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Finally got a few t-shirt designs on my shop. I’m offering them with different color variations as well. Feel free to browse, share, and make a purchase if u feel so inclined 👀😉 More designs coming soon. Etsy.com/shop/carmenrosaart #supportsmallbusiness #latinx #puertoricanartist #tshirts

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A birthday commission I did for a close friend ^_^
#procreate #puertoricanartist
#furry #furryart #commision

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Big thanks to @annie.espejo @almacollectiveart @commonvibearthouse for an amazing, chill night full of good music, good art and good vibes. Looking forward to the next event 🙌🏼🔥 #artshow #orlando #latinxart #blues #puertoricanartist

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Lmao I’m corny for this but yeah…I’m a puertorican artist based in Florida. Decided to make some apparel available based off my paintings🙌🏼 #artist #latinxcreatives #puertoricanartist #tampabay #tshirts

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Got 8hrs of painting over the last few days which has been very rare for me of late. Felt good to be back on my art grind. Downside I’m back to my night job for the next 4 in a row 😭 #artist #puertoricanartist #latinxcreatives #fantasyart #timelapseart

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Productos Página oficial de La Crica Mía

Go visit her website shop for more artwork of spicy jokes nsfw made by Janilka Glorimar the owner of "LA CRICA MIA".

#HentaiArtist #NSFWArtist #Boricua #Borinquen #Boriken #PuertoRicanArtist
lacricamia.com/collections/...

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Random weird selfies cause why not. Im an emerging artist in Florida. I mostly paint fantasy/surrealistic images a little on the darker side. And sometimes I just post random pics of myself 🤷🏻‍♀️😆✌🏼 #artist #selfies #tattoos #puertoricanartist #latinx

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The only thing more powerful than hate is love.
As a Puerto Rican artist, moments like this hit different. 🇵🇷❤️
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#latinrepresentation #puertoricanartist #picturebookart #visualstorytelling #illustrationart #badbunny

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📣 Shop Update: Resistencia 🇵🇷 Resistencia Series · Price change for framed prints

My latest shop update: 3 new designs, several new items and sets 🖤🇵🇷👇

#PuertoRicanArtist #PuertoRico #BlueskyPR #art #illustration

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Pathways #shorts
Pathways #shorts YouTube video by TORO

🔷 #BlueSkyArtShow #Sunlight 🔷

destinytoro.com/animation

#SolarEclipse #art #illustration #animation #PuertoRicanArtist #IndigenousArt

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Random selfies. I can smile sometimes 😁😆 #artist #tattoo #tattooreveal #puertoricanartist #tattoostyle #tattoomodel #downtime #selfi

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Full process timelapse of my latest oil painting. Thank you for watching 😁 #oilpainting #timelapseart #fantasyart #puertoricanartist #outsiderart #surreal #darkfantasy #lowbrowpopsurrealists #darkartist

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When you play with fire, don't be surprised when the devil shows up 👹
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Thanks for checking out this vejigante!
If you like what you see, consider sharing with others who like some devilish art 😈
Much appreciated 🙏
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#vejigante #vejigantes #puertoricanart #puertoricanfolklore #puertoricanartist

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A Puerto Rican woman with a light beige skin tone sits frontally against a wall of pale gray-and-tan diamond tiles. Her long, straight black hair spreads like a dark halo, framing a high forehead and almost heart-shaped face. She has large, almond-shaped blue eyes ringed with teal shadow and long lashes, slim brows, a small nose, and bright red lips that curve into a gentle smile. Yellow and blush-pink roses with green leaves tuck into her hair and cluster at her shoulders and hands, suggesting fragrance and movement around her body. She wears a deep crimson gown with wide sleeves and a deep square neckline, its bodice densely patterned with lacy pinks, blacks, and metallic touches. A delicate green-bead necklace arcs across her neck. Her hands, with softly tapered fingers and pale pink nails, rest calmly at the bottom edge, anchoring the richly colored figure against a dark blue band below.

Puerto Rican artist Marta Pérez paints herself as both a specific woman and a fantasy figure, stylizing her own features into an almost doll-like, angelic presence surrounded by tropical flowers. Created in 1980, when she was turning from teaching to painting full-time in Old San Juan, the work reflects her interest in exuberant color, allegory, and femininity. The lush roses and ornamental dress echo the “celebratory and critical” vision she described as art that moves viewers toward laughter and peace while still questioning social norms.

