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A hypnotic monochrome pattern of concentric, pulsing waves. It’s the visual equivalent of a perfect loop. Warning: staring too long may cause spontaneous dancing or an intense urge to fix your kerning. Minimalist perfection.

A hypnotic monochrome pattern of concentric, pulsing waves. It’s the visual equivalent of a perfect loop. Warning: staring too long may cause spontaneous dancing or an intense urge to fix your kerning. Minimalist perfection.

Album Design of the Week
:Jamie xx - 'In Waves'.

The New Company captured a perfect minimalist pulse.

As a designer, this geometric rhythm is exactly what I need to start the week.

#MusicSky #JamieXX #GraphicDesign #AlbumArt #Minimalism

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A whimsical Victorian-style collage featuring a woman in a star, floating amidst a celestial dreamscape. It looks like a high-concept dream I once had in 1995. Pure artistic ambition.

A whimsical Victorian-style collage featuring a woman in a star, floating amidst a celestial dreamscape. It looks like a high-concept dream I once had in 1995. Pure artistic ambition.

The Smashing Pumpkins - 'Mellon Collie and the Infinite Sadness.'

John Craig’s Victorian surrealism collage is a design odyssey.

As a designer, I appreciate the sheer ambition of this visual world.

It is a 90s masterpiece.

#MusicMonday
#MusicSky #GraphicDesign #AlbumArt #SmashingPumpkins

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let's sleep together, right now

#furry #furryart #yiff #albumart #porcupinetree #fearofablankplanet

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Album cover of Luxury Sky Garden by Radioactive Man employs an abstract, grid-structured composition combining pastel fields with loose, gestural line drawings. The tiled segmentation suggests modularity and digital sequencing, reflecting electronic production methods. Organic, almost childlike figures contrast with the rigid grid, implying tension between spontaneity and control, consistent with track titles like “Sonic Portal” and “Deep Space Habitat.” The palette and forms evoke a synthetic yet playful environment, aligning with themes of artificial spaces, sonic experimentation, and fragmented perception.

Album cover of Luxury Sky Garden by Radioactive Man employs an abstract, grid-structured composition combining pastel fields with loose, gestural line drawings. The tiled segmentation suggests modularity and digital sequencing, reflecting electronic production methods. Organic, almost childlike figures contrast with the rigid grid, implying tension between spontaneity and control, consistent with track titles like “Sonic Portal” and “Deep Space Habitat.” The palette and forms evoke a synthetic yet playful environment, aligning with themes of artificial spaces, sonic experimentation, and fragmented perception.

Album cover of Luxury Sky Garden by Radioactive Man employs an abstract, grid-structured composition combining pastel fields with loose, gestural line drawings. The tiled segmentation suggests modularity and digital sequencing, reflecting electronic […]

[Original post on pixelfed.social]

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Album cover of Sleep Dirt by Frank Zappa presents a distorted bedroom scene rendered in an exaggerated, comic-influenced style. The skewed perspective and saturated colors create visual instability, aligning with themes in tracks like “Filthy Habits” and “Spider of Destiny,” which suggest disorder and compulsion. The intrusive creature near the bed introduces a motif of psychological disturbance, while the title implies restless or contaminated sleep. Overall, the imagery reflects fragmentation, tension, and surreal introspection consistent with the album’s experimental compositions.

Album cover of Sleep Dirt by Frank Zappa presents a distorted bedroom scene rendered in an exaggerated, comic-influenced style. The skewed perspective and saturated colors create visual instability, aligning with themes in tracks like “Filthy Habits” and “Spider of Destiny,” which suggest disorder and compulsion. The intrusive creature near the bed introduces a motif of psychological disturbance, while the title implies restless or contaminated sleep. Overall, the imagery reflects fragmentation, tension, and surreal introspection consistent with the album’s experimental compositions.

