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More here: www.hhousebooks.com/books/first-...

#outnow #newtitle #historicalfiction #booksky #i̇nstabook

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First of December follows three people during the last week of November 1838, capturing an extraordinary time in the history of South Africa and colonialism, in this intensely human story.

More here: www.hhousebooks.com/books/first-...

#comingsoon #newtitle #historicalfiction #booksky #books

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The time has come to announce our current project: All That the Dead Drink! (Thread)
#Gamedesign #IndieDevelopment #VRgame #Newtitle #Cozy #Horror

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#comingsoon #newtitle #historicalfiction #booksky #books

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Get your diaries out for a fabulous tour in March as we gear up for the launch of Karen Jennings' latest novel 'First of December' !

#newtitle #comingsoon #historicalfiction #books #instabook #booksky

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Change is coming...
Karen Jenning's new book explores just how that change affects three disparate characters in search of new lives...
www.hhousebooks.com/books/first-...
#comıngsoon #newtitle #historicalfiction #booksky #books #newtitle

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#comingsoon #newtitle #historicalfiction #books #booksky

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The Nocker (Mystic Island Stories) Amazon.com: The Nocker (Mystic Island Stories): 9798989874989: Keeper, Nachash: Books

Carl White was looking for a good time, and he got f*cked.
#newtitle #fiction #whattoread #darkcomedy #mysticisland #booksky

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#verticals #newtitle

Game of Chance
Produced by Tendency Holdings Inc
imdb.me/ellediken

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From the trembling precarity in facing the #unknown to the radiant #embrace of unconditional love, these #poems traverse a wide range of themes that speak to the soul.

TRAMONTANA #NewTitle by Austin Macauley Publishers #London #Cambridge #NewYork #Sharjah #BookReviewers #Writers #Poetry

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A (slight) alteration to my upcoming novel’s title - I think the change works well! ☺️☺️☺️

#plaything #horror #newtitle #upcoming #neurodivergent

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TALES FROM PENNY BLOODS – Omnibus Theatre Looking for a fun way to celebrate Halloween? Join us at the Omnibus Theatre for some supernatural entertainment and enjoy laughs and thrills with our 1940’s style “Radio Theatre.”

So why not pop by, read, sip/sup and take in a show ? (You could also meet the authors....)

Discount code RADIO25

#theatre #radioshow #live #pennybloods #omnibustheatre #halloween #booksky #newtitle #halloweenshow #books

@omnibustheatre

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Wildlings! Today's the day we welcome Zoe Mitchell's excellent collection, Untold Fortunes, into the world. Congratulations, Zoe!
animalheartpress.net/untold-fortu...
#poetry #NewTitle #PublicationDay #women #witchcraft

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The moon will know the right moment.
Let sleep curl against your spine 
and keep you warm in dreamless sleep.

The moon will know the right moment. Let sleep curl against your spine and keep you warm in dreamless sleep.

Out next Tuesday, Untold Fortunes by Zoe Mitchell explores the experiences of women of the past, both mythological and real, giving voice to many who were so often silenced.
Pre-orders are open! animalheartpress.net/untold-fortu...
#poetry #NewTitle #women #witchcraft

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The hand over young Medusa's mouth
wasn't shame - it was the venomous snake
of a story that turns people to stone.

The hand over young Medusa's mouth wasn't shame - it was the venomous snake of a story that turns people to stone.

“With scintillating lyricism and incisive wit, Untold Fortunes pivots the ancient European trope of the witch to face itself in a moon mirror. Embracing the mutable light of myth and history, Zoe Mitchell seeks the painful truths behind the eldritch lore, drawing into her lunar orbit unruly women from Medusa to Tonya Harding; WWII engineer Beatrice Shilling to a modern British office-worker. Alive to the realities of political violence, yet disavowing faith in supernatural remedies, these curious, nuanced, metaphysical poems chart their own fearless rise to the challenge of meaning-making in a seemingly indifferent universe. While tenderly grounded in the poet’s lived experience of economic precarity, maternal love, friendship and self-sufficiency, Mitchell’s feminist poetry plucks on nerves drawn taut across millennia of nihilistic patriarchal power. Skillfully lineated in stanza forms suggestive of terse ballads and medieval infernos, her lucid music will have you believe that ‘the moment’ is still ours to grasp.”

