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Blow, blow, thou winter wind. 1892 John Everett Millais. A woman left with her child as her lover/husband walks away.
#art #oil #scene #abandoned #JohnEverettMillais #Shakespeare

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A falk day captured by John Everett Millais.

A falk day captured by John Everett Millais.

Chill October, 1870. John Everett Millais.
#art #oil #landscape #october #JohnEverettMillais

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Oil painting by John Everett Millais depicting the Falls of the Braan in Perthshire.

Oil painting by John Everett Millais depicting the Falls of the Braan in Perthshire.

The sound of many waters. 1876, John Everett Millais.
#art #oil #JohnEverettMillais #fallsofBraan #Perthshire #landscape

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Beautiful winter scene showing a lone woman walking down a road. Oil on canvas John Everett Millais.

Beautiful winter scene showing a lone woman walking down a road. Oil on canvas John Everett Millais.

Glen Birnam. 1891, oil on canvas. John Everett Millais.
#art #oil #landscape #lone #GlenBirnam #JohnEverettMillais

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Oil painting the capture of Inca Peru by Pizarro. Painted by John Everett Millais.

Oil painting the capture of Inca Peru by Pizarro. Painted by John Everett Millais.

Pizarro Seizing the Inca of Peru. 1846 created by John Everett Millais, who was 16 at the the creation of this piece.
#art #JohnEverettMillais #Inca #Pizarro #oil

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"All changes pass me like a dream,
I neither sing nor pray;
And thou art like the poisonous tree,
That stole my life away."

#ElizabethSiddal, British poet and artist #DOTD 11 February 1862. As an artist's model, she was immortalised as "Ophelia" by #JohnEverettMillais. #Art

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Euphemia ('Effie') Chalmers, née Gray, Lady Millais 1851

Thomas Richmond II (1802–1874)

National Portrait Gallery, London

Euphemia ('Effie') Chalmers, née Gray, Lady Millais 1851 Thomas Richmond II (1802–1874) National Portrait Gallery, London

Today we're passing by Ruskin Park! It reminds me of a poem I wrote about Euphemia Chalmers.

Acute Victorian Love Triangle

Read it here: alltheeneighbours.blogspot.com/2026/01/rusk...

#Pre-Raphaelite #JohnRuskin #JohnEverettMillais #arthistory #poetry #Victorian #scandal #love

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An unexpected Millais… @nationalportraitgallery #johneverettmillais #preraphaelite #london

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John Everett Millais #johneverettmillais

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John Everett Millais #johneverettmillais

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Forever missed

Forever missed

It's been a year 💔

Forever missed, never forgotten 🪻

#adar #trop #johneverettmillais #tribute #saddestanniversaryever

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John Everett Millais #johneverettmillais

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Two pale young women sit on a grassy verge of a country lane after rain. The elder, a blind street musician, rests with eyes closed beneath a brown shawl covering her red hair; around her neck hangs a sign that reads “PITY THE BLIND.” A concertina musical instrument sits in her lap, and she steadies herself with one hand against the damp grass. A tortoiseshell butterfly rests on her cloak. Leaning against her, a younger blonde girl clasps her hand and shades her eyes, gazing toward a brilliant double rainbow arching over sunlit fields, sheep, and a distant church tower. Bright wildflowers and wet blades of grass glisten in the foreground.

“The Blind Girl” exemplifies the ideals of the Pre-Raphaelite Brotherhood, which British artist John Everett Millais co-founded to pursue vivid color, exacting natural detail, and moral resonance. Millais painted the luminous Sussex landscape on site and later added the two sisters in Perth, Scotland. The blind girl was modeled by Matilda Proudfoot, while Isabella Nicol posed as her younger sibling.

The painting meditates on perception, compassion, and hope. The elder girl, marked as an itinerant musician by her instrument and sign, cannot see the spectacular rainbow her companion marvels at. Instead, she experiences the world through other senses like the sun’s warmth on her face, the texture of grass, or the butterfly’s light touch. The rainbow, corrected by Millais after critics noted its scientific inaccuracy, becomes both natural wonder and biblical symbol of covenant and renewal. The juxtaposition of blindness and sight underscores different ways of comprehending beauty and meaning.

Victorian Britain was marked by poverty, child labor, and disability often visible on city streets. Millais offers not pity but dignity, presenting the sisters as vulnerable yet resilient. Awarded the Liverpool Academy’s annual prize in 1857, the painting was hailed by contemporaries for its union of social realism and spiritual symbolism.