Album cover of Sleep Dirt by Frank Zappa presents a distorted bedroom scene rendered in an exaggerated, comic-influenced style. The skewed perspective and saturated colors create visual instability, aligning with themes in tracks like “Filthy Habits” and […]

[Original post on pixelfed.social]

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Album cover of *One* by Bob James

The album cover features a striking, golden gargoyle-like face with an exaggeratedly wide-open mouth and protruding tongue, set against a stark black background. This imagery, combined with the album title *One*, likely symbolizes the raw, unfiltered expression of the music—a singular, powerful voice breaking through. The gargoyle’s fierce, almost manic expression mirrors the energetic fusion of jazz, funk, and R&B found on tracks like "Valley of the Shadows" and "Nautilus," where Bob James blends complex arrangements with soulful improvisation.

The artwork is attributed to Hipgnosis, the legendary design studio known for their surreal and visually arresting album covers for bands like Pink Floyd and Led Zeppelin. Their signature style here—blending the grotesque with the beautiful—perfectly complements the album’s adventurous spirit, suggesting that *One* is not just a collection of songs, but a bold, singular statement.

Album cover of *One* by Bob James The album cover features a striking, golden gargoyle-like face with an exaggeratedly wide-open mouth and protruding tongue, set against a stark black background. This imagery, combined with the album title *One*, likely symbolizes the raw, unfiltered expression of the music—a singular, powerful voice breaking through. The gargoyle’s fierce, almost manic expression mirrors the energetic fusion of jazz, funk, and R&B found on tracks like "Valley of the Shadows" and "Nautilus," where Bob James blends complex arrangements with soulful improvisation. The artwork is attributed to Hipgnosis, the legendary design studio known for their surreal and visually arresting album covers for bands like Pink Floyd and Led Zeppelin. Their signature style here—blending the grotesque with the beautiful—perfectly complements the album’s adventurous spirit, suggesting that *One* is not just a collection of songs, but a bold, singular statement.

Album cover of One by Bob James

The album cover features a striking, golden gargoyle-like face with an exaggeratedly wide-open mouth and protruding tongue, set against a stark black background. This imagery, combined with the album title *One*, likely […]

[Original post on pixelfed.social]

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Album cover of *Strega III: Dianus of Doorways* by Salvatore Mercatante, created by Bumble Punk, is a stark black-and-white linocut illustration steeped in occult symbolism. A hooded figure presumably Dianus, master of doorways stands atop a craggy peak, arms raised in invocation before a full moon, holding an open grimoire. Below, skeletal figures rise from graves in a haunted cemetery, their bones clattering in macabre dance. The background swirls with wind-like lines, enhancing the eerie, ritualistic atmosphere. The left panel features gothic typography, skulls, and red wax-drip motifs, framing the album as part of the “Library of the Occult” series. The artwork perfectly mirrors the music’s nocturnal, synth-driven horror : a sonic séance for dreamwalking witches and shadow-stalkers.

Album cover of *Strega III: Dianus of Doorways* by Salvatore Mercatante, created by Bumble Punk, is a stark black-and-white linocut illustration steeped in occult symbolism. A hooded figure presumably Dianus, master of doorways stands atop a craggy peak, arms raised in invocation before a full moon, holding an open grimoire. Below, skeletal figures rise from graves in a haunted cemetery, their bones clattering in macabre dance. The background swirls with wind-like lines, enhancing the eerie, ritualistic atmosphere. The left panel features gothic typography, skulls, and red wax-drip motifs, framing the album as part of the “Library of the Occult” series. The artwork perfectly mirrors the music’s nocturnal, synth-driven horror : a sonic séance for dreamwalking witches and shadow-stalkers.

