Reading Visual Art: 239 Bread as food A man furtively making off with two loaves, Vermeer's Milkmaid, baking bread in rural Sweden, a traditional baking oven, and glistening alongside mackerel and glassware.

Reading Visual Art: 238 Bread of life The goddess Ceres, The Last Supper, and the supper at Emmaus, Easter Sunday bread in Ukraine, bread as charity and the daily bread.

(5/5) ... Borbón petite-fille du roi Fernando VII d’Espagne mais également aussi de Louis-Philippe et cousine germaine du prince Carlos.

Commemorating the centenary of Christian Krohg’s death Trained in Germany because there was no academy in Norway, he soon developed themes of poverty, social injustice, and Norway's independence. A major influence on Edvard Munch.

Commemorating the centenary of Christian Krohg’s death Trained in Germany because there was no academy in Norway, he soon developed themes of poverty, social injustice, and Norway's independence. A major influence on Edvard Munch.

Commemorating the centenary of Christian Krohg’s death Trained in Germany because there was no academy in Norway, he soon developed themes of poverty, social injustice, and Norway's independence. A major influence on Edvard Munch.

Commemorating the centenary of Christian Krohg’s death Trained in Germany because there was no academy in Norway, he soon developed themes of poverty, social injustice, and Norway's independence. A major influence on Edvard Munch.

Commemorating the centenary of Christian Krohg’s death Trained in Germany because there was no academy in Norway, he soon developed themes of poverty, social injustice, and Norway's independence. A major influence on Edvard Munch.

Commemorating the centenary of Christian Krohg’s death Trained in Germany because there was no academy in Norway, he soon developed themes of poverty, social injustice, and Norway's independence. A major influence on Edvard Munch.

Commemorating the centenary of Christian Krohg’s death Trained in Germany because there was no academy in Norway, he soon developed themes of poverty, social injustice, and Norway's independence. A major influence on Edvard Munch.

Commemorating the centenary of Christian Krohg’s death Trained in Germany because there was no academy in Norway, he soon developed themes of poverty, social injustice, and Norway's independence. A major influence on Edvard Munch.

Christian Krohg painting social reality 4: 1898-1924 Series showing the sailing of smaller vessels, and ship, then a further series of a model getting dressed and leaving the studio, and one last painting.

Christian Krohg painting social reality 4: 1898-1924 Series showing the sailing of smaller vessels, and ship, then a further series of a model getting dressed and leaving the studio, and one last painting.

Christian Krohg painting social reality 4: 1898-1924 Series showing the sailing of smaller vessels, and ship, then a further series of a model getting dressed and leaving the studio, and one last painting.

Christian Krohg painting social reality 4: 1898-1924 Series showing the sailing of smaller vessels, and ship, then a further series of a model getting dressed and leaving the studio, and one last painting.

Christian Krohg painting social reality 4: 1898-1924 Series showing the sailing of smaller vessels, and ship, then a further series of a model getting dressed and leaving the studio, and one last painting.

Christian Krohg painting social reality 4: 1898-1924 Series showing the sailing of smaller vessels, and ship, then a further series of a model getting dressed and leaving the studio, and one last painting.

Christian Krohg painting social reality 4: 1898-1924 Series showing the sailing of smaller vessels, and ship, then a further series of a model getting dressed and leaving the studio, and one last painting.

Christian Krohg painting social reality 4: 1898-1924 Series showing the sailing of smaller vessels, and ship, then a further series of a model getting dressed and leaving the studio, and one last painting.

Christian Krohg painting social reality 3: 1888-95 Portraits of his young wife, struggling for survival in the Norwegian winter, bathing a newborn baby, the discovery of America, nationhood and open narrative.

Christian Krohg painting social reality 3: 1888-95 Portraits of his young wife, struggling for survival in the Norwegian winter, bathing a newborn baby, the discovery of America, nationhood and open narrative.

Christian Krohg painting social reality 3: 1888-95 Portraits of his young wife, struggling for survival in the Norwegian winter, bathing a newborn baby, the discovery of America, nationhood and open narrative.

Christian Krohg painting social reality 3: 1888-95 Portraits of his young wife, struggling for survival in the Norwegian winter, bathing a newborn baby, the discovery of America, nationhood and open narrative.

Christian Krohg painting social reality 3: 1888-95 Portraits of his young wife, struggling for survival in the Norwegian winter, bathing a newborn baby, the discovery of America, nationhood and open narrative.

Christian Krohg painting social reality 2: 1883-88 Themes of exhausted mothers with sick children, the tired out seamstress and her descent into prostitution, the failure of law enforcement, and documenting those living in Skagen.

Christian Krohg painting social reality 1: to 1883 To commemorate the centenary of his death. Early work with the Nordic Impressionists in Skagen, a sick girl that influenced Munch, sailors and self-portraits.

#OdaKrohg, née Othilia Lasson (1860-1935), who was #BornOnThisDay
Portrait of #IvarArosenius (1878-1909)
1905
Nasjonalmuseet
#Krohg #WomenArtists

#OdaKrohg, née Othilia Lasson (1860-1935), who was #BornOnThisDay
Portrait of #MargretheVullum (1846-1918)
1906
Nasjonalmuseet
#Krohg #WomenArtists

#OdaKrohg, née Othilia Lasson (1860-1935), who was #BornOnThisDay
Portrait of Aasta Hansteen (1824-1908)
1903
Oslo Museum
#Krohg #WomenArtists

#OdaKrohg, née Othilia Lasson (1860-1935), who was #BornOnThisDay
Portrait of the artist's husband #ChristianKrohg (1852-1925)
ca. 1903
Oslo Museum
#Krohg #Women