—Dr Naomi Foyle, Reader in Critical Imaginative Writing, University of Chichester

“With scintillating lyricism and incisive wit, Untold Fortunes pivots the ancient European trope of the witch to face itself in a moon mirror. Embracing the mutable light of myth and history, Zoe Mitchell seeks the painful truths behind the eldritch lore, drawing into her lunar orbit unruly women from Medusa to Tonya Harding; WWII engineer Beatrice Shilling to a modern British office-worker. Alive to the realities of political violence, yet disavowing faith in supernatural remedies, these curious, nuanced, metaphysical poems chart their own fearless rise to the challenge of meaning-making in a seemingly indifferent universe. While tenderly grounded in the poet’s lived experience of economic precarity, maternal love, friendship and self-sufficiency, Mitchell’s feminist poetry plucks on nerves drawn taut across millennia of nihilistic patriarchal power. Skillfully lineated in stanza forms suggestive of terse ballads and medieval infernos, her lucid music will have you believe that ‘the moment’ is still ours to grasp.” —Dr Naomi Foyle, Reader in Critical Imaginative Writing, University of Chichester

Wildlings! Zoe Mitchell's excellent new collection, Untold Fortunes, will drop on September 23rd. Pre-orders are open!
animalheartpress.net/untold-fortu...

#poetry #NewTitle #ComingSoon #witchcraft #women

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Cover

We light candles against our fear of the dark,
spill blood, shuffle cards, kiss the crystals,
watch the skies and above all, we dream.

We light candles against our fear of the dark, spill blood, shuffle cards, kiss the crystals, watch the skies and above all, we dream.

“Untold Fortunes unspools in bruise-coloured ribbon around women condemned by the world for summoning the very magic needed to survive it. Through these injustices, Mitchell considers the promise inherent within the title’s double meaning—what undreamed lives might exist beyond the ones taken or denied? The poems in Untold Fortunes are bathed in cold lunar light and, like life itself, offer no easy answers. Instead, reading them is akin to defiantly pressing two fingers against the beating jugular: I am still here.”

—Glenn James Brown, author of Ironopolis and Mother Naked

“Untold Fortunes unspools in bruise-coloured ribbon around women condemned by the world for summoning the very magic needed to survive it. Through these injustices, Mitchell considers the promise inherent within the title’s double meaning—what undreamed lives might exist beyond the ones taken or denied? The poems in Untold Fortunes are bathed in cold lunar light and, like life itself, offer no easy answers. Instead, reading them is akin to defiantly pressing two fingers against the beating jugular: I am still here.” —Glenn James Brown, author of Ironopolis and Mother Naked

Coming soon! Untold Fortunes by Zoe Mitchell. Pre-orders are open!
animalheartpress.net/untold-fortu...

#NewTitle #NewBook #poetry #witchcraft #women

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“In Untold Fortunes, Zoe Mitchell shows us the unflinching magic of women. Whether those women are placed in the modern everyday, the historical or mythical, there is power in every one of their stories. Mitchell never turns away from the difficult or disturbing, while bringing unsung achievements and new perspectives into the light – all of which makes this collection a very rewarding read.” 

—Kate Garrett, author of To Feed My Woodland Bones

“In Untold Fortunes, Zoe Mitchell shows us the unflinching magic of women. Whether those women are placed in the modern everyday, the historical or mythical, there is power in every one of their stories. Mitchell never turns away from the difficult or disturbing, while bringing unsung achievements and new perspectives into the light – all of which makes this collection a very rewarding read.” —Kate Garrett, author of To Feed My Woodland Bones

"Accept that the future has you
in an unbreakable contract.
Sign your name and mean it:
the price of any alternative is your life."

"Accept that the future has you in an unbreakable contract. Sign your name and mean it: the price of any alternative is your life."

Wildlings! Check out our next title, Untold Fortunes by Zoe Mitchell. Pre-orders are open!
animalheartpress.net/untold-fortu...
#poetry #NewTitle #Forthcoming #witchcraft #women

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"Extraordinary, dangerous" acts directed by Iran
"Extraordinary, dangerous" acts directed by Iran YouTube video by news.com.au

#NewTitle "Lying sack of shit sets up pretext for murdering Iranian civilians"

#WW3 #FreeColinMcBride #Australia is #Trumps #FuckToy #Gaza #Iran #IRGC #IslamicRevolutionaryGuardCorps
#LongLive #PersianEmpire #GenoSupporters

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We are excited for the world to meet what @erikmchatton.bsky.social has created! Edited by @tjprice.bsky.social, this collection of unique horror will be out in September--but you can claim your copy now!
#newhorror #preorder #newtitle #horror #horrorreaders #erikmchatton #strawworld

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A new chapter. A new title.