Descended from Basque, Jewish, Greek, and Irish forebears and active in the Asociación de Mujeres Artistas de Puerto Rico, Pérez often fused multicultural references, carnival spirit, and sacred overtones. Here, her self-portrait becomes an icon of Caribbean womanhood that is glamorous, introspective, and firmly centered in her own imagined paradise.

A Puerto Rican woman with a light beige skin tone sits frontally against a wall of pale gray-and-tan diamond tiles. Her long, straight black hair spreads like a dark halo, framing a high forehead and almost heart-shaped face. She has large, almond-shaped blue eyes ringed with teal shadow and long lashes, slim brows, a small nose, and bright red lips that curve into a gentle smile. Yellow and blush-pink roses with green leaves tuck into her hair and cluster at her shoulders and hands, suggesting fragrance and movement around her body. She wears a deep crimson gown with wide sleeves and a deep square neckline, its bodice densely patterned with lacy pinks, blacks, and metallic touches. A delicate green-bead necklace arcs across her neck. Her hands, with softly tapered fingers and pale pink nails, rest calmly at the bottom edge, anchoring the richly colored figure against a dark blue band below. Puerto Rican artist Marta Pérez paints herself as both a specific woman and a fantasy figure, stylizing her own features into an almost doll-like, angelic presence surrounded by tropical flowers. Created in 1980, when she was turning from teaching to painting full-time in Old San Juan, the work reflects her interest in exuberant color, allegory, and femininity. The lush roses and ornamental dress echo the “celebratory and critical” vision she described as art that moves viewers toward laughter and peace while still questioning social norms. Descended from Basque, Jewish, Greek, and Irish forebears and active in the Asociación de Mujeres Artistas de Puerto Rico, Pérez often fused multicultural references, carnival spirit, and sacred overtones. Here, her self-portrait becomes an icon of Caribbean womanhood that is glamorous, introspective, and firmly centered in her own imagined paradise.

“Autorretrato (Self-Portrait)” by Marta Pérez (Puerto Rican) - Acrylic on wood / 1980 - Museo de Arte de Puerto Rico (San Juan) #WomenInArt #MartaPerez #MartaPérez #MuseoDeArteDePuertoRico #WomensArt #WomanArtist #WomenArtists #art #artText #arte #SelfPortrait #PuertoRicanArt #PuertoRicanArtist

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Chicana writer Sandra Cisneros appears life-size, seated on the floor before a sofa. Bare legs extend toward us, knees bent, body angled diagonally across the canvas. Her torso twists as she leans into an oversized white satin pillow perched on the couch, its slick folds catching a hard, theatrical light. Her face, rendered with meticulous realism, meets us in a steady, unsmiling gaze as pores, creases, and highlights register the heavy, almost overheated air. Dark hair frames her features and spills toward her shoulders, echoing a deep, uncertain space behind her. In the upper right, the Virgin of Guadalupe materializes like a vision, framed by a scalloped mandorla edged with tiny, jewel-bright spheres that punctuate the dark ground and visually bind living woman to holy icon.

Created as Ángel Rodríguez-Díaz’s second portrait of Cisneros, the painting stages an encounter between a celebrated Chicana author and the Virgin who haunts her essay “Guadalupe the Sex Goddess,” where she insists that her “Virgen” must be a woman like her and even declares, “She is God,” rejecting passive, silent models of brown womanhood. Here, the close rhyme between the two faces collapses distance between writer and apparition, casting Guadalupe as a real, Indigenous-featured woman and Cisneros as a contemporary goddess. 

The artist’s unforgiving photorealism of glistening skin, flexed muscles, and wrinkles at the knees refuses airbrushed ideals, honoring bodies often policed or shamed. Painted in 1999, when “The House on Mango Street” had already become a landmark of Latina coming-of-age literature, this work also marks a moment of mutual recognition between literature and visual art. Cisneros later donated the painting to the National Museum of Mexican Art in memory of her father, anchoring this intimate, contested self-portrait in Chicago’s Mexican and Mexican American cultural home.

