Movie poster art for Shadow of God (in dark gray with an upside down cross cut out for the O). On a bland, off-white background, a rail thin, white man without a shirt is misshapen and bent over backward, while yelling and casting a shadow of a crown of thorns.

#185 of 365

A jumbled hodgepodge of end time ideology and Catholicism. Characters rushed through their speeches and the FX was silly. Started with promise and went downhill almost immediately. I like religious horror, but this wasn’t it. 2/10

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Movie poster art for Mudbrick (in red). Shows a gloomy looking countryside with an older white man in dark dress holding out his hands together outstretch toward the sky l and grimacing.

#184 of 365

Beautiful sounding and shot so prettily, but glacially paced (after 40 minutes, there’s finally something resembling horror) and hard to follow in spots. Loved the snakes and the brief shot of the deity. Creepy. 5.5/10

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Movie poster art for I Came By. On a black background, a serious young man descends some stairs in front of an arched door. Looming overhead (that takes up the whole frame) is a suited, older, white man looking grave.

#183 of 365

The time jumps are convoluted nonsense, the bad guy is almost infallible and everyone acts like headless chickens. Fortunately, Hugh Bonneville is delectable, so that somewhat held my attention. Other films have done this better. 4/10

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#ICameBy #Horror #HorrorBrat

Movie poster art for Feat Street Prom Queen. Shows six teenage girls in formals, looking down, but circled around a disco ball.

#182 of 365

I really liked the last installment,so I was really looking forward to this. So much lower quality than it’s predecessors. Completely llackluster and only decent-ish after the reveal. 3/10 for parts of the soundtrack.

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Movie poster art for The Stylist (in gold lettering at the bottom). Inside a purple arch is a mannequin head with a red wig on and a bit of blood seeping down.

#181 of 365

So this take is basically if Ed Gein was a woman. Pretty stylish, but the ending is telegraphed from a mile away. However, I appreciated the look into the neurosis of a younger generation. Interesting. 6/10

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#TheStylist #Horror #HorrorBrat

Movie poster art for Bone Tomahawk. Shows cowboys riding horses down from a cliff, while a saddened, outsized Kurt Russell looks down from overhead. Entire things is in golds, browns, whites and blacks. Background is beige.

#180 of 365

Well, there’s definitely that one scene that divides 😉 audiences on whether or not this goes too hard, and I say it’s great. Like the western aspect, the lore and of course, Kurt Russell (but who doesn’t?) in mutton chops. 8/10

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Movie poster art for Mayhem. Shows a group of people and mercenary types in the midst of combat with a splash of yellow and red, plus a quarantine tape across the front. Tagline: Hostile work environment.

#179 of 365

Bloody, raucous and funny revenge horror. Love both Steven Yeun and Samara Weaving, which have adorable chemistry. I had a great time, so I highly recommend this. Because honestly? It’s cute! 7.5/10

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#Mayhem #Horror #HorrorBrat

Movie poster art for Southbound. Shows a huge, black pentagram in the desert made out of highway with mountains in the background. Tagline: No matter which road you choose, it’s all going south.

#178 of 365

This has always been touted as a great anthology series, but I was non-plussed. The individual stories were banal and the thread that held it all together had me rolling my eyes. 2/10 also.

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#Southbound #Horror #HorrorBrat

Movie poster art for Do Not Disturb. Has a woman at its middle with another face off to the right. Both are done in a psychedelic style in bright pink, a bit of orange and black, all with a misshaped geographic swirl over them. Tagline: Love is all-consuming.

#177 (misnumbered yesterday) of 365

I was initially intrigued by the poster art…. so very 60s. Then when the movie started, I went straight to hating the couple at its center. No amount of gore could help, I just wanted it over. Quickly. 2/10

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#DoNotDisturb #Horror #HorrorBrat

Movie poster art for LIFE. On a black background, a spaceman’s helmet is fogged over to only show the silhouette of a splayed hand reaching forward. Tagline: We were better off alone. *** Actually, most others are better off without us. 🤷🏻‍♀️

#175 of 365

Hmm. We know my feelings on space flicks, then add in Reynolds and Gyllenhaal being annoying. 😐Fortunately, Ariyon Bakare was amazing and the monster was intriguing, so instead of my usual pan, I give this a solid 6/10.