While A Mother’s Song has served the early life of our show, Ballad Lines speaks more fully to the heart of the story, and to the songs and ancestral threads that connect its characters.

@finnanderson @teevedz @katetaylorproducing @ariaents

#BalladLines #NewTitle

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THe Economist reviews Recommended! by Nicola Wilson; full review here: www.economist.com/culture/2025/07/02/before-there-was-oprahs-book-club-there-was-the-book-society
#books #bookreview #outnow #newtitle #booksky

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Thanks #LibraryJournal and #DanForrest for the glowing review!
Check out #MidnightBurning, coming this September!
www.ipgbook.com/midnight-bur...
#BookReview #PaulLevine #UpcomingTitle #Einstein #CharlieChaplin #NewTitle #HistoricalFiction #Booksky

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Cover art, white on a black background. A simple sketch of a tree with branches that reach upward, like an open hand.

Cover art, white on a black background. A simple sketch of a tree with branches that reach upward, like an open hand.

“At the heart of Tom Snarsky’s A Letter From The Mountain & Other Poems is the impossible task of surviving the burdensome reality of American capitalism, the speaker continuously offering straight-faced understanding of its hold on our psyche: ‘Money is the most boring thing in the world, like breathing / it’s annoying when you’re forced to think about it // or it feels impossible, somehow, that you just continue / regulating these flows or you die.’ But Snarsky flips the idea of what’s impossible on its head, the challenge of capitalism’s arbitrary grip pitted against the rarer, more beautiful impossibility of a single, un-replicable life. Across these poems, experience a torrential rush of specificity that only this speaker can provide as he meditates on John Ashbery, Tracy Chapman, the recklessness of angels, probiotics, the perfect Mother’s Day poem, neural microarchitecture, internet companies, and moonshine. And witness poetry’s impossibility, too: the intimacy of a voice extending across the ether, a letter of formal invention that reaches you like ‘…[a] meadow you hold open // [l]ike a door’.”
—Susan L. Leary, author of Dressing the Bear

“At the heart of Tom Snarsky’s A Letter From The Mountain & Other Poems is the impossible task of surviving the burdensome reality of American capitalism, the speaker continuously offering straight-faced understanding of its hold on our psyche: ‘Money is the most boring thing in the world, like breathing / it’s annoying when you’re forced to think about it // or it feels impossible, somehow, that you just continue / regulating these flows or you die.’ But Snarsky flips the idea of what’s impossible on its head, the challenge of capitalism’s arbitrary grip pitted against the rarer, more beautiful impossibility of a single, un-replicable life. Across these poems, experience a torrential rush of specificity that only this speaker can provide as he meditates on John Ashbery, Tracy Chapman, the recklessness of angels, probiotics, the perfect Mother’s Day poem, neural microarchitecture, internet companies, and moonshine. And witness poetry’s impossibility, too: the intimacy of a voice extending across the ether, a letter of formal invention that reaches you like ‘…[a] meadow you hold open // [l]ike a door’.” —Susan L. Leary, author of Dressing the Bear

“Tom Snarsky’s A Letter From The Mountain & Other Poems reminds me of the deep taproots the trees around me must have to have survived droughts again and again. These are poems whose spirit suggests a deeper life-force exists which could get us through—’it feels impossible, somehow, that you just continue / without knowing what your name means.’ Wherever you are in understanding your place in your ‘own sense of cause or consequence,’ A Letter From The Mountain & Other Poems offers an unapologetic clarity I’ve only ever seen in Tom Snarsky’s lines.”
—C.T. Salazar, author of Headless John the Baptist Hitchhiking (Acre Books, 2022)

“Tom Snarsky’s A Letter From The Mountain & Other Poems reminds me of the deep taproots the trees around me must have to have survived droughts again and again. These are poems whose spirit suggests a deeper life-force exists which could get us through—’it feels impossible, somehow, that you just continue / without knowing what your name means.’ Wherever you are in understanding your place in your ‘own sense of cause or consequence,’ A Letter From The Mountain & Other Poems offers an unapologetic clarity I’ve only ever seen in Tom Snarsky’s lines.” —C.T. Salazar, author of Headless John the Baptist Hitchhiking (Acre Books, 2022)

