A grinning round-faced white middle aged man holding up the gatefold sleeve of a record to the camera.
Eska's album autographed "To Joe, thankyou always"
Bass, Mids, Tops and the Rest Yeah but the world does - or the machine that presents music to people at least - it
does want someone who will do the same thing repeatedly. Weird, isn't it? That's not very human. It's very odd. It's just very, very odd. And I mean, I feel particularly for younger artists, because I see that they struggle with that, particularly ones that get sort of funneled into the machine very quickly, into big sort of juggernauts and major labels and whatnot. And, you know, even one who I won't name, but she happened to be in my studio complex working with someone on her stuff. And I heard her stuff and I thought myself, gosh, this is so dull. But when I was actually having a conversation with her and she was getting me hip to stuff that I was just... mind-blowing stuff really, and thinking, there's a complete incongruity with your brain and your imagination and this pile of shite that you're making, I don't know what's happened. You're really interesting. But you've been put in the pretty machine,
whatever, so you've got to sort of look and sound a way, I don't know... weird.
And I'm thinking, you're like 20 times more interesting than people will ever know. And I feel sorry that they will never know. They're not privileged. They've never had a wonderful music session with you like I have. I mean, turning me onto stuff, like, you know, my roots are Zimbabwean? But I didn't know about the Chicken Run Band 3 Amazing Zimbabwean group from the 70s. And thanks to this young girl, this is my favorite band now. I would never have known that in a million years, listening to your wonderfully curated, manufactured kind of quasi Amy Winehouse type thing that you're doing. It's unbelievable, doesn't even... the incongruity, it's startling because yet
new tab I that and I guess why I still feel like I'm still gonna forge ahead with the road less
Uhhhh.... Yeah. It's wild. It's wild. So from a live agent perspective, from a promoter perspective, I'm being treated like a new artist. it's so wild because it's, "Oh wow." And... I just have to accept that that's the trade off. If you're not going to go at the pace that the industry, the machine works and there are some forces pushing for that for sure. And
which is not great. It'
's not great at all. Um, it's... but yeah, one has to sort of accept that really. However, I was asked by my distributor, like, "What do you want to get out of this record?" And I thought, okay, this is an interesting one, let me sit with that one for a moment. Okay. I'm going to have to get back to you. And actually in the end, what I' ve arrived at is: this is a very different chapter in my life personally, as well as artistically. Um, and I really desire to be prolific in the way that I can make music and I don't want to hold back in the way that this was held back. Obviously it was a complex album on so many levels. It wasn't straightforward to make. Um, so I hope that this chapter will enable me to be that artist, that artist that I... the ambition that I
have, I hope I'm free, free on lots of levels.
Well you've been prolific before, but it's been as a... as a singer for hire, more or less. Yeah, well, yeah, I mean, singer for hire, writer for hire, whatever, you know, writer for
hire, yeah, musician for hire.
How long have you been a full-time professional musician?
Where that's been my only job?
Yeah.
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👉🏻 ESKA's The Ordinary Life of a Magic Woman is now out on streaming and suchlike having had a glorious month of VINYL ONLY life already
👉🏻 Her appearance on #BassMidsTopsAndTheRest is one of the greatest, most honest and eye opening conversations about the creative process you’ll see this year