Tullara's 'Never Been Loved By You' is the breakup song for every girl who spent weeks building a defense case for someone who never deserved one. She dismantles the whole illusion and makes it sound this good. laurelanne.media/butullaras-n...
Posts by Laurelanne Music Magazine
Super excited about this! We're working with Los Angeles recording artist and songwriter Kiki T on the rollout of her current single ‘Dopamine’ and her upcoming summer album, ROWE. laurelanne.media/laurelanne-p...
Exxy mapped the entire situationship to a car crash on 'Fast and Furious' and the metaphor is so sharp it should come with a warning label. Triple digits on the dash. Ride or die until the wreck. She saw it coming the whole time. laurelanne.media/buckle-up-fo...
Zióna Maré-Laveaux's 'Fold Me Like a Sunday' physically changed my tempo mid-week and I have not fully recovered. ZIONYX is AfroSoul meets Louisiana Bayou soul and it gets into your hips before you make any decisions about it. laurelanne.media/fold-me-like...
Kate Kalvach's 'Healing' is the upbeat pop song about getting your glow back that Camila Cabello already approved. The three AM loop, the stains that fade, the party that needed one more drink to survive. She got out. This is that song. laurelanne.media/kate-kalvach...
Jon Moniz's 'Chit Chat' said the chit chat IS the hit that and I have never felt more seen in my life. Mr. Steal Your Wife Away just dropped the most confident pop rap of the year and my boyfriend already knows about it. laurelanne.media/jon-monizs-c...
Vydoo's 'Tangled in You' with Victoria Grant is the 80s synthpop track that understands the pull you cannot explain and will not shake. The production is warm, Victoria's vocals are unfair, and we are fully not okay. laurelanne.media/vydoos-tangl...
Maxi Malaise's 'What If We Rise?' is dark synthy protest pop somewhere between Nine Inch Nails and Kesha at a rally. The rage runs through it like something genuinely dangerous. Detroit made her and it shows. laurelanne.media/maxi-malaise...
The chorus of MIZZI's 'MONEY' will do something to your hips you didn't authorize and you are not going to be mad about it. She signed her name all caps, set a deadline, and made a banger out of the feeling of finally being that girl. laurelanne.media/mizzis-money...
"Your body clocks a stranger before your brain even gets a word in. So What! Who Cares?'s 'Eyes Meet' is about that negotiation and the rooftop where it ends. Indie synthpop. I was gone from the first note. laurelanne.media/so-what-who-...
I heard TALI's '(Senti)mental' once and had to set my phone down. It's about falling for someone who loves you right and how disorienting that actually is, wrapped in Motown brass and a sax solo that earns every second. Run, don't walk. laurelanne.media/talis-sentim...
Shara Strand's 'I Know Who I Got In Bed With' is what power sounds like when it's fully dialed in. Disco production, 80s edge, a double meaning she's not explaining to you, and the most controlled energy on a pop track in a while. laurelanne.media/shara-strand...
Cheyenne Pohl's 'Over the Rain' sounds like a 60s girl group found a time machine and handed it to a 24-year-old from Pennsylvania. The 60s Motown soul is all the way present and this track is doing serious damage. laurelanne.media/cheyenne-poh...
Eliza Prymak and Malí's 'Silver and Gold' is polished, sleek electro-pop that makes everyone around it feel slightly underdressed. She's dripping with success. He's obsessed. She's already moved on. The playing field was never level. laurelanne.media/eliza-prymak...
MAIH's 'I Hope You See Me' is about becoming someone's permanent haunting, and she pulls it off on a debut single. Norwegian Scandipop that sounds confident, costs nothing, and will live in your head all week. laurelanne.media/maih-turns-h...
Kelsey Olivia's 'Quit' asks one question the whole time it's playing. Once you've had someone the way he had you, does he ever really become someone else's. This is the song you play at midnight when you know you shouldn't text him. You're going to text him. laurelanne.media/you-were-nev...
Lana Crow wrote 'In Spirit' about learning to live past the noise of modern life. The album covers marital devotion, social critique, and a disco track born from a dream. We're obsessed. Full review up now. laurelanne.media/lana-crows-i...
Audren's 'We Want Funkey!' is a bassline that starts at the floor and ends somewhere between your thighs and I mean that as a five-star review. Friday funk night just got a whole lot more dangerous. laurelanne.media/we-want-funk...
Lula Gold wrote 'Wrong Lane' at fifteen and somehow already knew what it feels like to want someone in all the wrong circumstances. Self-produced, self-taught, and making the rest of us feel very called out. laurelanne.media/lula-golds-w...
Stefanie Michaela's 'Let Me See the Real You' has the slow-burn tension of someone who already knows they're getting what they want and is enjoying every second of watching you decide to give it to them laurelanne.media/stefanie-mic...
Woke up to an email this morning telling me my Tractor Supply rewards are waiting. You mean I could have been driving a John Deere to Quick Trip this whole damn time??
Shaela Miller's 'After the Masquerade (Refashioned)' is gothic, cinematic, and explicitly sexy. Alt-country bones rebuilt in darkwave and pulsing synths. She went somewhere darker and it's fucking gorgeous in there. laurelanne.media/shaela-mille...
CASANDRA's 'SOLUTION' is about building a home inside yourself when the world spent years making you feel like you didn't belong anywhere. The production is hypnotic and the message goes bone deep. laurelanne.media/casandra-mak...
Molly Bogin's 'I Wanna Go Home' is the dance-pop banger for every girl who said yes to going out when she absolutely should have said no. Sharp, funny, and completely irresistible. We're obsessed and we're not sorry about it. laurelanne.media/the-night-ou...
We know the type. Fine-ass body, all the tools, and not a single quality outside the bedroom. Slay Raché's 'Coldest Place On Earth' is about finally cutting that man off and not looking back. The production moves and the voice earns it. laurelanne.media/slay-raches-...
Lana Crow wrote 'In Spirit' about learning to live past the noise of modern life. The album covers marital devotion, social critique, and a disco track born from a dream. We're obsessed. Full review up now. laurelanne.media/lana-crows-i...
Kezia Povey's 'The Sound' is dark electro pop that wraps around you the way he did, all low heat and unhurried confidence, and then drops his crown on the floor in the most satisfying way possible. We are completely obsessed. laurelanne.media/kezia-poveys...
Desperately Seeking Suki's 'Suki' is about the love that stays when the performance stops and the real you shows up. Spoken word verses into a lush synth chorus. A hook that will live in your head. Sibling duo. Debut single. Go. laurelanne.media/desperately-...
4ra 4ra's 'CHROMEsoME' sells the upgrade hard, then asks what you actually lost in the trade. Too much chrome, no soul, production that sounds like a body running too hot. laurelanne.media/4ra-4ras-chr...
Billy Corgan thinks the CIA replaced rock with rap. The real story is older and uglier. America's music culture wars have always been about one thing that most are afraid to admit. We're not. #culture #culturewars #rockmusic #popmusic #racial #hiphop laurelanne.media/corgan-ameri...