“We are taxed, indebted, debited, threatened/enticed with bullets, scammed by the internet company and also the internet, imitated by robots, interpolated by information that translates us beyond recognition, transposed from the theory that thinks it has thought of everything to a house nobody can live in– a house that is only a word.
Tom Snarsky has accumulated with admirable geniality and tact a wealth of living against which the overdrafts of late-stage necro-extractive America still draws its funds.
He practices the long poem as Schuyler and Ashbery did it– even when he’s writing a short poem, the sense of his living prods the silent and deafening theft against which all poetry tilts.
I love his wasps, his albino cockroach– I even love it when his sick cat farts. He has written a hymn to life, an archive of antidotes to the mind of war and the sin of despair. “The wedge driven into poetry is poverty,” yet each line earns back in spades what is stolen from us in the bad math of our living. An essential poet.”
—Ariana Reines, author of The Rose

“We are taxed, indebted, debited, threatened/enticed with bullets, scammed by the internet company and also the internet, imitated by robots, interpolated by information that translates us beyond recognition, transposed from the theory that thinks it has thought of everything to a house nobody can live in– a house that is only a word. Tom Snarsky has accumulated with admirable geniality and tact a wealth of living against which the overdrafts of late-stage necro-extractive America still draws its funds. He practices the long poem as Schuyler and Ashbery did it– even when he’s writing a short poem, the sense of his living prods the silent and deafening theft against which all poetry tilts. I love his wasps, his albino cockroach– I even love it when his sick cat farts. He has written a hymn to life, an archive of antidotes to the mind of war and the sin of despair. “The wedge driven into poetry is poverty,” yet each line earns back in spades what is stolen from us in the bad math of our living. An essential poet.” —Ariana Reines, author of The Rose

Only three more weeks until @tomsnarsky.bsky.social 's latest collection drops. Have you ordered your copy of A Letter From The Mountain yet?
animalheartpress.net/a-letter-fro...

#poetry #NewTitle #Preorders #SmallPress

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Recommended! The writers who changed how we read. - Evesham Festival of Words An alternative title for this talk by Dr Nicola Wilson could well be ‘The biggest celebrity book club you’ve probably never heard of!’ With a publication date of 26th June 2025, this event could not…

Event link:
www.eveshamfestivalofwords.org/event/recomm...

#booksky #booktalk #bookfestival #event #authorslife #newtitle #whattoreadnext

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Out tomorrow - swipe for preview excerpt and more...

Check out:
research.reading.ac.uk/thebooksocie...

www.eveshamfestivalofwords.org/event/recomm...

www.hhousebooks.com/books/recomm...

#booksky #newtitle #outsoon #publishing #authorlife #bookfestival #booktalk #authortalk
9 m

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Cover art. A cool line drawing of a tree with up-stretched branches, white  ink on a black background.

Cover art. A cool line drawing of a tree with up-stretched branches, white ink on a black background.

“We are taxed, indebted, debited, threatened/enticed with bullets, scammed by the internet company and also the internet, imitated by robots, interpolated by information that translates us beyond recognition, transposed from the theory that thinks it has thought of everything to a house nobody can live in– a house that is only a word.
Tom Snarsky has accumulated with admirable geniality and tact a wealth of living against which the overdrafts of late-stage necro-extractive America still draws its funds.
He practices the long poem as Schuyler and Ashbery did it– even when he’s writing a short poem, the sense of his living prods the silent and deafening theft against which all poetry tilts.
I love his wasps, his albino cockroach– I even love it when his sick cat farts. He has written a hymn to life, an archive of antidotes to the mind of war and the sin of despair. “The wedge driven into poetry is poverty,” yet each line earns back in spades what is stolen from us in the bad math of our living. An essential poet.”
—Ariana Reines, author of The Rose

“We are taxed, indebted, debited, threatened/enticed with bullets, scammed by the internet company and also the internet, imitated by robots, interpolated by information that translates us beyond recognition, transposed from the theory that thinks it has thought of everything to a house nobody can live in– a house that is only a word. Tom Snarsky has accumulated with admirable geniality and tact a wealth of living against which the overdrafts of late-stage necro-extractive America still draws its funds. He practices the long poem as Schuyler and Ashbery did it– even when he’s writing a short poem, the sense of his living prods the silent and deafening theft against which all poetry tilts. I love his wasps, his albino cockroach– I even love it when his sick cat farts. He has written a hymn to life, an archive of antidotes to the mind of war and the sin of despair. “The wedge driven into poetry is poverty,” yet each line earns back in spades what is stolen from us in the bad math of our living. An essential poet.” —Ariana Reines, author of The Rose