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#Life #Horror #HorrorBrat

Movie poster art for The Coffee Table. A horrified man with blood on his hands is screaming through broken glass, all in a gray background.

#175 of 365

I’d heard how devastating this was and I bet for parents it’s a whole other level. But after the initial insanity, the black comedy took me right out. I guess I was in the mood for realistic bleak, not the silly kind. 5.5/10

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#TheCoffeeTable #Horror #HorrorBrat

Movie poster art for Deathgasm. Shows a bunch of metalheads rocking out in front of a red demon and pentagram on a white background.

#174 of 365

A silly, gory satire of metalheads, evangelicals and those with spooky beliefs. Such an over-the-top, hilarious time. And 10 years later, looks like a sequel is finally in the works. I had such a great time with it. 6/10

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Movie poster art for Dogs (in red). On a black background is a ferocious, black dog head with fangs bared.

#173 of 365

Shockingly cerebral in parts, mumbo jumbo in others and finally so much camp you'll think you're on Drag Race.
Still, the 70s fashion was lit and it’s an okay enough time waster. 3/10

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#Dogs #Horror #HorrorBrat

Movie poster art for Tremors (in yellow caps). Shows a huge, snake-like creature with sharp fangs coming up underground with three people up above.

#172 of 365

My well-documented love of Kevin Bacon makes me so nostalgic for this, and it certainly holds up still. Hilarious, no plot holes, and Fred Ward, Reba McEntire and Michael Gross were such a treat. Could rewatch repeatedly. 8/10

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Movie poster art for Mad God (all caps in red). With a soldier (?) on a heap of monsters against a black background.

#171 of 365

So you're born into this ceaselessly apathetic world without a good map to tell you what to do. It's cruel, inhuman and nonsensical.
Through birth and death, it cycles again. Not cohesive (maddening actually), but visually wild. 6/10

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#MadGod #Horror #HorrorBrat

Movie poster art for Birth/Rebirth. The faces of two women look like they’re being enclosed in some sort of maroon gauzy fabric.

#170 of 365

Holy shit, this was good. A different take on the Frankenstein story, the performances Marin Ireland killed it. Just wish there wasn’t so many breaks during the film, like it was made for TV. Took me right out. Ugh. 7.5/10

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Movie poster art for Dog Soldiers. In an eerie, blue toned wood stands the silhouette of a man that morphs into a monster on the ground. Tagline in yellow: Six men. Full moon. No chance.

#169 of 365

Confession: Sometimes I’m afraid to rewatch favorites for fear they won’t hold up. But this? Fucking knocked it out of the park just like back in the day! Such awesome anxiety inducing. Best werewolf film EVER!! 10/10

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Movie poster art for The Last Horror Movie. Shows a white man’s face as seen through a TV screen, with an imposed red “button” dripping blood over the top with the title in it.

#168 of 365

This is no Man Bites Dog, as it came off quite glib to me. The concept can always be explored more, certainly as a rumination on those of us who love horror, but it just lacked the punch it wanted to deliver. 4/10

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#TheLastHorrorMovie #Horror #HorrorBrat

Movie poster art for Possum. A sepia image of a giant spider on a sparse bed in a filthy room. Tagline: Can you spy him deep within? Little possum. Black as sin.

#167 of 365

Non-lineal storytelling can really plod, but if you can get past the very bleak issue of childhood abuse and sexual assault, it can be worth it. Honestly, I could deal with the subject matter, just not how filthy it makes you feel. 6/10

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Movie poster art for The Wasp. With a solid black background, a knife-like sliver shows the two attractive leads….. a black woman in the red portion that ends up looking like blood with a drip and the white woman off to the left side.

#166 of 365

A boring first half leads to an interesting about face in the second, so overall, I enjoyed it. A couple of one-note acting scenes though, which do get overshadowed by the ending. Almost a 6/10 just to figure out who’s the culprit.