Chicana writer Sandra Cisneros appears life-size, seated on the floor before a sofa. Bare legs extend toward us, knees bent, body angled diagonally across the canvas. Her torso twists as she leans into an oversized white satin pillow perched on the couch, its slick folds catching a hard, theatrical light. Her face, rendered with meticulous realism, meets us in a steady, unsmiling gaze as pores, creases, and highlights register the heavy, almost overheated air. Dark hair frames her features and spills toward her shoulders, echoing a deep, uncertain space behind her. In the upper right, the Virgin of Guadalupe materializes like a vision, framed by a scalloped mandorla edged with tiny, jewel-bright spheres that punctuate the dark ground and visually bind living woman to holy icon. Created as Ángel Rodríguez-Díaz’s second portrait of Cisneros, the painting stages an encounter between a celebrated Chicana author and the Virgin who haunts her essay “Guadalupe the Sex Goddess,” where she insists that her “Virgen” must be a woman like her and even declares, “She is God,” rejecting passive, silent models of brown womanhood. Here, the close rhyme between the two faces collapses distance between writer and apparition, casting Guadalupe as a real, Indigenous-featured woman and Cisneros as a contemporary goddess. The artist’s unforgiving photorealism of glistening skin, flexed muscles, and wrinkles at the knees refuses airbrushed ideals, honoring bodies often policed or shamed. Painted in 1999, when “The House on Mango Street” had already become a landmark of Latina coming-of-age literature, this work also marks a moment of mutual recognition between literature and visual art. Cisneros later donated the painting to the National Museum of Mexican Art in memory of her father, anchoring this intimate, contested self-portrait in Chicago’s Mexican and Mexican American cultural home.

“La Guadalupana” by Ángel Rodríguez-Díaz (Puerto Rican-American) - Oil on canvas / 1999 - National Museum of Mexican Art (Chicago, Illinois) #WomenInArt #AngelRodriguezDiaz #ÁngelRodríguezDíaz #AngelRodríguez-Díaz #NationalMuseumofMexicanArt #ArtBsky #art #artText #PuertoRicanArtist #SandraCisneros

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New sticker sheets!

www.jadysbel.art

#jadysbel #artepreneur #smallbusiness #puertorico #puertoricanartist #artepuertorico #arteboricua #mujerartista #artistapuertorriqueña #diasporapuertorriqueña #diasporaboricua #artsoldbyartist #womanartist #blueskypr

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Which angle looks cooler? 1st or 2nd? 😎
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If you haven't seen my posts before, I usually share pop & dark surreal paintings.
You'll see what I mean when you check out my main feed 😗
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#artistselfie #popsurrealartist #surrealartist #puertoricanartist #darksurrealartist #surrealismartcommunity

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Random selfies of me at work and at home. Damn, I am tatted tf up😆 wait till u see my next one 😈 #artist #dayoff #atwork #nightshift #respiratorytherapist #puertoricanartist #tattooed #inked #tattoolife #tattoomodel #emergingartist

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Puerto Rican artist Osiris Delgado seemingly transforms a version of the children’s string game known in Puerto Rico as cuna de gato (cat’s cradle) into a meditation on attention and grace. A small ring slipped on the rope introduces both chance and ornament, suggesting a private variation where the figure might slide or spin as part of the pattern. The sitter, believed to be the artist’s young daughter Gianina Delgado, recalled her father framing the pose while she “had [her] hands tangled in the rope.” 

She stands centered before a plain wall, her small frame composed in calm symmetry. She holds a looped cord suspended before her torso, the rope’s arc neat and taut as she tugs with a string between her lips. Near her left hand a tiny metal ring glints where it slides along the string like an improvised charm in a game of balance and chance. Her gaze is steady and focused down on the string. Light falls across her red v-neck blouse. Her long straight brown hair is accented with a red ribbon bow. Nothing distracts from this tender and exact moment.

The work embodies intimacy of observation, patience, and motion. Painted in 1965, during Delgado’s mature period, the canvas aligns with his broader aim to dignify Puerto Rican life through clarity of form and serene light. Trained in Florence, Paris, and Madrid, and later an influential art historian and educator, Osiris Delgado blended European discipline with island humanism. In “La suerte de la cuerda,” the simple loop becomes a symbol of continuity of art, family, and everyday rituals that bind knowledge and affection into a lasting memory.

