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#FERDINAND #HODLER
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Nochmal #ferdinandhodler

#hodler #swissartist #mahgeneve

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Ach… Hodler

#ferdinandhodler #hodler #art #swissart

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Swiss artist Ferdinand Hodler depicts a barefoot woman standing, her head bowed left and her dark hair streaming back. She wears a sleeveless gown of deep blue and rust-red that billows around her legs; blue contours and bold outlines sculpt folds and shadows. Both hands rise to her chest with splayed fingers, as if feeling a surge of inner music. The background is a flat ochre field punctuated by red splashes. A greenish cast to her skin and rhythmic lines heighten the feeling of suspended ecstasy. Her bare feet rest on a ledge; the left foot angles outward, stepping forward. The brushed ochre background shows swirls and thin patches as red patches drift upward like loose petals.

Hodler, Switzerland’s foremost painter of the fin-de-siècle, reached artistic maturity when he created "Femme en Extase (Woman in Ecstasy)." Rising from a childhood scarred by poverty and loss, he forged a style he called “parallelism,” emphasizing rhythmic repetition, symmetry, and archetypal expression. 

In the early 1900s, Hodler created a series of monumental figure studies representing human “states of being” like joy, grief, desire, and transcendence. "Femme en Extase" belongs to this body of work, presenting the female form not as portrait but as an emblem of rapture, surrender, and timeless archetype. At this stage, he was celebrated across Europe, embraced by the Vienna and Berlin Secessionists, who admired how he fused realism with symbolism. 

Hodler’s stylized figures, with their simplified planes and dramatic gestures, anticipated expressionist explorations of inner life and emotional truth. Critics sometimes dismissed his theatricality, but his quest to reveal universal emotions through the human body left a lasting imprint on modern art. His work helped define Swiss national identity while influencing a generation of European modernists who sought to merge the physical and spiritual in painting.

Swiss artist Ferdinand Hodler depicts a barefoot woman standing, her head bowed left and her dark hair streaming back. She wears a sleeveless gown of deep blue and rust-red that billows around her legs; blue contours and bold outlines sculpt folds and shadows. Both hands rise to her chest with splayed fingers, as if feeling a surge of inner music. The background is a flat ochre field punctuated by red splashes. A greenish cast to her skin and rhythmic lines heighten the feeling of suspended ecstasy. Her bare feet rest on a ledge; the left foot angles outward, stepping forward. The brushed ochre background shows swirls and thin patches as red patches drift upward like loose petals. Hodler, Switzerland’s foremost painter of the fin-de-siècle, reached artistic maturity when he created "Femme en Extase (Woman in Ecstasy)." Rising from a childhood scarred by poverty and loss, he forged a style he called “parallelism,” emphasizing rhythmic repetition, symmetry, and archetypal expression. In the early 1900s, Hodler created a series of monumental figure studies representing human “states of being” like joy, grief, desire, and transcendence. "Femme en Extase" belongs to this body of work, presenting the female form not as portrait but as an emblem of rapture, surrender, and timeless archetype. At this stage, he was celebrated across Europe, embraced by the Vienna and Berlin Secessionists, who admired how he fused realism with symbolism. Hodler’s stylized figures, with their simplified planes and dramatic gestures, anticipated expressionist explorations of inner life and emotional truth. Critics sometimes dismissed his theatricality, but his quest to reveal universal emotions through the human body left a lasting imprint on modern art. His work helped define Swiss national identity while influencing a generation of European modernists who sought to merge the physical and spiritual in painting.

Femme en Extase (Woman in Ectasy) by Ferdinand Hodler (Swiss) - Oil on canvas on wood / 1911 - Musée d'Art et d'Histoire de Genève (Switzterland) #WomenInArt #art #Hodler #FerdinandHodler #artwork #SwissArt #PortraitofaWoman #ectasy #MAH #MuseumofArtandHistory #artText #SwissArtist #parallelism

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Ferdinand Hodler
Blick ins Unendliche III (Detail), 1903/04
#Ferdinand #hodler #painting #artonbluesky #artwillsaveus
#man #Mountaintop #clouds #cloudscape

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Ferdinand Hodler (1853-1918), Les Dents du Midi vues de Champéry, 1916, oil on canvas (photo taken by Guillaume Babey, 2025)

Ferdinand Hodler (1853-1918), Les Dents du Midi vues de Champéry, 1916, oil on canvas (photo taken by Guillaume Babey, 2025)

Had a great time at the Ferdinand Holder exhibit at the Museum of Arts and History of Neuchâtel, Switzerland. Truly a beautiful tribute to the Bernese Master's wide ranging influence. #art #finearts #swissart #hodler #museum #switzerland

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Today's pick: The Good Samaritan (1886) - Ferdinand Hodler.