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Movie poster art for Edge of Sanity. Shows a split image of Tony Perkins, with the one on the right being highly powdered, red lipped and over made up on the eyes. Tagline: Double the terror. Double the fun.

#165 of 365

Um, we’ll go with this was a highly stylized tour de force. Lots of ( . )( . ) and maniacal laughing. I think Tony Perkins must’ve needed the money. If you want something really bizarre, give all those red eyes a go. 4.5/10

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#EdgeOfSanity #Horror #HorrorBrat

Movie poster art for Sleepaway Camp 2. An attractive, young white woman with brown hair and short shirts is hiking through the woods, with a Jason mask and Freddie gloves hanging out of her backpack. Tagline: When you go camping just take the essentials.

#164 of 365

Not as jaw dropping as the original, but does hold the distinction of having Bruce Springsteen’s sister as the main character. She was a snarky one, lemme tell ya. Had some inventive kills though. 4/10

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Movie poster art for Des Teufels Bad. On a panorama countryside scene, a wounded white woman’s face takes up the lower portion as she looks felled by pain.

#163 of 365

Haunting backstory of depression in a time when suicide was demonized. Lots of stand out scenes, but the filler can drag some. But so beautifully acted, told and shot, it’s totally worth it. 7.5/10

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Movie poster art for Hunter Hunter. All black with a howling wolf outline in white, then a large make outline inside that, with finally a woman holding a gun. Tagline: Hunt or be hunted.

#162 of 365

Where to start? Sawa as mucho just doesn’t do it for me. He should stick to FD reunions. And the choices they constantly made were idiotic. No food and they’re that close to civilization? 🤦🏻‍♀️ The twist wasn’t, so only a 2/10.

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Movie poster art for Campfire Tales. Shows four white teens over the top of a twilight wood and a hook-handed killer in relief.

#161 of 365

I suppose it has a bit of nostalgia going for it, but you can do so much better with other fare from the same era (like Urban Legends). You’ll see the ending coming too, although it’s okay. Popcorn worthy. 3/10

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#CampfireTales #Horror #HorrorBrat

Movie poster art for Mads (in red). Shows a person’s face multiple exposed to give a nightmare-ish quality.

#160 of 365

Props for it being a one tracking shot film, but it was way too frenetic and shrieky for my taste, and everyone declared it such a unique take on zombies? I felt it was more interesting when I thought it was drugs. 4.5/10

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#Mads #Horror #HorrorBrat

Movie poster art for The Ugly Stepsister (in bright pink). Shows a bloodied slipper beside a cleaver. Tagline: If the shoe fits….

#159 of 365

One of my favorites of the year! The body horror! The hoops girls and women go through to fit in! The audacity of those that put them in that position! Lush in every way, from set design to costuming to plot. Perfect! 9.5/10

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#TheUglyStepsister #Horror #HorrorBrat

Movie poster art for Soul Survivors. A blue-ish image of an evil face overlooking a bunch of teenagers in black. Tagline: The world of the dead and the world of the living…. are about to collide.

#158 of 365

Pretty much an after school special version of Carnival of Souls, with the lead literally being chased everywhere. Gotta appreciate the late 90s / early 2000s styles though. 2/10 for being so boring, despite Eliza.

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#SoulSurvivors #Horror #HorrorBrat

Movie poster art for The Hills Have Eyes. A yellow sky, craggy mountains and a bald, white man with a scavenged necklace and outfit. Tagline: A nice American family. They didn’t want to kill. But they didn’t want to die.

#157 of 365

Schlocky, but a decent take on class struggles that didn’t totally devolve into archetypes. The grittiness wasn’t overwrought and Berryman was a treat. Much better than any of the remakes, IMHO. 6/10

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Movie poster art for Opus. On a maroon background is an inset of a young woman of color that’s almost made to look like a Disney princess in distress.

#156 of 365

I liked the commentary on how charismatic elements can first turn culty and then deadly. John Malkovich dance-rapping was not on my 2025 bingo card, but he slayed. Plus lots of jabs at thin skinned authoritarian types. A funny 7/10.

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#Opus #Horror #HorrorBrat