Album cover of *Strega III: Dianus of Doorways* by Salvatore Mercatante, created by Bumble Punk, is a stark black-and-white linocut illustration steeped in occult symbolism. A hooded figure presumably Dianus, master of doorways stands atop a craggy peak, arms […]

[Original post on pixelfed.social]

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Video

Death & Saxes - Garnished Wages
// Album Art
#albumart #albumcover #art #illustration #artsky #processvideo #procreate

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Death & Saxes - Garnished Wages
// Album Art
#albumart #albumcover #art #illustration #artsky

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Album cover of *Arnaut Pavle* by Arnaut Pavle is a visceral, high-contrast woodcut-style illustration dominated by blood-red and black. It depicts three hooded, skeletal figures with gaping mouths and wild, textured beards—evoking ancient vampiric or demonic entities. The central figure appears to be screaming or chanting, surrounded by swirling, organic lines that suggest decay and ritualistic energy. The vertical band on the left features the band’s name in a jagged, runic font, reinforcing the raw, archaic aesthetic. The artwork mirrors the music’s brutal, old-school black metal punk fusion—uncompromising, primal, and steeped in Transylvanian horror mythology. The artist is not credited.

Album cover of *Arnaut Pavle* by Arnaut Pavle is a visceral, high-contrast woodcut-style illustration dominated by blood-red and black. It depicts three hooded, skeletal figures with gaping mouths and wild, textured beards—evoking ancient vampiric or demonic entities. The central figure appears to be screaming or chanting, surrounded by swirling, organic lines that suggest decay and ritualistic energy. The vertical band on the left features the band’s name in a jagged, runic font, reinforcing the raw, archaic aesthetic. The artwork mirrors the music’s brutal, old-school black metal punk fusion—uncompromising, primal, and steeped in Transylvanian horror mythology. The artist is not credited.

Album cover of Arnaut Pavle by Arnaut Pavle is a visceral, high-contrast woodcut-style illustration dominated by blood-red and black. It depicts three hooded, skeletal figures with gaping mouths and wild, textured beards evoking ancient vampiric or demonic […]

[Original post on pixelfed.social]

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Album cover of *Trilogy* by Yngwie J. Malmsteen, painted by Mark Hefner, is a quintessential 1980s fantasy metal masterpiece. It depicts Malmsteen in a dynamic pose atop rocky cliffs, wielding his guitar like a weapon as he unleashes a bolt of fiery energy toward a towering three-headed green dragon soaring through an apocalyptic orange sky. The scene evokes mythic confrontation—artist versus beast, music versus chaos—symbolizing the album’s virtuosic intensity and neo-classical grandeur. The dramatic lighting, detailed scales, and heroic composition reflect the epic scope of the “Trilogy Suite” and Malmsteen’s self-styled role as a sonic sorcerer. Hefner’s signature appears discreetly in the lower right, affirming his role in crafting this iconic image.

Album cover of *Trilogy* by Yngwie J. Malmsteen, painted by Mark Hefner, is a quintessential 1980s fantasy metal masterpiece. It depicts Malmsteen in a dynamic pose atop rocky cliffs, wielding his guitar like a weapon as he unleashes a bolt of fiery energy toward a towering three-headed green dragon soaring through an apocalyptic orange sky. The scene evokes mythic confrontation—artist versus beast, music versus chaos—symbolizing the album’s virtuosic intensity and neo-classical grandeur. The dramatic lighting, detailed scales, and heroic composition reflect the epic scope of the “Trilogy Suite” and Malmsteen’s self-styled role as a sonic sorcerer. Hefner’s signature appears discreetly in the lower right, affirming his role in crafting this iconic image.

Album cover of *Trilogy* by Yngwie J. Malmsteen, painted by Mark Hefner, is a quintessential 1980s fantasy metal masterpiece. It depicts Malmsteen in a dynamic pose atop rocky cliffs, wielding his guitar like a weapon as he unleashes a bolt of fiery energy […]

[Original post on pixelfed.social]

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Album cover of Örs by Onur Yeğin, created by Ceren "Jeff" Kahvecioğlu, is a striking black-and-white linocut-style illustration rich in texture and symbolic abstraction. The composition centers on an intricate, almost totemic figure composed of swirling lines, organic patterns, and geometric shapes—evoking traditional Anatolian motifs fused with modern graphic intensity. Bold contrasts and rhythmic linework suggest movement and emotional depth, mirroring the EP’s sample-based hip-hop instrumentals rooted in Turkish musical heritage. The red “örs” text adds a minimal yet powerful accent, anchoring the visual chaos. The artwork reflects both cultural resonance and contemporary experimentation, aligning with Yeğin’s underground production style.

