At First Sight
“The moment I saw you, I couldn’t look away…I just wished you didn’t look so sad.”
Soren & Aiko belong to @todd-athan.bsky.social. Please check them out and follow them!!
|| #KH17art #DTIYS #OCart #OCsky #artsky #BL #digitalart #notmyoc #fanart ||
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A dramatic hallway scene inside a luxurious club shows three characters in a tense confrontation. On the left is Jens Duplantier, a tall young Aegis security guard in his dress uniform and face mask, forcefully grabs the wrist of the older Anatoly Makarov (inspired by my good friend @Nottasty), a director of the club and one of Jens bosses. Jens stands firm and composed, his posture protective and unyielding as he stops Anatoly mid-action. Anatoly, caught off guard, recoils in pain and anger, his expression twisted with shock and wounded ego as his authority is challenged by Jens. On the right is Luna Woods AKA Velvet, a young pink-haired courtesan in a red-black lingerie-style uniform, backed against a wall with her arms pinned and raised by Anatoly. At first, she was afraid of Anatoly for his unfairness and desire to discipline. Her expression is not just fear, but distress and inner conflict. She looks toward Jens with worry, afraid he will face consequences for defying a superior to save her. This moment occurs after Velvet fell behind schedule while preparing for her shift. The other courtesans were escorted ahead, leaving her briefly alone. Anatoly intercepted her in the hallway like a predator under the pretense of an inspection, using her lateness as justification to assert control and punish her. Jens returned in the nick of time to find her and stop Anatoly, choosing to follow a higher directive to protect the courtesans, even if it meant defying Anatoly’s authority. She blames herself for being late to her work, believing she caused the situation. The lighting casts a dramatic diagonal glow across the scene, emphasizing the clash. Behind Velvet is a framed classical-style painting depicting a romantic rescue, subtly contrasting the harsh reality unfolding in front of it.
Puppy
“Get your hands off her.”
“Jens, no! You'll get in trouble! It’s my fault, I-!”
“YOU DARE?! I AM A DIRECTOR, AND THIS WHORE SHALL BE DISCIPL-AAH, IT HURTS!”
“This lady…is under my protection by the Hawkin’s orders. You will do well to remember your place, Jackal.”
#GRZart #KH17art #ocsky
A digital illustration set in a rehabilitation gym shows three characters helping a woman relearn how to walk. At the center is Orchid, a pale-skinned woman with long brown hair, dressed in a light blue outfit. She stands unsteadily on a red walking mat, gripping a set of parallel rails with visible strain in her posture. Her body leans forward as she carefully tries to take a step, conveying both physical effort and emotional determination. Behind her stands Varg, a tall, muscular man with short green/blonde hair and visible scars across his body. He stays close, ready to support her if she falls, his presence steady and protective. In front of Orchid is Roulette, a woman with white hair wearing a green top. She stands near the rails, watching Orchid closely with a serious, focused expression, offering firm guidance rather than comfort. The environment combines gym and medical elements. The wall behind them is a warm brown tone covered in faded motivational quotes, reinforcing a sense of discipline and perseverance. The rails and equipment are cool blue, giving a clinical, rehabilitative feel. Light from a nearby window softly illuminates the scene, adding warmth and hope. The overall composition emphasizes the contrast between support and challenge, showing Orchid caught between encouragement and pressure as she struggles to stand and move forward on her own.
Learning to Stand Again
"Is that the best you can do, Orchid? If all you do is rely on us, you will always be carried."
"I...I know. I'm...not stopping."
"That's the spirit, my lady. They’re going to be so happy seeing you walk again."
#GRZart #KH17art #OCart #OCsky #artsky #digitalart #art #OC
