Forget Cannes. The only award I’m interested in seeing which agency wins is most money spent on least real-world impact. The competition is fierce!
Posts by nick susi
so pumped to finally have this
thank you @joshuacitarella.bsky.social & Do Not Research for including me in this edition
Newer mediums like social media & AI have stripped content of experiential depth, flattening it into pure information. A meme, a TikTok or pod at 2x speed, a book made into a summary by LLM. In film or gaming, the content is the experience. Now, the experience is the feed itself.
SOCIAL MEDIA IS A VIDEO GAME
LESS ESSAYS ABOUT WORLDBUILDING
MORE ACTUAL WORLDS BEING BUILT
PLEASE AND THANK YOU
“Listen up buddy you’re just one clever portmanteau away from becoming a billionaire philosopher”
JOB SECURITY FROM AI FOR ME BUT NOT FOR THEE
on acorns, memory and identity
We are quick to wag our fingers at machines
But we forget the ghosts of our own design
Human behavior, cultural values, systems of power
Which sounds more like a question of how AI tools are used vs if they’re used at all.
Part of what I’m hearing in your point about vision vs labor feels related to Vilem Flusser’s work around technical images, and drawing a distinction between actively programming tools vs passively functioning on behalf of them.
Re craft, I feel like part of this technological shift is challenging the norms around perception of art and asking, are all artisans artists and are all artists artisans?
It seems like we’re heading down a path that is not dissimilar from the current state of consumer preference of some opting for conscious consumption (non GMO, fine dining, etc) and those that don’t care and will eat anything. And your example here about fashion.
If getting to an excellent output from an LLM takes skill, technical knowledge and expertise, and if further editing and manipulating that output with other non AI tools requires skill, technical knowledge and expertise, where does the artist value start or stop?
It seems like there’s a lot of fear about AI tools replacing human creativity but idk that there’s enough curiosity or exploration of how it augments a human creative process. Is this art? youtu.be/YGyvLlPad8Q?...
Say more here
How do you know how all content you see online is made to make that evaluation?
Does time and effort always automatically equal artistic value or meaning?
How much AI tool usage is too much / how much human intervention is not enough? Is quality of final output the factor of whether or not the use of AI tools is ultimately accepted? vimeo.com/1062934927
Full short film here: youtu.be/iio_ZOS2T3s?...
Last year, someone on YouTube spent 600+ hours over 4 months on Unreal Engine to create a Legend Of Zelda short film in the style of Studio Ghibli. If that same person used AI tools to make the same short film in half the time, do you feel differently about it?
What technology makes easier to replicate and spread, will replicate and spread.
on magic and form
via @tobyshorin.bsky.social
music hardware is a fashion accessory
via @kleinkleinklein.bsky.social
on AI, chance & aleatoric music
on AI, mosaic and tapestry
People are saying everything feels like hypergambling now. I will add - social media feels like it has become a casino not for financial but for social capital. A game where people place bets with hot takes, where bigger risks could have bigger rewards, but the house always wins.
On the Internet, you can just say stuff
The ability to participate is not the ability to control
The vibe rn
Everything is a staged, mediated pseudoreal spectacle, performed for status
Participation is consumption
The best story wins
Throughout history, people always call new unfamiliar tech “magic.” So it’s interesting to see builders like Google, Shopify, Canva refer to their own AI products as magic. But there’s something about military tech builders referring to itself as magic that hits different.