In the lower left, an illustration of a cocci bacteria. In the upper right, the moon. Connecting them is a meandering, inked strand of circles.
If you keep following where the work leads, you will create a path to follow next time. #SuccessiveApproximation #Ritual #Lichtenbergianism #postcardquotes
The thought still has too much elbow-room in the expression; I have pointed with the end of a stick when I should have pointed with the point of a needle. — G.C. Lichtenberg, Notebook D.18 #Lichtenbergianism #LichtenbergianQuotes #SuccessiveApproximation
I bet you're smart enough to fix it once you've crapped it out, though. #AbortiveAttempts > #Gestalt > #SuccessiveApproximation
“Better as a T-Shirt Rule”: don’t commit to permanence when there’s still #SuccessiveApproximation to be done. (p. 13) #TaskAvoidance
In Beethoven’s #WasteBooks we can see eight different beginnings to his Symphony No. 5. With each iteration, he listened and found that it was not quite right. (p. 69) #SuccessiveApproximation
A collage of vintage prints with instructions written in red ink: “Misaligned,” “Fill this space with these,” “Fix this!” and “Lose this.”
"Didn't get it right the first time?
Nudge it,
adjust it,
tinker with it —
or do it again,
betterer.
#SuccessiveApproximation #Lichtenbergianism" #postcardquotes
Make it possible to update/upgrade the project. (p. 71) #SuccessiveApproximation
This will not be news to Lichtenbergians: #Gestalt >> #SuccessiveApproximation
The thought still has too much elbow-room in the expression; I have pointed with the end of a stick when I should have pointed with the point of a needle. — G.C. Lichtenberg, Notebook D.18 #Lichtenbergianism #LichtenbergianQuotes #SuccessiveApproximation
With many a work of a celebrated man I would rather read what he has crossed out than what he has let stand. — G.C. Lichtenberg, Notebook F.131 #Lichtenbergianism #LichtenbergianQuotes #SuccessiveApproximation #Gestalt
In Beethoven’s #WasteBooks we can see eight different beginnings to his Symphony No. 5. With each iteration, he listened and found that it was not quite right. (p. 69) #SuccessiveApproximation
A collage of vintage prints with instructions written in red ink: “Misaligned,” “Fill this space with these,” “Fix this!” and “Lose this.”
"Didn't get it right the first time?
Nudge it,
adjust it,
tinker with it —
or do it again,
betterer."
#SuccessiveApproximation #Lichtenbergianism #postcardquotes
Much of what you make is not going to be a final product. Rather, it’s an evolutionary dead end — paint over it, strike through it, use it for firewood. Then do it again. Right-er. (p. 58) #SuccessiveApproximation
A vintage illustration of a caterpillar is surrounded by text expressing concerns about potential change The word ‘change’ is underlined in red wherever it appears, and below, in red, the text: “NOT TO DECIDE IS TO DECIDE. EVERY FAIR FROM FAIR SOMETIME DECLINES. ALL THINGS MUST CHANGE TO SOMETHING NEW, SOMETHING STRANGE.”
All things must change to something new, something strange. (Longfellow) Be new. Be strange. #SuccessiveApproximation #postcardquotes
A collage of vintage prints with instructions written in red ink: “Misaligned,” “Fill this space with these,” “Fix this!” and “Lose this.”
"Didn't get it right the first time?
Nudge it,
adjust it,
tinker with it —
or do it again,
betterer.
#SuccessiveApproximation #Lichtenbergianism" #postcardquotes
A honeycombed background. A vintage photo of a boy reaches into one of the honeycombs; his arm appears through another honeycomb, reaching for a golden hexagon.
Sometimes you have to go down a few space-time portals (aka 'rabbit holes') to get there. #SuccessiveApproximation #Lichtenbergianism #postcardquotes
In Beethoven’s #WasteBooks we can see eight different beginnings to his Symphony No. 5. With each iteration, he listened and found that it was not quite right. (p. 69) #SuccessiveApproximation
The key phrase is “step by step.” (p. 59) #SuccessiveApproximation
Much of what you make is not going to be a final product. Rather, it’s an evolutionary dead end — paint over it, strike through it, use it for firewood. Then do it again. Right-er. (p. 58) #SuccessiveApproximation
Much of what you make is not going to be a final product. Rather, it’s an evolutionary dead end — paint over it, strike through it, use it for firewood. Then do it again. Right-er. (p. 58) #SuccessiveApproximation
The Lyles Theory of Process Development states that it takes three cycles to get any process right. In other words, you have to start and end a process at least twice before you can say you have a grip on it. (p. 58) #SuccessiveApproximation
The key phrase is “step by step.” (p. 59) #SuccessiveApproximation
An illustration from a textbook about single-factor inheritance in guinea pigs which has been modified with gold and silver ink.
You'll never get a golden guinea pig without 1) crossbreeding with new ideas; and 2) breaking the rules. #SuccessiveApproximation #postcardquotes
Much of what you make is not going to be a final product. Rather, it’s an evolutionary dead end — paint over it, strike through it, use it for firewood. Then do it again. Right-er. (p. 58) #SuccessiveApproximation
Make it possible update/upgrade the project. (p. 71) #SuccessiveApproximation
In the lower left, an illustration of a cocci bacteria. In the upper right, the moon. Connecting them is a meandering, inked strand of circles.
If you keep following where the work leads, you will create a path to follow next time. #SuccessiveApproximation #Ritual #Lichtenbergianism #postcardquotes
The first iteration is not the finished product. (p. 71) #SuccessiveApproximation
