Tisser, Broder, Sublimer : le Palais Galliera met en lumière les savoir-faire de la mode
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#mode #expostion #culture #brodertissersublimer #savoirfaire #palaisgalliera #paris #hautecouture #pretaporter #fashionspider
C'est une ode au travail manuel, à cette intelligence de la main qui transforme une matière brute en œuvre d'art. Une visite indispensable pour quiconque aime comprendre comment on fabrique notre monde (et nos vestiaires). 🏛️✨
#PalaisGalliera #SavoirFaire #Artisanat #ExpositionParis #BlueskyArt
Un mannequin portant un ensemble composé d'une veste de style militaire verte en laine feutrée ceinturée par une large ceinture de cuir, sur une robe volumineuse en brocart bleu et or à motifs de feuilles. Escarpins blancs et rouges en cuir lisse et des chaussettes mi haute à motif à carreaux en laine.
🧵 L’art du geste : Visite au #PalaisGalliera
Je sors de l'exposition « Tisser, broder, sublimer » et j'en ai encore plein les yeux. Ce qui m'a le plus touchée, c'est cette mise en lumière de l'art caché derrière le commun.
The #PalaisGalliera exhibit on the House of Worth also displayed Worth's perfume line. Roger Worth collaborated with Maurice Blanchet to first produce its own line of scents, beginning with Dans la Nuit in 1924. The bottle was designed by René Lalique, a master glassmaker and
Before we end the #PalaisGalliera 's Worth: Inventor of Haute Couture exhibit, I am going to do a few posts showing some other non-outfit posts that the museum had on display. One such incredible collection of items was these sketches of Worth's fancy dress costumes from #VandAMuseum.
beads, which are centered down the front, clasp the top of the straps and cascade down to the mid-back. Absolutely, gorgeous. It is also from the Louis Vuitton archive, showing how other brands take their inspiration from fashion history. #ootd #fashionhistory #PalaisGalliera
back that almost seems to be a reference to a robe a la francais. #PalaisGalliera also notes the coat's play with the remarkable sheen vs matte aspects of satin. So elegant. I will admit they aren't the most exciting ones, but we are heading towards the end! Only four more to go!
#PalaisGalliera. It's amazing that they got to be reunited and displayed at this exhibit. #fashionhistory
#Ootd is this 1927 Worth evening ensemble of golden silk lame underdress with a matching overlying vest tunic with a glass rhinestone, artificial flower ornament in the center. Once again, we have the dress registration picture. #fashionhistory #palaisGalliera
low cut back, as seen in the second photo; however, the client asked for some alterations, as you can see. It's a gorgeous outfit! #fashionhistory #PalaisGalliera
fashion innovator and center of fashion as it had previously been. This garment, a 1920-1922 evening coat, shows this as it is an exquisitely made piece and features modern designs, yet it's reminiscent of older styles and quite conservative. #fashionhistory #ootd #PalaisGalliera
late 1700s. The #PalaisGalliera also points out the small detail of the floral buttons. Gorgeous! #Fashionhistory
Another purple coat for you all- this one is a 1910 Worth silk chiffon with metallic-threaded embroidery. I mean, just look at that embroidery! Exquisite! Interestingly, this is from the Louis Vuitton collection. #FashionHistory #ootd #palaisGalliera
In the last picture, you can see Camille, her husband Maurice, and their child, Laura, who sadly died at 6 years old. #Fashionhistory #ootd #PalaisGalliera
seen a hobble coat before, and the contrasting wide sleeves and unstructured draped silhouette make the narrow skirt particularly noticeable...in fact, it looks like a giant, beaded cocoon. #fashionhistory #ootd #PalaisGalliera
Here is another Worth garment from the 1910s- this one made of brocaded satin and decorated with pearl appliques and passementerie (those braided cords). #PalaisGalliera states that the passementerie is an example of how Paul Poiret influenced Worth...a decade after he left the
Front view of a bright emerald green sleeveless chiffon dress covered with a symmetrical pattern of dark metallic geometric embroidery
It is a jewel in dress form, an emerald seemingly engraved with architectural geometric motifs but in fact embroidered in sinuous swirls. A dress in which to shimmy as the band plays faster, #1920s #PalaisGalliera #FashionHistory 🗃️🪡
#PalaisGalliera highlighted this 1910 dinner dress when referencing the House of Worth's prominence on the Rue de la Paix (number 7). The house itself exhibited an elegant facade with electric lighting and displayed various countries' flags when heads of state, like Russian Tsars
garments, like the kimono. These two 1910-1912 coats were from Worth and closely followed Pioret's original designs a decade earlier, showing both Poiret's foresight and the lack thereof at Worth at the time. Look at the trimmings though! #fashionhistory #ootd #PalaisGalliera
Another Rue de la Paix couturier, two doors down from Worth in the opposite direction, was Jacques Doucet. The #PalaisGalliera had this 1905 summer dress on show. It's a linen dress with embroidery, Valencienne lace, and a black velvet belt. #fashionhistory #ootd
#PalaisGalliera used this 1880 Worth wedding bodice as an example of the importance of marketing. Labels were still new in the 1860s, before which local dressmakers usually made a person's clothes. However, with increasingly larger Parisian couture houses, clothes started
This particular dress was for Renee Normant Viguier, the wife of the president of the Bazar de l'Hotel de Ville, a French department store. #fashionhistory #ootd #PalaisGalliera
flowers, and it follows court conventions with its long train. The bodice has changed from when this picture was taken. #fashionhistory #ootd #PalaisGalliera
Emperor Wilhelm II, King Edward VII and Queen Alexandra, Tsarina Alexandra Feodorovna, Archduke Franz Ferdinand, Oscar Wilde, Greta Garbo, and Grace Kelly. (Correction- the dress is from sometime between 1900-1905, not specifically 1902.) #fashionhistory #ootd #PalaisGalliera