Album cover of Örs by Onur Yeğin, created by Ceren "Jeff" Kahvecioğlu, is a striking black-and-white linocut-style illustration rich in texture and symbolic abstraction. The composition centers on an intricate, almost totemic figure composed of swirling lines, organic patterns, and geometric shapes—evoking traditional Anatolian motifs fused with modern graphic intensity. Bold contrasts and rhythmic linework suggest movement and emotional depth, mirroring the EP’s sample-based hip-hop instrumentals rooted in Turkish musical heritage. The red “örs” text adds a minimal yet powerful accent, anchoring the visual chaos. The artwork reflects both cultural resonance and contemporary experimentation, aligning with Yeğin’s underground production style.

Album cover of Örs by Onur Yeğin, created by Ceren "Jeff" Kahvecioğlu, is a striking black-and-white linocut-style illustration rich in texture and symbolic abstraction. The composition centers on an intricate, almost totemic figure composed of swirling lines […]

[Original post on pixelfed.social]

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Album cover of The Bestiary by Castle Rat, photographed by Courtney B. Hall, is a cinematic fantasy tableau bathed in ethereal cyan tones. At the center, “The Rat Queen” (Riley Pinkerton) rides a white unicorn across a barren, icy landscape, brandishing a glowing sword aloft. She wears a golden, scale-mail bikini and thigh-high boots, embodying a fierce, mythic warrior. In the background, a robed wizard figure holds a staff, enhancing the epic, otherworldly narrative. The band’s logo radiates light above, while the title appears in ornate script below. The image captures the album’s conceptual theme—a “book of beasts”—blending heavy metal bravado with high-fantasy storytelling. Illustrations by Alistair Strangwick-Rodgers and cover design by Chris Allison complete the mystical aesthetic.

Album cover of The Bestiary by Castle Rat, photographed by Courtney B. Hall, is a cinematic fantasy tableau bathed in ethereal cyan tones. At the center, “The Rat Queen” (Riley Pinkerton) rides a white unicorn across a barren, icy landscape, brandishing a glowing sword aloft. She wears a golden, scale-mail bikini and thigh-high boots, embodying a fierce, mythic warrior. In the background, a robed wizard figure holds a staff, enhancing the epic, otherworldly narrative. The band’s logo radiates light above, while the title appears in ornate script below. The image captures the album’s conceptual theme—a “book of beasts”—blending heavy metal bravado with high-fantasy storytelling. Illustrations by Alistair Strangwick-Rodgers and cover design by Chris Allison complete the mystical aesthetic.

Album cover of The Bestiary by Castle Rat, photographed by Courtney B. Hall, is a cinematic fantasy tableau bathed in ethereal cyan tones. At the center, “The Rat Queen” (Riley Pinkerton) rides a white unicorn across a barren, icy landscape, brandishing a […]

[Original post on pixelfed.social]

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Over at doomedbird.com/2026/04/02/d... we have a new article on the artists that created the wonderful artwork on the five Doomed Bird albums.

Including Paul Loudon, Peter Aldrich and Judi Dransfield Kuepper.

#albumart

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Pink

#art #digitalart #graphicdesign #graphicdesigncentral #designer #graphicdesigner #poster #posterdesign #posterart #adobe #photoshop #digitalarchive #albumart #collage #collageart #digitalcollage #madewithphotoshop #posterdesign #posterdesigncommunity #posterlabs #posterart

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Album cover of *Spiritual Jazz 15: A Tribute to 'Trane* is an expressive, abstract painting dominated by swirling blue and turquoise tones. It depicts a saxophonist in a moment of intense spiritual communion with his instrument, his face contorted in ecstasy or exertion. Bold black outlines and fluid brushstrokes create a sense of movement and emotional depth, mirroring the transcendent energy of John Coltrane’s music. The style evokes mid-20th-century expressionism, emphasizing raw feeling over realism. The artwork visually embodies the album’s theme of reverence and spiritual devotion to Coltrane’s legacy. The painter is not identified in available materials.

