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Digital painting of Marcin going down on Jakub in a darkened corner of church. Jakub is slumped in a very high-backed black gothic chair, one arm draped lazily over the side, face serene and downturned, cassock rucked up over his waist. Marcin kneels in front of the chair, face buried between Jakub's thighs, Jakub's other gloved hand gripping the crown of Marcin's head. Jakub's legs, encased in their black leather boots, are crossed on Marcin's upper back in a position reminiscent of a somewhat incorrectly executed triangle choke. The room is deeply shadowed, but light from one of the ornamental church windows is thrown against the back wall, partially highlighting the two men. Marcin's blue coat is a stark contrast to the otherwise largely monochrome scene. (1670)

Digital painting of Marcin going down on Jakub in a darkened corner of church. Jakub is slumped in a very high-backed black gothic chair, one arm draped lazily over the side, face serene and downturned, cassock rucked up over his waist. Marcin kneels in front of the chair, face buried between Jakub's thighs, Jakub's other gloved hand gripping the crown of Marcin's head. Jakub's legs, encased in their black leather boots, are crossed on Marcin's upper back in a position reminiscent of a somewhat incorrectly executed triangle choke. The room is deeply shadowed, but light from one of the ornamental church windows is thrown against the back wall, partially highlighting the two men. Marcin's blue coat is a stark contrast to the otherwise largely monochrome scene. (1670)

Close-up detail of Marcin servicing Jakub, held in place by Jakub's hand and crossed legs. (1670)

Close-up detail of Marcin servicing Jakub, held in place by Jakub's hand and crossed legs. (1670)

-Indulgence-

Listen. I'm still a bit weird about putting my niche fandom smut art on this platform, but I worked really hard on this and went out of my way to try new things, so here we are. :P

#1670fanart | #24crowsart

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Digital painting of Jakub partially reclined against a stack of scrolls, books, and boxes, his black cloak draped over the pile. He is wearing only a drape of white cloth across his lap, his black leather boots, and his black leather gloves with a gold ring on one finger. In one hand he loosely holds a narrow staff with a cross at the finial. He looks bored and irritated. A thin gold halo frames his head and shoulders. (1670)

Digital painting of Jakub partially reclined against a stack of scrolls, books, and boxes, his black cloak draped over the pile. He is wearing only a drape of white cloth across his lap, his black leather boots, and his black leather gloves with a gold ring on one finger. In one hand he loosely holds a narrow staff with a cross at the finial. He looks bored and irritated. A thin gold halo frames his head and shoulders. (1670)

Closeup detail of the previous image, showing Jakub from the waist up. (1670)

Closeup detail of the previous image, showing Jakub from the waist up. (1670)

Caravaggio's "John the Baptist (John in the Wilderness)." Saint John, quite young, is partially reclined against a deep red cloak, which is itself draped over a large tree branch against a very dark background. He is mostly unclothed, and holds a long, narrow staff loosely in one hand. A sheep grazes slightly behind him on the left side of the painting.

Caravaggio's "John the Baptist (John in the Wilderness)." Saint John, quite young, is partially reclined against a deep red cloak, which is itself draped over a large tree branch against a very dark background. He is mostly unclothed, and holds a long, narrow staff loosely in one hand. A sheep grazes slightly behind him on the left side of the painting.

K̵u̵p̵a̵l̵a̵

He's sulking because nobody wants to celebrate St. John's birthday like they do in the cool Catholic west.

A study and a riff on this Caravaggio painting of John the Baptist.

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Digital painting of Jakub Adamczewski in full papal regalia--triple tiara and ferula included--lounging on a high-backed chair in 3/4 profile. His robes are hiked up on his right side, displaying a white leather thigh-high boot and a flash of skin. He rests the ferula against his right shoulder, the fingers of his right hand splayed lazily over it. His expression is self-satisfied. He belongs here. (1670)

Digital painting of Jakub Adamczewski in full papal regalia--triple tiara and ferula included--lounging on a high-backed chair in 3/4 profile. His robes are hiked up on his right side, displaying a white leather thigh-high boot and a flash of skin. He rests the ferula against his right shoulder, the fingers of his right hand splayed lazily over it. His expression is self-satisfied. He belongs here. (1670)

Close-up detail of Jakub's robes. The embroidered panels, though very loosely defined, show the various peasant deaths depicted on the wist tiles in season 2, episode 3. (1670)

Close-up detail of Jakub's robes. The embroidered panels, though very loosely defined, show the various peasant deaths depicted on the wist tiles in season 2, episode 3. (1670)

Close-up detail of Jakub's face, eyebrow slightly raised. (1670)

Close-up detail of Jakub's face, eyebrow slightly raised. (1670)

-See?-

Pope Innocent of All Charges, How Dare You

(I committed to this bit way too hard and I'm not sorry.)

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Digital painting of Jakub Adamczewski standing in 3/4 profile, fingers steepled, framed against a riff on the "Knives Out" centerpiece: concentric rings of blunt hammers and a couple of small hand axes. (1670)

Digital painting of Jakub Adamczewski standing in 3/4 profile, fingers steepled, framed against a riff on the "Knives Out" centerpiece: concentric rings of blunt hammers and a couple of small hand axes. (1670)

Close-up detail crop of previous image, showing Jakub from the chest up. (1670)

Close-up detail crop of previous image, showing Jakub from the chest up. (1670)

-Hammers Out-

...and a couple of axes.

Just a freaky little guy with his hammer collection and weapons-grade leather gloves.

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Loose digital portrait painting of Jakub Adamczewski, face-on to the camera, his black-gloved hand placing a gold coin against his tongue like a communion wafer while making somewhat upsetting direct eye-contact. (1670)

Loose digital portrait painting of Jakub Adamczewski, face-on to the camera, his black-gloved hand placing a gold coin against his tongue like a communion wafer while making somewhat upsetting direct eye-contact. (1670)

-Host-

Join my church. It's bad.

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Loose digital portrait painting of Jakub Adamczewski in profile, eyes half lidded, head framed by a large gold coin that mimics a halo. The coin is embossed with a crown, visible at the top of his head. Around the coin's edge is written "homo homini lupus est." (1670)

Loose digital portrait painting of Jakub Adamczewski in profile, eyes half lidded, head framed by a large gold coin that mimics a halo. The coin is embossed with a crown, visible at the top of his head. Around the coin's edge is written "homo homini lupus est." (1670)

Watched 1670 recently, making it everybody's problem.

-Man is a Wolf to Man-

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#1670season2 absolutely fried my brain, I love #anielaadamczewska so much 🥹
#fanart #pencildrawing #1670fanart

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