The Samaritan tries to talk with the man laying besides [..] #art #Hodler

www.artbible.info/art/large/53.html

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Solana Price Falls on Macro Jitters Despite Bullish News From Major SOL HODLer Solana’s native token, SOL , dropped to $143.38 Tuesday, down 1.21%, closing near the day’s low after failing to h...

#Digital #Assets #Bullish #falls #hodler #JITTERS #Macro #major […]

[Original post on zephyrnet.com]

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Self portrait by Hodler in Staatsgalerie Stuttgart.

Self portrait by Hodler in Staatsgalerie Stuttgart.

Zooming #Hodler.

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Oil painting by Ferdinand Hodler showing a girl portrait. Visit Kunst Museum Winterthur.

Oil painting by Ferdinand Hodler showing a girl portrait. Visit Kunst Museum Winterthur.

#Hodler your Switzerland.

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View into Infinity III, by Ferdinand Hodler. Viewed at Hamburger Kunsthalle 2019.

#hodler
#hamburg
#infinity
#hamburgerkunsthalle

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Ferdinand #Hodler (1853-1918), who was #BornOnThisDay
Portrait of the dancer Giulia Leonardi
1910
#Wallraf-Richartz-Museum

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Anstehend | Musée d‘art de Pully
#art #swissart #museedartdepully #pullymuseumofart #pully #switzerland #hodler

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PACTUS #Pactus #usdt #cryptocurrency #altcoinseason2025 #crypto #blockchain #defi #web3 #hodler

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PC get 10 mil of dirt and plants a tree

PC get 10 mil of dirt and plants a tree

This newly built Custom PC - plants a tree!
PC comes with 10 million $dirt
#bink #custompc #dirt #token #cardano #hodler

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PC plants a tree

PC plants a tree

This newly built Custom PC - plants a tree!
PC comes with 10 million $dirt #bink #custompc #dirt #hodler

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Preview
Ballet Cold Storage Holiday Gift Set (2-Pack) 2024 Christmas & New Year Gift Set, Cold Storage, Cold Wallet, Bitcoin Wallet,

Langsam wird es #Weihnachten.

Auch wenn wir Stand jetzt definitiv keinen „Crypto Winter“ erleben werden, stellt sich selbst für die härtesten #HODLer die Frage - was schenke ich mir als #Geschenk?!

Abhilfe schaffen vielleicht die #Christmas Editions von Ballet.

store.ballet.com/products/202...

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Today's pick: The Good Samaritan (1875) - Ferdinand Hodler.

Other passers-by had not paid attention to the wounded man, [..] #art #Hodler

www.artbible.info/art/large/1098.html

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Hodler, Genfer See und Berge

Hodler, Genfer See und Berge

Hodler,  Baum am Genfer See im Frühling

Hodler, Baum am Genfer See im Frühling

Blau ist mir die liebste Farbe, eine, die wir auch in großen Ausdehnungen ertragen.

Ferdinand #Hodler *14.3.1853 – 19.5.1918

[Genfer See; Baum am Genfer See]

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Signed. #Hodler

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#Hodler at Kunsthaus Zürich. 👋

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Hodler, Frau als Frühlingsallegorie

Hodler, Frau als Frühlingsallegorie

Hodler, Frühling am Grnfer See

Hodler, Frühling am Grnfer See

Kunst – das ist der Gestus der Schönheit.

Ferdinand #Hodler *14.3.1853 Bern – 19.5.1918 Genf

Platon definiert, das Schöne sei der Abglanz des Wahren. Das heißt, man tue die Augen auf und studiere die Natur.

[Zweimal Frühling]

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Holder, Genfer See mit Bergen am morgendlichen  Horizont

Holder, Genfer See mit Bergen am morgendlichen Horizont

GUTEN MORGEN! ☕☕

Blau ist mir die liebste Farbe, eine, die wir auch in großen Ausdehnungen ertragen.

Ferdinand #Hodler *14.3.1853 – 19.5.1918

[Genfer See]

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