Album cover of *Spiritual Jazz 15: A Tribute to 'Trane* is an expressive, abstract painting dominated by swirling blue and turquoise tones. It depicts a saxophonist in a moment of intense spiritual communion with his instrument, his face contorted in ecstasy or exertion. Bold black outlines and fluid brushstrokes create a sense of movement and emotional depth, mirroring the transcendent energy of John Coltrane’s music. The style evokes mid-20th-century expressionism, emphasizing raw feeling over realism. The artwork visually embodies the album’s theme of reverence and spiritual devotion to Coltrane’s legacy. The painter is not identified in available materials.

Album cover of *Spiritual Jazz 15: A Tribute to 'Trane* is an expressive, abstract painting dominated by swirling blue and turquoise tones. It depicts a saxophonist in a moment of intense spiritual communion with his instrument, his face contorted in ecstasy […]

[Original post on pixelfed.social]

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Album cover of *Winning Days* by The Vines is a vibrant, psychedelic illustration that captures the band’s energetic and eclectic style. The artwork features a central figure with rainbow-colored hair and striking, mismatched eyes, surrounded by a riot of flowers, swirling patterns, and stars. The background includes stylized portraits of the band members, blending into the floral and cosmic motifs. The bold, retro-inspired design evokes a 1960s psychedelic vibe, with vivid colors and intricate details that reflect the album’s dynamic mix of rock and pop influences.

Album cover of *Winning Days* by The Vines is a vibrant, psychedelic illustration that captures the band’s energetic and eclectic style. The artwork features a central figure with rainbow-colored hair and striking, mismatched eyes, surrounded by a riot of flowers, swirling patterns, and stars. The background includes stylized portraits of the band members, blending into the floral and cosmic motifs. The bold, retro-inspired design evokes a 1960s psychedelic vibe, with vivid colors and intricate details that reflect the album’s dynamic mix of rock and pop influences.

Album cover of Winning Days by The Vines is a vibrant, psychedelic illustration that captures the band’s energetic and eclectic style. The artwork features a central figure with rainbow-colored hair and striking, mismatched eyes, surrounded by a riot of […]

[Original post on pixelfed.social]

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The living stain glass who recently gets to explore the world, Lealigh's album with themes of a new world and exploration

here's the Spotify link to the playlist open.spotify.com/playlist/4rN...

#art #illustration #characterdesign #oc #digitalart #digitalillustration #album #albumart #spotify

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A grid of the covers of the nine albums that I've listened to the most this last month.

A grid of the covers of the nine albums that I've listened to the most this last month.

Top 9 Albums I've been shoving down my earholes over the last month.

track info @last_fm
collage tapmusic.net

#music #albums #top9 #collage #charts #playlist #mp3 #flac #wav #albumart #tunes #vinyl #lp #ep #cd #sounds #albumcover #albumartwork #musicians #listening

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Album cover of *Come Out Come Out* by cub is a vibrant, playful illustration that embodies the band’s “cuddlecore” aesthetic and indie pop spirit. At the center is a whimsical purple bear-like face with wide, innocent eyes, green lips, and a red heart-shaped forehead marking with an eye inside—evoking childlike wonder and surreal charm. Surrounding it are colorful flowers, stars, and two blue-faced characters with heart motifs, all set against a bold purple background. The hand-drawn, cartoonish style reflects the album’s lighthearted, quirky energy, while the title’s cursive yellow font adds a nostalgic, DIY feel. The cover artist is not credited, but the design aligns with the Vancouver indie scene’s creative, lo-fi ethos of the mid-90s.

