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MovieJawn
MovieJawn
@moviejawn.com
10 months ago
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MJ's @sirendeathcult.bsky.social shares a preview of LA’s grossest film festival! Grab your tickets now to #FemmeFilthFest a celebration of all things filthy in partnership with #BloodletterMagazine. Read it here: www.moviejawn.com/home/2025/4/...

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Horror Lex®
Horror Lex®
@horrorlex.bsky.social
1 year ago
The key art for Bloodletter issue #4, a fantasy drawing of two gnarled trees whose branches spread out over them as a canopy with the word "Love" in the middle, plus a broken egg being held by a disembodied hand containing a lock of blonde hair.

The key art for Bloodletter issue #4, a fantasy drawing of two gnarled trees whose branches spread out over them as a canopy with the word "Love" in the middle, plus a broken egg being held by a disembodied hand containing a lock of blonde hair.

#BloodletterMagazine #4 is all "Love." Ashley Linkletter reviews 1970s interpretations of Elizabeth Bathory (COUNTESS DRACULA, DAUGHTERS OF DARKNESS, THIRST); Elizabeth Polanco talks about folk horror girlies fighting the odds (LAMB, THE WITCH), plus fiction and more. #openaccess
bloodlettermag.com

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Horror Lex®
Horror Lex®
@horrorlex.bsky.social
1 year ago
On the left, the "cover" image for Bloodletter Magazine #3, a red cartoon shape (a two-pronged vibrator perhaps??) surrounded by pink, orange and yellow abstract wiggly shapes. On the right, a still from THE DESCENT (2005) in which battle-weary Sarah emerges from a pool of blood, every inch of her covered in red. She pulls her head back to give out a barbaric yalp.

On the left, the "cover" image for Bloodletter Magazine #3, a red cartoon shape (a two-pronged vibrator perhaps??) surrounded by pink, orange and yellow abstract wiggly shapes. On the right, a still from THE DESCENT (2005) in which battle-weary Sarah emerges from a pool of blood, every inch of her covered in red. She pulls her head back to give out a barbaric yalp.

New #BloodletterMagazine has essays on healing thru vamp hunting in LET'S SCARE JESSICA TO DEATH, blood-drenched Final Girls, hysterical females of THE DESCENT & personal growth in horror. @whateverokay.bsky.social J Goldschmidt @blsaycewrites.bsky.social C McElroy
bloodlettermag.com/issues/issue...

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Horror Lex®
Horror Lex®
@horrorlex.bsky.social
2 years ago
On the left, the key image for Bloodletter Magazine issue #2, a pencil drawing of a person kneeling with its arms cut off at the elbow. The lines are harsh and ragged, as if the person is bleeding and its head is dissolving. On the right, a still from the film THE FEAST in which a mysterious, brown-haired young woman looks up at the sky, her face streaked with blood.

On the left, the key image for Bloodletter Magazine issue #2, a pencil drawing of a person kneeling with its arms cut off at the elbow. The lines are harsh and ragged, as if the person is bleeding and its head is dissolving. On the right, a still from the film THE FEAST in which a mysterious, brown-haired young woman looks up at the sky, her face streaked with blood.

Calling all sanguinarians: #BloodletterMagazine is out with issue #2. Some short sharp fiction, Kiera Johnson on how horror games can expiate national trauma, and Maxwell Van Cooper on "The Haunting of Climate Change" in GAIA and THE FEAST. #openaccess #horror
bloodlettermag.com

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