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POLYCHROME EMBLEMA FROM TOR MARANCIA, C. 150 CE. VATICAN MUSEUMS

This is how we do it Roman-style. From a dig in 1817-1823 on the estate of Tor Marancia this small-tessera mosaic emerged from the ruins of a C2 CE villa. The mosaic begins with a nested series of black and white frames, beginning on the outside edges with a lotus-like pattern in white formed by overlapping half-circles. Further in, a braid of guilloches surrounds a white frame and then a checkerboard pattern. Hanging from the inmost frame are a plucked fowl and a fish, with a large bundle of dates from a palm next to them at right. Below, a bucket of seafood stands next to another fish, and at lower right, a large bundle of, what else, asparagus. This vivid collection of food represents the intangible spirit of xenia, the love of the stranger, of the guest, which made a good centrepiece for a dining room.

POLYCHROME EMBLEMA FROM TOR MARANCIA, C. 150 CE. VATICAN MUSEUMS This is how we do it Roman-style. From a dig in 1817-1823 on the estate of Tor Marancia this small-tessera mosaic emerged from the ruins of a C2 CE villa. The mosaic begins with a nested series of black and white frames, beginning on the outside edges with a lotus-like pattern in white formed by overlapping half-circles. Further in, a braid of guilloches surrounds a white frame and then a checkerboard pattern. Hanging from the inmost frame are a plucked fowl and a fish, with a large bundle of dates from a palm next to them at right. Below, a bucket of seafood stands next to another fish, and at lower right, a large bundle of, what else, asparagus. This vivid collection of food represents the intangible spirit of xenia, the love of the stranger, of the guest, which made a good centrepiece for a dining room.

For #MosaicMonday this week, an #emblema from the #triclinium of the villa of Numisia #Procula at #TorMarancia along the via #Ardeatina, c. 150 CE. The #polychrome centre is full of delicious delicacies representing the host's #xenia or guest-welcoming. #AncientBluesky 🏺

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A fuoco sterpaglie e colture a Roma e vicino all'aeroporto di Ciampino - metropoli.online Fiamme vicino un garage aziendale lungo la via Ardeatina e un rogo vicino allo scalo aeroportuale. In azione tre squadre dei vigili del fuoco

A #fuoco #sterpaglie e #colture a #Roma e vicino all'#aeroporto di #Ciampino

#Fiamme vicino un #garage #aziendale lungo la via #Ardeatina e un #rogo vicino allo #scalo #aeroportuale. In azione tre squadre dei #vigilidelfuoco

www.metropoli.online/a-fuoco-ster...

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Auto finisce contro un albero e si ribalta sull'Ardeatina: un morto e 4 feriti gravi (Adnkronos) - Grave incidente stradale oggi, sabato 24 maggio, sulla via Ardeatina al km 16 a sud di Roma. Un'auto è andata a sbattere contro un albero e, poi, si è ribaltata, provocando la morte di un uomo, mentre gli altri quattro p...

Auto finisce contro un albero e si ribalta sull'Ardeatina: un morto e 4 feriti gravi ... LEGGI TUTTO #incidente #roma #Ardeatina #safety #stradale

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Roma: auto contro un albero sulla via Ardeatina, un morto e quattro feriti gravi - metropoli.online Vigili del fuoco di Pomezia e personale del 118 hanno dovuto estrarre le vittime dalle lamiere. L'impatto al chilometro 16 intorno alle 15.30

#Roma: #auto contro un #albero sulla via #Ardeatina, un #morto e quattro #feriti gravi

#Vigilidelfuoco di #Pomezia e personale del #Emergenza118 hanno dovuto estrarre le #vittime dalle #lamiere. L' #impatto al chilometro 16 intorno alle 15.30
#incidentistradali

www.metropoli.online/roma-auto-co...

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INSCRIPTION OF THE TOMB OF CAIUS NOVIUS MINYAS, C2 CE. CAPITOLINE MUSEUMS

D(is) M(anibus). / C(aius) Novius Minyas fecit sibi et lib(ertis) li(bertabu)sq(ue), suis / posteris, posterisque eorum. Huic mo/numento cedit hortus, cum aedificio, / maceria clusus, in fronte p(edes) CCLXXX, in agro p(edes) CCCLX, / quae per t'inent ad lib(ertos) lib(ertas)q(ue) Novi Minyae, qui / sun(t) eruntve, quiq(ue) ex his na t'i erunt; eidem / hor t'o et aedificio cedit iter per ianum maior(em) / hor tor(um) sive eundi (!) Meropiani. H(uic) m(onumento) d(olus) m(alus) ab esto.

"To the departed shades. Caius Novius Minyas saw to (the making of this tomb) for himself, his freedmen, freedwomen, for his and their descendents. To this funerary monument belongs a garden with an edifice, bordered by a wall, extending 280 feet (m. 82.79) along the front and 360 feet (m. 106.45) towards the countryside; these (structures) belong to the freedmen and freedwomen of Novius Minyas, those who are and who will be, and to whoever is born of them; to the same garden and edifice belongs a pathway (that permits entrance into the tomb) through the principle entrance of the gardens or the fundus Meropianus. May trickery and fraud stay away from this funerary monument." This Minyas, probably a rich Greek freedman, must have seen some shady deeds done in the cemetery market, because he was obsessive about the size of his family tomb and its enclosed garden.

INSCRIPTION OF THE TOMB OF CAIUS NOVIUS MINYAS, C2 CE. CAPITOLINE MUSEUMS D(is) M(anibus). / C(aius) Novius Minyas fecit sibi et lib(ertis) li(bertabu)sq(ue), suis / posteris, posterisque eorum. Huic mo/numento cedit hortus, cum aedificio, / maceria clusus, in fronte p(edes) CCLXXX, in agro p(edes) CCCLX, / quae per t'inent ad lib(ertos) lib(ertas)q(ue) Novi Minyae, qui / sun(t) eruntve, quiq(ue) ex his na t'i erunt; eidem / hor t'o et aedificio cedit iter per ianum maior(em) / hor tor(um) sive eundi (!) Meropiani. H(uic) m(onumento) d(olus) m(alus) ab esto. "To the departed shades. Caius Novius Minyas saw to (the making of this tomb) for himself, his freedmen, freedwomen, for his and their descendents. To this funerary monument belongs a garden with an edifice, bordered by a wall, extending 280 feet (m. 82.79) along the front and 360 feet (m. 106.45) towards the countryside; these (structures) belong to the freedmen and freedwomen of Novius Minyas, those who are and who will be, and to whoever is born of them; to the same garden and edifice belongs a pathway (that permits entrance into the tomb) through the principle entrance of the gardens or the fundus Meropianus. May trickery and fraud stay away from this funerary monument." This Minyas, probably a rich Greek freedman, must have seen some shady deeds done in the cemetery market, because he was obsessive about the size of his family tomb and its enclosed garden.

#EpigraphyTuesday gives us a funerary #inscription that tells us nothing about the deceased and quite a lot about him at the same time. Found between the via #Appia and the via #Ardeatina in 1812, it describes a large plot of land with a garden and tomb, and a lot of suspicion. #AncientBluesky 🏺 ALT

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