What horror film got you hooked on the genre? ❤️

Add it to your watch list if you like atmospheric, slow burn drama, or if you’re a fan of Do’s previous work, “Dearest Sister.”

A VHS tv with gray static and a thin silver “THE LONG WALK" title. "Monday Movie Must-Watch" is in red text below. A white background with gray scraggly trees frame the center image.

Not to be confused with Stephen King’s story of the same name, The Long Walk (2019) is a Laotian horror film directed by Mattie Do.

Part time travel, part ghost story, and sure to haunt you long after the credits roll.

A quote in fancy white text boxed in by red quotation marks: “Access:Horror was created as a space to explore and celebrate the history, impact, and future of disability in the horror genre, through conversations, connections, and various artistic forms, including film. — Ariel Baska, creator of Access:Horror” The black background is splattered with blood and the spiky Access:Horror logo is outlined in white below.

Access:Horror was created as a space to explore and celebrate the history, impact, and future of disability in the horror genre, through conversations, connections, and various artistic forms, including film.

Join us in our mission at filmfreeway.com/accesshorror ❤️

#horrorcommunity

Don’t spoil it in the comments just yet, but for those of you who have seen it, tell us: Did it surprise you? 💍

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The Drama may look like a rom-com from the trailer, but don’t let that fool you. This film intersects horror, disability, ableism, and misogynoir with an intriguing premise about how we throw people away.

Ariel Baska smiles while speaking on a panel with two other panelists.

A group of six panelists sit in front of a red movie theater screen between an ASL interpreter and a secondary subtitle screen.

We’re hard at work making Access:Horror 2026 the best year yet. Visit us at filmfreeway.com/accesshorror to learn more about our mission and what films are eligible before you apply.

#accesshorror #filmfestival #indiefilms #indiefilmmakers #filmmakers

A group of six panelists sit in front of a red movie theater screen between an ASL interpreter and a secondary subtitle screen.

Ariel Baska smiles while speaking on a panel with two other panelists.

We’re hard at work making Access:Horror 2026 the best year yet. Visit us at filmfreeway.com/accesshorror to learn more about our mission and what films are eligible before you apply.

#accesshorror #filmfestival #indiefilms #indiefilmmakers #filmmakers

A VHS tv with gray static and a bold black "THE FLY" title. "Monday Movie Must-Watch" is in red text below. A white background with gray scraggly trees frame the center image.

The science fiction body horror classic, The Fly is our must-watch this week.  Be afraid.  Be very afraid. 🪰

#thefly #bodyhorror #bodyhorrormovie #horrormovies #horrorfilm

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TODAY is the late deadline to apply to our festival.

We’re looking for films that intersect disability and horror. Does that sound like you or someone you know? Go to filmfreeway.com/accesshorror to share your film with us and send a reminder to your favorite filmmakers – we want to see your story.

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The late deadline to apply to the Access:Horror Film Festival is TOMORROW. Get your application in . . . before it’s too late.

Apply here: filmfreeway.com/accesshorror 

#filmfestival #horrormovies #independentfilm #indiefilms #filmmakers

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This month’s last movie must-watch is the 2021 film Titane. Part body horror, part psychological thriller, this film was written and directed by Julia Ducournau and takes the audience on a wild ride from start to finish.

Was this movie what you expected? 🚘

The Babadook is available to watch for FREE on several streaming services online and is included in various subscription-based streamers for your next watch or re-watch.

Kent began her career as an actress before she pivoted to writing and directing, and The Babadook was preceded by a short film titled “Monster” which was later expanded and developed into the feature-length film on grief that we know and love today.

Bold white text “WOMEN IN HORROR:” atop a red and dark blood splattered background. A black and white headshot of Jennifer Kent, a light skinned woman with light hair, outlined in white takes up the right side of the image. “Jennifer Kent” is in large thin font at the bottom of the image. On the side, an oval text box with red text “Best Known For: The Babadook”

If you know women in horror, you know Jennifer Kent.  The Australian director and screenwriter is best known for her supernatural horror film, The Babadook.

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There’s less than a week left until the March 31 late deadline to submit to our film festival – show us your horror shorts, music videos, and more. 🎥🩸

Apply at filmfreeway.com/accesshorror

#filmfestival #horrormovies #indiefilms #filmmaking #filmmakers

A VHS tv with gray static and a yellow "CANDYMAN" title. "Monday Movie Must-Watch" is in white text below. A red background with gray scraggly trees frame the center image.

