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Pop Art Painter Jamie Roxx Blog 👉 Let’s Hear it for Art Nouveau! Birthday Remembrances. Today, Mar. 17 1856 – #MikhailVrubel, Russian painter (d. 1910) was born. (https://en.wikipedia.org/wiki/Mikhail_Vrubel)

Mikhail Alexandrovich Vrubel, and his mystical world
& A collection of 154 works (HD)
Demons and nature
(🎬 Click the Pic to Watch the Video.)

👉 Let’s Hear it for Russian Art Nouveau!

Birthday Remembrances. Today, Mar. 17 1856 – #MikhailVrubel, Russian painter (d. 1910) was born.

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🎨 #MikhailVrubel, Russian painter, was #BOTD 17 March 1856. #Art #Painting

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Russian artist Mikhail Aleksandrovich Vrubel (Михаил Александрович Врубель) completed this work in 1900 while immersed in stage design for Nikolai Rimsky-Korsakov’s opera “The Tale of Tsar Saltan,” adapted from Alexander Pushkin’s fairy tale. The Swan Princess’s part was created for Vrubel’s wife, the celebrated singer Nadezhda Ivanovna Zabela-Vrubel (Надежда Ивановна Забела-Врубель), and the painting carries the aura of performance including costume, spotlight, and spell without becoming a straightforward portrait.

The pale-skinned young Nadezhda with a soft, feminine presentation turns to look back over her shoulder, meeting us with large, luminous gray-blue eyes. Dark hair frames her face beneath an extravagant crown-like kokoshnik encrusted with pearls and blue-green stones. A sheer veil and silvery embroidered fabric wrap her head and shoulders as one hand gathers the gauze at her neck in a protective, almost private gesture. Around her, enormous swan wings billow and fold like a living cape in layered strokes of white, gray, and blush-pink that are feathers and facets at the same time. The wings fill most of the canvas, curving forward so she seems both sheltered and enclosed by her own transformation. Behind her stretches a cool, dusk-blue shoreline and water, with a thin band of light on the horizon and a dark, rocky form at the edge. Vrubel’s paint alternates between misty, softened passages and crisp, mosaic-like planes, so jewels sparkle, lace glints, and feathers feel air-light yet weighty. 

The overall mood is hushed and watchful like a suspended moment between human and bird where wonder and caution share the same gaze. The wings act like a threshold of protection and power as well as tenderness and distance at the instant of metamorphosis. Soon after completion, this painting was acquired by collector Mikhail Morozov and was gifted in 1917 by Margarita Morozova to the Tretyakov Gallery (Государственная Третьяковская галерея).

Russian artist Mikhail Aleksandrovich Vrubel (Михаил Александрович Врубель) completed this work in 1900 while immersed in stage design for Nikolai Rimsky-Korsakov’s opera “The Tale of Tsar Saltan,” adapted from Alexander Pushkin’s fairy tale. The Swan Princess’s part was created for Vrubel’s wife, the celebrated singer Nadezhda Ivanovna Zabela-Vrubel (Надежда Ивановна Забела-Врубель), and the painting carries the aura of performance including costume, spotlight, and spell without becoming a straightforward portrait. The pale-skinned young Nadezhda with a soft, feminine presentation turns to look back over her shoulder, meeting us with large, luminous gray-blue eyes. Dark hair frames her face beneath an extravagant crown-like kokoshnik encrusted with pearls and blue-green stones. A sheer veil and silvery embroidered fabric wrap her head and shoulders as one hand gathers the gauze at her neck in a protective, almost private gesture. Around her, enormous swan wings billow and fold like a living cape in layered strokes of white, gray, and blush-pink that are feathers and facets at the same time. The wings fill most of the canvas, curving forward so she seems both sheltered and enclosed by her own transformation. Behind her stretches a cool, dusk-blue shoreline and water, with a thin band of light on the horizon and a dark, rocky form at the edge. Vrubel’s paint alternates between misty, softened passages and crisp, mosaic-like planes, so jewels sparkle, lace glints, and feathers feel air-light yet weighty. The overall mood is hushed and watchful like a suspended moment between human and bird where wonder and caution share the same gaze. The wings act like a threshold of protection and power as well as tenderness and distance at the instant of metamorphosis. Soon after completion, this painting was acquired by collector Mikhail Morozov and was gifted in 1917 by Margarita Morozova to the Tretyakov Gallery (Государственная Третьяковская галерея).

“Царевна-Лебедь (The Swan Princess)” by Михаил Врубель / Mikhail Vrubel (Russian) - Oil on canvas / 1900 - State Tretyakov Gallery (Moscow, Russia) #WomenInArt #MikhailVrubel #МихаилВрубель #Vrubel #TretyakovGallery #Третьяковскаягалерея #RussianArt #art #artText #artwork #DanceArt #RussianArtist

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#bg3 #Raphael #MikhailVrubel #demonsitting

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“Nights are feeling strange,
A creature stirs within.
Darling -I can’t sleep,
Experiencing a change,
Something’s trying to claw free -
I can’t contain him.
I’ve been burying,
Too many pieces of me,
They are surfacing!-
Running wild - wild, again!”

#Poetry by Wolfie Darby
#Art #MikhailVrubel

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Mikhail Vrubel (Михаил Александрович Врубель — Omsk, Sibéria, 17 de Março de 1856 — São Petersburgo, 14 de Abril de 1910), pintor russo.

The Snow Maiden, c.1895.

#art
#mikhailvrubel

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THE ART OF MIKHAIL VRUBEL - Demons and nature
THE ART OF MIKHAIL VRUBEL - Demons and nature YouTube video by Elena Piccione - Culture Channel

👉 Let’s Hear it for Art Nouveau!

Birthday Remembrances. Today, Mar. 17 1856 – #MikhailVrubel, Russian painter (d. 1910) was born.

youtu.be/ia5NkPtuPyg

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russianartgallery.org/famous/vrube...

🎨 #MikhailVrubel, Russian painter, was #BOTD 17 March 1856. #Art #Painting

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Mikhail Vrubel
Tamara and the Demon.
1890-1891. Black water colour on paper.
The Tretyakov Gallery, Moscow, Russia.

#MikhailVrubel #Tamara #Symbolist #Symbolism #Gwyllm #GwyllmLlwydd

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