Collector’s Society (1992)
This Mdvanii pairs a red floral sheath dress with a purple straw hat, capturing the playful elegance of 1960s fashion.
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Femme Fatale (1991)
Part of the Basic Collection, it stands out for its hand-painted face, subtle variations in hair, and accessories unique to each item, even within a larger production run.
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Dim Dam Dom Porcelaine Tzulli (1996)
Portrayed as a teenager, Tzulli’s open eyes and slimmer sculpt create a softer, youthful presence as a deliberate contrast to other Mdvanii lineups.
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La Semaine de Tzulli (1995)
As a unique piece, it embraces bold 60s-inspired styling and experimental details, including sculpted hair that sets it apart within the Mdvanii lineup.
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Mdvanii Plein Soleil(1995)
Dressed in a prototype outfit from 1989.
The mix of early resin design and later porcelain craftsmanship makes this piece a bridge in the Mdvanii timeline.
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Aristide Bruant (1994)
Inspired by the cabaret legend immortalized by Toulouse-Lautrec, this piece reflects BillyBoy*’s commitment to queer culture and the AIDS-awareness messaging.
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A special feature from Mandarake Zenbu 131.
We take an in-depth look at six extraordinary Mdvanii creations by BillyBoy*, exploring their artistry, history, and cultural significance.
Read the full feature here:
www.mandarake.co.jp/publish/zenb...
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