Album cover of *Come Out Come Out* by cub is a vibrant, playful illustration that embodies the band’s “cuddlecore” aesthetic and indie pop spirit. At the center is a whimsical purple bear-like face with wide, innocent eyes, green lips, and a red heart-shaped forehead marking with an eye inside—evoking childlike wonder and surreal charm. Surrounding it are colorful flowers, stars, and two blue-faced characters with heart motifs, all set against a bold purple background. The hand-drawn, cartoonish style reflects the album’s lighthearted, quirky energy, while the title’s cursive yellow font adds a nostalgic, DIY feel. The cover artist is not credited, but the design aligns with the Vancouver indie scene’s creative, lo-fi ethos of the mid-90s.

Album cover of *Come Out Come Out* by cub is a vibrant, playful illustration that embodies the band’s “cuddlecore” aesthetic and indie pop spirit. At the center is a whimsical purple bear-like face with wide, innocent eyes, green lips, and a red heart-shaped […]

[Original post on pixelfed.social]

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Album cover of *Trial by Fire* by Journey, painted by Michael Whelan, is a vivid surrealist tableau that merges myth, nature, and cosmic symbolism. A cat-headed woman in a feathered gown stands on a golden beach, tethering a boat containing a giant infant—perhaps symbolizing rebirth or innocence. Behind them, a swirling Earth floats above the ocean, pierced by a golden arrow, while two figures pour water from amphorae onto the globe, suggesting renewal or cleansing. Palm trees, a terracotta jug with an eye motif, and a twilight sky deepen the dreamlike atmosphere. The artwork reflects the album’s themes of love, loss, and transformation, rendered in Whelan’s signature fantasy-realist style.

Album cover of *Trial by Fire* by Journey, painted by Michael Whelan, is a vivid surrealist tableau that merges myth, nature, and cosmic symbolism. A cat-headed woman in a feathered gown stands on a golden beach, tethering a boat containing a giant infant—perhaps symbolizing rebirth or innocence. Behind them, a swirling Earth floats above the ocean, pierced by a golden arrow, while two figures pour water from amphorae onto the globe, suggesting renewal or cleansing. Palm trees, a terracotta jug with an eye motif, and a twilight sky deepen the dreamlike atmosphere. The artwork reflects the album’s themes of love, loss, and transformation, rendered in Whelan’s signature fantasy-realist style.

Album cover of *Trial by Fire* by Journey, painted by Michael Whelan, is a vivid surrealist tableau that merges myth, nature, and cosmic symbolism. A cat-headed woman in a feathered gown stands on a golden beach, tethering a boat containing a giant […]

[Original post on pixelfed.social]

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Album cover of DNA ACTIVATION by Witch Prophet, photographed by Brianna Prophet, is a regal and intimate portrait that embodies the album’s themes of heritage and identity. The artist is depicted in profile, adorned in a richly embroidered blue and gold robe with intricate floral patterns, evoking Ethiopian and Eritrean cultural aesthetics. Her braided hair is crowned with delicate gold jewelry, and her serene expression conveys strength and introspection. The vibrant magenta background and ornate umbrella enhance the sense of royalty and spiritual depth. This visual aligns with the album’s fusion of Ethio-jazz, R&B, and hip-hop, rooted in biblical stories and ancestral connections.

Album cover of DNA ACTIVATION by Witch Prophet, photographed by Brianna Prophet, is a regal and intimate portrait that embodies the album’s themes of heritage and identity. The artist is depicted in profile, adorned in a richly embroidered blue and gold robe with intricate floral patterns, evoking Ethiopian and Eritrean cultural aesthetics. Her braided hair is crowned with delicate gold jewelry, and her serene expression conveys strength and introspection. The vibrant magenta background and ornate umbrella enhance the sense of royalty and spiritual depth. This visual aligns with the album’s fusion of Ethio-jazz, R&B, and hip-hop, rooted in biblical stories and ancestral connections.