“Tom Snarsky’s A Letter From The Mountain & Other Poems reminds me of the deep taproots the trees around me must have to have survived droughts again and again. These are poems whose spirit suggests a deeper life-force exists which could get us through—’it feels impossible, somehow, that you just continue / without knowing what your name means.’ Wherever you are in understanding your place in your ‘own sense of cause or consequence,’ A Letter From The Mountain & Other Poems offers an unapologetic clarity I’ve only ever seen in Tom Snarsky’s lines.”
—C.T. Salazar, author of Headless John the Baptist Hitchhiking (Acre Books, 2022)

“Tom Snarsky’s A Letter From The Mountain & Other Poems reminds me of the deep taproots the trees around me must have to have survived droughts again and again. These are poems whose spirit suggests a deeper life-force exists which could get us through—’it feels impossible, somehow, that you just continue / without knowing what your name means.’ Wherever you are in understanding your place in your ‘own sense of cause or consequence,’ A Letter From The Mountain & Other Poems offers an unapologetic clarity I’ve only ever seen in Tom Snarsky’s lines.” —C.T. Salazar, author of Headless John the Baptist Hitchhiking (Acre Books, 2022)

“At the heart of Tom Snarsky’s A Letter From The Mountain & Other Poems is the impossible task of surviving the burdensome reality of American capitalism, the speaker continuously offering straight-faced understanding of its hold on our psyche: ‘Money is the most boring thing in the world, like breathing / it’s annoying when you’re forced to think about it // or it feels impossible, somehow, that you just continue / regulating these flows or you die.’ But Snarsky flips the idea of what’s impossible on its head, the challenge of capitalism’s arbitrary grip pitted against the rarer, more beautiful impossibility of a single, un-replicable life. Across these poems, experience a torrential rush of specificity that only this speaker can provide as he meditates on John Ashbery, Tracy Chapman, the recklessness of angels, probiotics, the perfect Mother’s Day poem, neural microarchitecture, internet companies, and moonshine. And witness poetry’s impossibility, too: the intimacy of a voice extending across the ether, a letter of formal invention that reaches you like ‘…[a] meadow you hold open // [l]ike a door’.”
—Susan L. Leary, author of Dressing the Bear

“At the heart of Tom Snarsky’s A Letter From The Mountain & Other Poems is the impossible task of surviving the burdensome reality of American capitalism, the speaker continuously offering straight-faced understanding of its hold on our psyche: ‘Money is the most boring thing in the world, like breathing / it’s annoying when you’re forced to think about it // or it feels impossible, somehow, that you just continue / regulating these flows or you die.’ But Snarsky flips the idea of what’s impossible on its head, the challenge of capitalism’s arbitrary grip pitted against the rarer, more beautiful impossibility of a single, un-replicable life. Across these poems, experience a torrential rush of specificity that only this speaker can provide as he meditates on John Ashbery, Tracy Chapman, the recklessness of angels, probiotics, the perfect Mother’s Day poem, neural microarchitecture, internet companies, and moonshine. And witness poetry’s impossibility, too: the intimacy of a voice extending across the ether, a letter of formal invention that reaches you like ‘…[a] meadow you hold open // [l]ike a door’.” —Susan L. Leary, author of Dressing the Bear

Tom Snarsky's A Letter From The Mountain and Other Poems, forthcoming from AHP in July, is open for pre-orders!
animalheartpress.net/a-letter-fro...

#poetry #NewTitle #ComingSoon @tomsnarsky.bsky.social

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Cover art. A simple, childlike drawing of a tree with branches that could be fingers

Cover art. A simple, childlike drawing of a tree with branches that could be fingers

Wildlings! We could not be more excited to announce that A Letter from the Mountain and Other Poems by Tom Snarsky is now open for pre-orders!!
animalheartpress.net/a-letter-fro...
#poetry #NewTitle #ComingSoon

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If you're in Cape Town on the 24th, why not pop by the Book Lounge around 5:30, where Braids & Migraines author Andile Cele will be in convo with Karen Jennings (An Island, Crooked Seeds) ?

#booklaunch #booksbooksbook #books #newtitle #outnow #africanauthors

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Coming soon!
#gamedev
#indiedev
#abertay
#newtitle

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"She is done with tolerance.
She is done with nurturing,
empathy, compromise, archetype.
She has a sword
and she knows how to use it."

"She is done with tolerance. She is done with nurturing, empathy, compromise, archetype. She has a sword and she knows how to use it."

Pre-orders are still open for After by Chelsea Harrison!
femmesalvebooks.net/after-by-che...

In a world that equates strength with aggression, cacophony, and arrogance; it is comforting, almost soothing, to read the words of a poet whose strength comes from love.
#poetry #NewTitle #ComingSoon

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