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Signed in Japanese down the right side with the characters あや子 (Ayako) and then “Aya” in Roman letters just below, this self portrait was painted in the early 1930s, when Ayako “Aya” Broughton was in her twenties, around the time she left Japan. She is reportedly from an affluent family in Kyoto, though surviving records are fragmentary, and here she presents herself as cosmopolitan and self-possessed with a “Japanese-style” straw hat and deliberate jewelry in an upright pose and restrained grey and cream palette. 

She is a young woman with light golden-brown skin turned in 3/4 view against a soft grey backdrop, meeting us with a steady, sideways glance. Her dark eyes are framed by neat brows and a shadow of black hair tucked beneath a wide woven straw hat whose ridged crown and ribboned brim catch the light. She wears a short-sleeved cream dress that creases at the shoulders and waist, fastened with round gold buttons and cinched by a broad patterned belt. A chunky beaded necklace lies over her collar, echoed by matching earrings, bracelet and a large ring on her left hand. Subtle shifts of grey and beige model her face and arms, giving the painted surface a textured, almost sculpted feel, while her signature in both Japanese  and English hints at a life lived between cultures.

In 1936, she married the English scholar Bernard Broughton and moved to the seaside town of Torquay, which became her home and primary subject. After World War II, she deepened her studying at art schools in Devon, joining the Free Painters and Sculptors and the Society of Women Artists, and exhibiting from London to the Paris Salon, where she won a silver medal. Later honoured as a Fellow of the Royal Society of Arts and remembered through the Aya Broughton Prize for immigrant artists, she insisted that she belonged to both cultures, remarking that “people are kind everywhere, East and West.” This early work already embodies that confident sense of cross-cultural belonging.

Signed in Japanese down the right side with the characters あや子 (Ayako) and then “Aya” in Roman letters just below, this self portrait was painted in the early 1930s, when Ayako “Aya” Broughton was in her twenties, around the time she left Japan. She is reportedly from an affluent family in Kyoto, though surviving records are fragmentary, and here she presents herself as cosmopolitan and self-possessed with a “Japanese-style” straw hat and deliberate jewelry in an upright pose and restrained grey and cream palette. She is a young woman with light golden-brown skin turned in 3/4 view against a soft grey backdrop, meeting us with a steady, sideways glance. Her dark eyes are framed by neat brows and a shadow of black hair tucked beneath a wide woven straw hat whose ridged crown and ribboned brim catch the light. She wears a short-sleeved cream dress that creases at the shoulders and waist, fastened with round gold buttons and cinched by a broad patterned belt. A chunky beaded necklace lies over her collar, echoed by matching earrings, bracelet and a large ring on her left hand. Subtle shifts of grey and beige model her face and arms, giving the painted surface a textured, almost sculpted feel, while her signature in both Japanese and English hints at a life lived between cultures. In 1936, she married the English scholar Bernard Broughton and moved to the seaside town of Torquay, which became her home and primary subject. After World War II, she deepened her studying at art schools in Devon, joining the Free Painters and Sculptors and the Society of Women Artists, and exhibiting from London to the Paris Salon, where she won a silver medal. Later honoured as a Fellow of the Royal Society of Arts and remembered through the Aya Broughton Prize for immigrant artists, she insisted that she belonged to both cultures, remarking that “people are kind everywhere, East and West.” This early work already embodies that confident sense of cross-cultural belonging.

“Self Portrait” by Aya Broughton (Japanese–British) - Oil on canvas / c. 1930s - Torre Abbey Museum (Torquay, England) #WomenInArt #AyaBroughton #AyakoBroughton #Broughton #SelfPortrait #art #artText #artwork #BlueskyArt #arte #JapaneseArtist #TorreAbbeyMuseum #WomenArtists #WomensArt #WomanArtist

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