Album cover of DNA ACTIVATION by Witch Prophet, photographed by Brianna Prophet, is a regal and intimate portrait that embodies the album’s themes of heritage and identity. The artist is depicted in profile, adorned in a richly embroidered blue and gold robe […]

[Original post on pixelfed.social]

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Image with text: Which album cover should be a tattoo?

Image with text: Which album cover should be a tattoo?

Which album cover should be a tattoo?

Please share and follow us for daily album releases and more music content!

#riffology #AlbumArt #TattooIdeas #MusicLovers #ArtDiscussion #YourChoice #metalsky #metalheads #musicsky

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An awesome looking image. Floaty cube thing in the middle, and two similar ones on the sides. Floor is covered in pixel stuff. Back wall has the names of a few of the songs on it.

An awesome looking image. Floaty cube thing in the middle, and two similar ones on the sides. Floor is covered in pixel stuff. Back wall has the names of a few of the songs on it.

Working on cover art for my upcoming album. Made in blender. Got the dither texture from an image I glitched up.
#blender #3drender #albumart #coverart

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Hi my name is andy and i make fake album covers that i'll never use for anything.

here are some examples:

#art #digitalarwork #albumart

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Starting the week with a classic.

Designed by Robert Fisher, this iconic cover perfectly captures
the 90s grunge era.

It’s a masterpiece of visual storytelling and my choice for album cover of the week.

Which track from this legendary record is your go-to?

#MusicMonday #AlbumArt #MusicSky

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This is for my non spanish-speaking followers. Both the title of chapter 4, "El Café de Nicanor", and this promotional piece are direct homages to spanish singer-songwriter Joaquín Sabina
#indiecomic #artmoots #smallartist #digitalart #albumart
I really like his music 🙂

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Blue

#art #digitalart #graphicdesign #graphicdesigncentral #designer #graphicdesigner #poster #posterdesign #posterart #adobe #photoshop #digitalarchive #albumart #collage #collageart #digitalcollage #madewithphotoshop #posterdesign #posterdesigncommunity #posterlabs #posterart

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Album cover of Corridors of Rhyme by Donny G x BK Bonez, created by Grant Hatfield (Filth Effigy), is a dynamic, hand-drawn illustration that captures the raw energy and surrealism of the music. It features a fierce battle scene: a warrior-like figure, possibly representing Donny G, wields a flaming sword against a monstrous creature with sharp teeth and claws. Beside him, a skeletal figure in a purple hoodie, likely symbolizing BK Bonez, plays a keyboard while seated in a throne-like chair. The snowy, mountainous backdrop adds to the epic, otherworldly atmosphere. The style is reminiscent of fantasy comic art, with bold lines and vibrant colors, reflecting the album's themes of violence, isolation, and experimental soundscapes.

Album cover of Corridors of Rhyme by Donny G x BK Bonez, created by Grant Hatfield (Filth Effigy), is a dynamic, hand-drawn illustration that captures the raw energy and surrealism of the music. It features a fierce battle scene: a warrior-like figure, possibly representing Donny G, wields a flaming sword against a monstrous creature with sharp teeth and claws. Beside him, a skeletal figure in a purple hoodie, likely symbolizing BK Bonez, plays a keyboard while seated in a throne-like chair. The snowy, mountainous backdrop adds to the epic, otherworldly atmosphere. The style is reminiscent of fantasy comic art, with bold lines and vibrant colors, reflecting the album's themes of violence, isolation, and experimental soundscapes.

Album cover of Corridors of Rhyme by Donny G x BK Bonez, created by Grant Hatfield (Filth Effigy), is a dynamic, hand-drawn illustration that captures the raw energy and surrealism of the music. It features a fierce battle scene: a warrior-like figure […]

[Original post on pixelfed.social]

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MUSIC ARTISTS, YES, I DO ALBUM COVER COMMISSIONS!
DM MY DISCORD: @pnkabe_

{ #music #musicalartist #album #albumart #coverart #artist #commissionsopen #commsopen #smallprices }

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