Two pale young women sit on a grassy verge of a country lane after rain. The elder, a blind street musician, rests with eyes closed beneath a brown shawl covering her red hair; around her neck hangs a sign that reads “PITY THE BLIND.” A concertina musical instrument sits in her lap, and she steadies herself with one hand against the damp grass. A tortoiseshell butterfly rests on her cloak. Leaning against her, a younger blonde girl clasps her hand and shades her eyes, gazing toward a brilliant double rainbow arching over sunlit fields, sheep, and a distant church tower. Bright wildflowers and wet blades of grass glisten in the foreground. “The Blind Girl” exemplifies the ideals of the Pre-Raphaelite Brotherhood, which British artist John Everett Millais co-founded to pursue vivid color, exacting natural detail, and moral resonance. Millais painted the luminous Sussex landscape on site and later added the two sisters in Perth, Scotland. The blind girl was modeled by Matilda Proudfoot, while Isabella Nicol posed as her younger sibling. The painting meditates on perception, compassion, and hope. The elder girl, marked as an itinerant musician by her instrument and sign, cannot see the spectacular rainbow her companion marvels at. Instead, she experiences the world through other senses like the sun’s warmth on her face, the texture of grass, or the butterfly’s light touch. The rainbow, corrected by Millais after critics noted its scientific inaccuracy, becomes both natural wonder and biblical symbol of covenant and renewal. The juxtaposition of blindness and sight underscores different ways of comprehending beauty and meaning. Victorian Britain was marked by poverty, child labor, and disability often visible on city streets. Millais offers not pity but dignity, presenting the sisters as vulnerable yet resilient. Awarded the Liverpool Academy’s annual prize in 1857, the painting was hailed by contemporaries for its union of social realism and spiritual symbolism.

“The Blind Girl” by John Everett Millais (British) - Oil on canvas / 1854–1856 - Birmingham Museum & Art Gallery (Birmingham, United Kingdom) #WomenInArt #art #JohnEverettMillais #Millais #blind #artText #GirlPainting #BirminghamMuseums #BlueskyArt #artwork #BritishArt #Pre-Raphaelite #DoubleRainbow

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John Everett Millais #johneverettmillais

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John Everett Millais #johneverettmillais

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John Everett Millais #johneverettmillais

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Original: “Joan of Arc” by John Everett Millais (1885) 🗡️✝️ Which is your favorite Glitch of this painting of Joan of Arc?
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#joanofarc #johneverettmillais #millais #preraphaelite #arthistory #saints #christianart #feminism #glitchart #glitch #glitchartist #glitchcore #animation #art #digitalart

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John Everett Millais #johneverettmillais

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Born on June 8, 1829
John Everett Millais 🎨 English painter (1829 - 1896)

#JohnEverettMillais #art #oilpainting #painting
Sir John Everett Millais,( 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood.

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#JohnEverettMillais (182-1896), who was #BornOnThisDay
Portrait of "Sisters"
1868
#Millais #PreRaphaelites

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#JohnEverettMillais (182-1896), who was #BornOnThisDay
Portrait of a Yeoman of the Guard
1876
Tate
#Millais #PreRaphaelites

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#JohnEverettMillais (182-1896), who was #BornOnThisDay
Portrait of Nina, daughter of Frederick Lehmann
1869
#Millais #PreRaphaelites

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#JohnEverettMillais (182-1896), who was #BornOnThisDay
Portrait of Gertrude Vanderbilt Whitney
1888
#Millais #PreRaphaelites

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#JohnEverettMillais (182-1896), who was #BornOnThisDay
Portrait of #LillieLangtry (1853-1923)
1878
Jersey Museum and Art Gallery
#Millais #PreRaphaelites

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#JohnEverettMillais (182-1896), who was #BornOnThisDay
Portrait of Miss Eveleen Tennant
1874
Tate
#Millais #PreRaphaelites

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#JohnEverettMillais (182-1896), who was #BornOnThisDay
Portrait of Mary Endicott (d.1957), Mrs Joseph Chamberlain
1890-1
Birmingham Museum and Art Gallery
#Millais #PreRaphaelites

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#JohnEverettMillais (182-1896), who was #BornOnThisDay
Portrait of Miss Anne Ryan
Tate
#Millais #PreRaphaelites

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#JohnEverettMillais (182-1896), who was #BornOnThisDay
Portrait of the Artist's Spouse #EffieGray (1828-97)
ca. 1855
#Millais #PreRaphaelites

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#JohnEverettMillais (182-1896), who was #BornOnThisDay
Portrait of Countess de Pourtales, the former Mrs Sebastian Schlesinger
1876
#Millais #PreRaphaelites

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#JohnEverettMillais (182-1896), who was #BornOnThisDay
Portrait of the Artist's Spouse #EffieGray (1828-97)
ca. 1873
Perth & Kinross Council
#Millais #PreRaphaelites

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