*img s xvi #SebastianodelPiombo (copia) Ecce Homo, prado + c 1928 #ShigemiIzuo Study, getty *txt—#WalterBenjamin, 1928 (1978) Einbahnstraße / One-Way Street / Post No Bills / Thirteen Theses Against Snobs. XII.

The virility of works lies in assault. The document's innocence gives it cover.

— #WalterBenjamin, 1928 (1978) Einbahnstraße
#QueenlyDiptych

*img xvith C. Anonymous (Dutch), Study of a Standing Male Nude, met + c 1784 #JohnFrancisRigaud, Samson [and Delilah], detail. Royal Academy of Arts, London

Què és, en últim terme, la Diferència
—quan no esdevé diferent d'ella mateixa—
sinó un pur terme de negació de la norma?

— #PierPaoloPasolini #Pasolini, Orgia 1966/8 (2005/22)
#QueenlyDiptych

*img 1607 #Caravaggio Flagellazione di Crist, Capodimonte, Napoli + n.d. #波賀九郎 #KurōHaga Festa de les bèsties + txt—#LeoBersani #AdamPhillips, 1998 Caravaggio's Secrets

It is how we read the summons, the seduction, the soliciting that determines what or who we are. The inability to decipher the enigmatic signifier constitutes us as sexual beings,

— #LeoBersani #AdamPhillips, 1998 CS
*img #Caravaggio + #波賀九郎 #KurōHaga
#QueenlyDiptych

*img #水影鐐司, さぶ1989年10月号 + n.d roman modern ? mask, met

, sex outside of certain constraints (e.g. couple formation) has been constructed as a connection to wildness outside of society, with its rhythms of daily life, productivity ethos and commodified leisure regime. Sex is contradictory,

— #AlanSears, 2025 Eros and Alienation
#QueenlyDiptych

—Know: the arrow am I
Which cures or kills . . .
Stay!—or—away fly!

— #JohnHenryMackay #Sagitta, 1913 Die Bücher der namenlosen Liebe
*img 1552 #GiovanniBattistaMoroni Der Bildhauer Alessandro Vittoria, khm + #MaxMiede Halbakt #DerEigene 1929 No 3
#QueenlyDiptych #HubertKennedy

*img c 1900 #EdmondDesbonnet, Vue d'une photographie d'un portrait d'homme + c 1800 Prud'hon #PierrePaulPrudhon, Étude d'homme en buste

Time has taught you
how much inspiration
your vices brought you,
what imagination
can owe temptation
yielded to,

— #WHAuden, 1965 AtH
*img c 1900 #EdmondDesbonnet, Portrait d'homme, BnF + c 1800 Prud'hon #PierrePaulPrudhon, Étude d'homme en buste
#QueenlyDiptych

*img 1833 #Delacroix A Blacksmith, met + _1526–27 #FrancescoSalviati Seated Nude Youth, met + 1984 #DrummerMag No 79 Restraints Ad, from Fetters of London

It was not restraint I had to learn, but ways to use my rage to fuel actions,

— #AudreLorde, 1986 TtBA
*img 1833 #Delacroix A Blacksmith, met + _1526–27 #FrancescoSalviati Seated Nude Youth, met + 1984 #DrummerMag No 79 Restraints Ad, from Fetters of London
#QueenlyDiptych

*img XVIth C. Anónimo, Ecce Homo (copia de #Tiziano), prado + c 1983 #RichardJorasch San Francisco Bound, in Feb 1983 #DrummerMag No 61 centerfold

(I may well choose to style myself as a deviant, as a social or sexual pariah, . . .

— #DavidMHalperin, 2012 HtBG
*img XVIth C. Anónimo, Ecce Homo (copia de #Tiziano), prado + c 1983 #RichardJorasch San Francisco Bound, in Feb 1983 #DrummerMag No 61 centerfold
#QueenlyDiptych

; però també tenia a les seves pròpies mans els fils de tota aquesta enrevessada maquinària.

— #JohnAddingtonSymonds, 1879 SaSiI
*img 1881 #JohnSingerSargent Dr. Pozzi at Home, hammer + #JimWigler Rack, in Jan 1995 #DrummeMag No 181
#QueenlyDiptych

: del deix intern, per sota d'un plec—
: or the internal accent, down below a crease—

*img 17th C. Anon. San Sebastián, prado + #RobertPruzan Logan, in 1982 #DrummerMag No 51
#QueenlyDiptych

*img 1950-60s #DerKreis #AntonioSantos #KarlheinzWeinberger + 1981 #ColtStudios #MandateMag

Aquest ofici ha de desenvolupar al màxim l'art d'esmentar sense cometes. La seva teoria està íntimament relacionada amb la del muntatge.

— #WalterBenjamin, 1982 Arcades
*img 1981 #MandateMag +1958 1966 #DerKreis
#QueenlyDiptych
#heretik_xyz