI tools, I think I prefer to explore raw DALL-E output like this.

clark's trading post, north woodstock, new hampshire, 1995

clark's trading post, north woodstock, new hampshire, 1995

G. Washington

"Mother of Our Country"

Part of my ALT HIST PORT series, reimagining U.S. history with AI through alternate history portraits of famous Americans.

How bad am I at social media?

I've been here for 3 days and have already lost a follower. 😅

Thanks to the other 76 of you still sticking with me.

Don't worry, the gripping content is right around the corner...

Beasts of Burden 008

Harnessing animals for computational power in the 19th century.

Traxuaf 024

Thanks, Jon. And it IS small here, as Henrique noted. My feed is small enough that I ended up seeing it. Nonetheless, I appreciate you letting me know and making sure @henriquecartaxo.bsky.social knows I'm here.

The Gallery Copyist; or, A Copy of "The Gallery Copyist," Copied In the Gallery

The Gallery Copyist; or, The Further Away I Get, The More Clearly I Can See

"CRT Seascape 05”, in Yankel Vision’s collection.

I still read a physical newspaper on the weekend.

The Curtsy

The Gallery Copyist; or, Machine Learning for Humans with Wetware Computers Stored Inside Their Skulls by YankelVision

From a series of works called The Gallery Copyist that explores the subject of humans training themselves by copying artworks in museums. The AI works in the series were created by a machine learning/artificial intelligence model trained on a large dataset of images and artworks.

Well, hello.

And thanks for the invite @ganweaving.bsky.social.