This Monday's must-watch is Candyman (2024) directed by Nia DaCosta, is a continuation of the original 1992 film that explored systemic racism, trauma, and how it’s passed down through generations.

The film is available to watch on Amazon Prime (subscription required) or rent/buy on other services.

Access:Horror ABOUT ACCESS:HORROR FILM FESTIVAL & INDUSTRY SUMMIT Access:Horror is a film festival and industry summit that celebrates the history, impact and future of...

Do me a favor and submit/tell your friends to submit to @accesshorror.bsky.social (if the film meets the criteria). I’m a programmer and want to see that creepy weird shit posthaste!

filmfreeway.com/AccessHorror

Mother of Flies I sat down with John Adams, Toby Poser, and Zelda Adams, aka The Adams Family to talk about their new witchy horror movie reflecting on life, death, and cancer, premiering on SHUDDER today!

Ariel spoke with creators and stars Toby Poser, Zelda Adams, and John Adams about their motivations and dove into the gory details of how they created their practical effects.

The full interview is available on Substack under “Ariel’s Brainings” – watch now: substack.com/@arielbaska/...

As Women’s History Month marches on, there is no shortage of female-led movies worth watching. Quite notable is “Mother of Flies,” a film by the Adams Family.

Bold black and red text "APPLY TO THE ACCESS:HORROR FILM FESTIVAL BY MARCH 31" on a white blood splattered background. The spiky black, white, and red "Access:HORROR" logo takes up the top of the image.

Each film accepted as an Access:Horror official selection that complies with the FULL eligibility requirements will receive screening fees of $75/short and $150/feature (USD).

Don’t miss the late deadline – submit by March 31st for your chance to be selected.

filmfreeway.com/accesshorror

Get into these movies and support more international women filmmakers today!

A VHS tv with gray static and a gold "DEAREST SISTER" title. "Monday Movie Must-Watch" is in red text below. A black background with gray scraggly trees frame the center image.

Today’s Monday Must-Watch is Dearest Sister, a Lao horror film directed by Mattie Do. The film follows Nok, a village girl who travels to care for her rich cousin, Ana, who is experiencing vision loss accompanied by visions of the dead.

#dearestsister #movierecommendation #horrorfilm #horrormovie

Honeymoon is available to watch for FREE on philo and Fear Street Part One: 1994, Fear Street Part Two: 1978, and Fear Street Part Three: 1666 are available exclusively on Netflix.

Photo by Andrew Eccles © Netflix 2021 
#leighjaniak #honeymoon #fearstreet #fearstreetrilogy

She is best known for directing the Fear Street Trilogy (1994, 1978, and 1666) and for her directorial debut on the 2014 supernatural horror film, Honeymoon, which she also co-wrote. 🛸

Bold white text “WOMEN IN HORROR:” atop a red and dark blood splattered background. A black and white headshot of Leigh Janiak, a light skinned woman with blonde hair, outlined in white takes up the center of the image. “Leigh Janiak” is in large thin font at the bottom of the image. On the right, an oval text box with red text “Best Known For: Fear Street: Parts One, Two, and Three.”

Leigh Janiak weaves suspense and tension with emotionally compelling characters to tell stories that will linger with you long after the credits roll.

Bold black text on a white background partially obscured by dripping blood “DON’T MISS THE DEADLINE!” The Access:HORROR logo is small in the corner. Red and black text fills the screen “Apply to the Access:Horror Film Festival By March 31st”

Tag and share this with your favorite filmmaker who needs to apply to our film festival! The late deadline is March 31. If your film intersects disability with horror or the fantastic, we want to see it. 

Apply now at filmfreeway.com/accesshorror 🎥

Sick Girl Films consists of two disabled queer people who love horror. We host London-based regular horror film screenings, and are creating a community for disabled and chronically ill horror lovers everywhere.

PLEASE NOTE: The venue can get quite cold. We will have some blankets and hot water bottles as well as hot drinks but please remember to wrap up!

A trans welfare worker will also be available on-site during the event.

Doors from 3:30pm. Event begins at 4pm and ends 8pm (followed by a migration to the pub).

Come along and feel sick with us!