Puerto Rican artist Osiris Delgado seemingly transforms a version of the children’s string game known in Puerto Rico as cuna de gato (cat’s cradle) into a meditation on attention and grace. A small ring slipped on the rope introduces both chance and ornament, suggesting a private variation where the figure might slide or spin as part of the pattern. The sitter, believed to be the artist’s young daughter Gianina Delgado, recalled her father framing the pose while she “had [her] hands tangled in the rope.” She stands centered before a plain wall, her small frame composed in calm symmetry. She holds a looped cord suspended before her torso, the rope’s arc neat and taut as she tugs with a string between her lips. Near her left hand a tiny metal ring glints where it slides along the string like an improvised charm in a game of balance and chance. Her gaze is steady and focused down on the string. Light falls across her red v-neck blouse. Her long straight brown hair is accented with a red ribbon bow. Nothing distracts from this tender and exact moment. The work embodies intimacy of observation, patience, and motion. Painted in 1965, during Delgado’s mature period, the canvas aligns with his broader aim to dignify Puerto Rican life through clarity of form and serene light. Trained in Florence, Paris, and Madrid, and later an influential art historian and educator, Osiris Delgado blended European discipline with island humanism. In “La suerte de la cuerda,” the simple loop becomes a symbol of continuity of art, family, and everyday rituals that bind knowledge and affection into a lasting memory.

“La suerte de la cuerda (The Rope’s Luck)”by Osiris Delgado (Puerto Rican) – Oil on canvas / 1965 – Museo de Arte de Puerto Rico (San Juan) #WomenInArt #arte #artText #art #PuertoRicanArtist #OsirisDelgado #pintura #art #BlueskyArt #Delgado #PortraitofaWoman #PuertoRicanArt #MuseodeArtedePuertoRico

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Sorry about that last bit😆this platform has been censoring all of my n.Ude art and hitting me with guidelines violations and taking them down🙄I have custom prints available. Link in bio. #prints #artprints #limitededition #fantasyart #puertoricanartist

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#PuertoRico #PuertoRicanArtist #YoungMiko

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What style would you describe this outfit? 😗
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If this is the first time you've seen one of my posts,
consider checking out my profile to see some popsurreal style paintings.
Much appreciated 🙏
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#artistselfie #popsurrealartist #surrealartist #puertoricanartist #darksurrealartist

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Finally calling this done 😌🙌🏼 now to let it dry before adding all the Austrian crystals. Stay tuned #art #myart #oilpainting #processvideo #timelapse #fantasyart #puertoricanartist #latinxcreatives #latinx #surreal #outsiderart #skull #lantern #darkfantasy

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Thanks for checking out this vejigante!
If you like what you see, consider sharing with others who think tiny terrors are adorable👹
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#vejigante #vijigantes #puertoricanartist #puertoricanart #puertoricanculture #popsurreal #popsurrealism #popsurrealist

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Painting session from this morning.
Working on the final details of this painting #art #artist #myart #processvideo #timelapseart #fantasyart #surreal #oilpainting #puertoricanartist #latinx #latinxcreatives #beautifulbizarre #trekel #darkfantasy

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PRINTS available in my shop. please support and share. Link in bio. Or direct listing here carmenrosaart.etsy.com/listing/4375... Thank you 😊#art #artist #puertoricanartist #prints #limitededition #hispanicheritagemonth #latinartist #latinx #latinxcreatives

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Finally got off my a.$$ and updated my shop. New prints now available . Different sizes, paper options and price points. Link in bio #art #artist #myart #prints #limitededitionprints #limitededition #puertoricanart #puertoricanartist #smallbusiness #emergingartist

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Weird pics of me and my art. I’m still painting. Just taking it slow. #art #artist #myart #emergingartist #puertoricanartist #lupuswarrior #tattoos #inkedup #altmodel #fantasyart #outsiderart #surreal

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Random selfie dump. Just me and my RBF 😆 #photodump #selfie #pics #tattoomodel #tattoos #puertoricanartist

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