For Women's History Month, the US National Museum of Women in the Arts asks "Can you name 5 women artists?" I will name 31, & you can, too.
For March 10: the USA's Jane Peterson. (2/2)
#WomensHistory #NMWA #JanePeterson #Painter
@artherstory.bsky.social
For Women's History Month, the US National Museum of Women in the Arts asks "Can you name 5 women artists?" I will name 31, & you can, too.
For March 10: the USA's Jane Peterson. (1/2)
#WomensHistory #NMWA #JanePeterson #Painter
@artherstory.bsky.social
Painted in the 1920s, “The Green Dress” captures a moment when women’s fashion and public self-presentation were being rewritten. Acquired in 2021 as the first American artist Jane Peterson painting to enter the McNay’s collection, the work expanded the museum’s American Modernism section amplifying women’s voices. Peterson, who trained in New York and pursued international study and travel throughout her career, brings worldly confidence so this portrait is stylish without being decorative while being quietly insistent on agency. A young woman with light skin sits turned slightly to her right, meeting us with a steady, unsmiling gaze. Her hair is cut into a crisp 1920s bob rounded at the jaw and painted in warm chestnut and copper tones against a cool, pale background. She wears a vivid green dress rendered in broad, fluid strokes with a soft white collar that frames her neck, and a dark neckerchief is tied loosely at her chest. A long, low-slung necklace with beads in deep green, ivory, and small flashes of orange drops down the center of her torso. The nearly square canvas heightens a sense of closeness. Behind her, the room dissolves into mint, gray, and teal paint with perhaps a doorway edge at left, and at right a hazy shadow. Peterson builds the face with confident blocks of cool blue-green shadows, rose on the cheeks, and sharp highlights so the portrait feels immediate, modern, and alert. The cropped haircut, relaxed neckwear, and elongated jewelry signal a new, mobile kind of elegance. Peterson’s modernism is less about distortion than about sensation to see how cool greens and quick, visible strokes can describe presence, mood, and light. The young woman’s direct look holds the center while the background remains deliberately unresolved, as if the world around her is in motion and only the subject’s self-possession stays sharp.
“The Green Dress” by Jane Peterson (American) - Oil on canvas / c. 1920s - McNay Art Museum (San Antonio, Texas) #WomenInArt #JanePeterson #Peterson #McNayArtMuseum #PortraitofaWoman #AmericanArtist #WomensArt #WomanArtist #WomenArtists #BlueskyArt #artText #art #1920s #McNay #WomenPaintingWomen
A woman sits on the edge of yellow couch covered in yellow pillows, a yellow blanket, a purple blanket, and spilled white basket of yellow balls in front of a yellow wall partially covered by a yellow and purple curtain. Her legs are casually crossed in anticipation of standing quickly while she hold a closed orange sun umbrella with very long straight wooden handle. She wears a light white summer dress with yellow cloth belt plus flowers around the hem of the skirt and along each shoulder of the top. Covering her short brown hair is a light green hat with light blue band and flowers.
An Afternoon Call by Jane Peterson (American) - Oil on canvas / c. 1914 - Portland (Maine) Museum of Art #womeninart #womanartist #painting #artwork #fineart #janepeterson #americanartist #womanpainter #art #portlandmuseumofart #peterson #bskyart #artoftheday #bsky.art #impressionism #womanart
« Six Squash Flowers » by Jane Peterson
🔗 · poligraf.tumblr.com/post/7236693...
#arts #artshare #paintings 🎨 #JanePeterson #squashes #nature #beauty
