*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Ch 3, p. 51

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3. “1984” COMES TO AMERICA — SLICK, GRADUAL, AND PERFECT: Page 53 “...this is a continuation of the kind of misinformation and attempts to change the narrative of events from one fitting more solidly on the pins of facts to one that is pleasing and supportive of the agendas of the wealthy.” “...in hindsight after Trump’s abominable four years in his stolen office of the presidency, we see that the wealthy elites intent to control all aspects of the American mind and the American’s purse has no bounds. We see that even treason, espionage, insurrection, attempting a coup, separating children from their parents, inciting mass murder, and the overthrow of democracy and rights such as freedom of speech, freedom of the press, the separation of church and state, and the rights of a woman to make decisions about her body are fair game for our American (and Russian) totalitarians.”

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 3, Page 53

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*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 3, pp. 50-51

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3. “1984” COMES TO AMERICA — SLICK, GRADUAL, AND PERFECT: Pages 52, 53 "... the rise of liberal thinking in America since the Sixties has been kept at bay and largely fruitless despite its popularity. Indeed, I have heard it said that in the media — publication and broadcasting — there is a wall on the Left, blocking progressive thinking and ideas from showing up in the mainstream. My personal experience and observation agree with that.” “...by 1975-1976, the wall on the Left of the mainstream had been erected and its door locked to keep out “pesky” counterculture folk with their “annoying” (to the Filthy Rich) ideas. Instead and specifically, books that benefit the profit-takers and powers-that-be, directly or indirectly, began being the ones put out by major publishers. A wall on the Left. A deluge of idiocy washing in from the Right, promoted by wealthy interests.”

*Culture War, Class War 2022* (2022) by Michael Adzema

Chapter 3, Pages 52, 53

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*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

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PART ONE: CULTURE WAR — TRUTH Page 52 “The decision was made at the time of Ford’s pardon of Nixon, that the ‘stress-free’ functioning of society trumps justice, trumps accountability, trumps consequences. Although such sweeping under the rug of Republican crimes and treason favors the criminal and corrupt, that part is conveniently ignored....” “...this thinking that the comfort of a few is more important than the rights of all came about — and it remains in effect in the government and media establishment to this day — making some folks to assert that Trump, currently, is free from accountability as president. This, despite having staged the most treasonous act of an American — an attempted violent overthrow of the government, with people murdered and many more planned to be — and doing it while himself president. This, despite Trump having engaged in espionage: removing nuclear secrets and lists of U.S. intelligence operatives — spies — for the purpose of selling to our adversaries.”

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 3, p. 52

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PART ONE: CULTURE WAR — TRUTH Pages 51-52 “You will see as we continue in this book how W. Bush’s crimes against the United States should not have been allowed to avoid investigation, as was the case under President Obama and with Speaker Nancy Pelosi. Indeed, I wrote about this lack of investigation of the prior Bush administration by Obama at the time, in Obama’s first year, saying, ‘those who don’t know history are apt to repeat it, yet those whose history is not accurate cannot therefore know it and are guaranteed to repeat it.’” “...Obama and Pelosi ensured that coverup of Republican crimes would continue. They set a precedent that even lies that lead to wars with over a million dead can be safely ignored after the fact.”

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 3, Pages 51-52

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“Bush’s dictatorship was the end result of the slick suppression of truth and manipulation of the masses that had its roots in the Fifties, took the helm after killing Kennedy, and went into all-out war stance when confronted by the backlash of the educated in the late Sixties and very early Seventies.” “...we have seen W. Bush’s affront to the rule of law and manipulation of the masses for the ends of war simply brought to fruit with the installation of Trump. Worse still, we have seen the dictatorial aspirations of W. Bush more fully implemented by Trump. And it was done in a way to make those changes more difficult to undo.” 3. “1984” COMES TO AMERICA — SLICK, GRADUAL, AND PERFECT: Page 51

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 3, p. 51

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3. “1984” COMES TO AMERICA — SLICK, GRADUAL, AND PERFECT: Page 51 “Since Kennedy’s time and because of the Vietnam War protests, I have seen an increasing web of deceit cover this land. I have witnessed things with my own eyes that have been changed when reported to the country and written into history books. I have watched the ‘1984’ of George Orwell creep into America unnoticed — slick and gradual and perfect — as only the best minds, paid handsomely by the people with wealth, can concoct.”

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 3, p. 51

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3. “1984” COMES TO AMERICA — SLICK, GRADUAL, AND PERFECT: Page 51 “...in America, we are better [sarcasm] because we just seduce folks away from higher aspirations of the soul to the lower base impulses that are satisfied with what money can buy. The corporations buy the talent of these ‘uneducated’ graduates and their potential for high achievement and all the rewards that come with rich lives of insight and personal growth. In exchange for their moneyed positions they receive an enlightenment lobotomy.”

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 3, p. 51

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"Dictators used the term communism to hide their dictatorships. While corporations use the term capitalism to hide their corruption."

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3. “1984” COMES TO AMERICA — SLICK, GRADUAL, AND PERFECT: Pages 50-51 “...liberal arts ideals in colleges were bulldozed away to make room in university curriculums for the career tracks leading directly into positions in management, medicine, law, and many new and highly specialized niches — usually the kind of specialization that would not occur until the postgraduate years, or after graduation directly on the job.” “Increasingly over the years, a corporate-benefiting and more intensive indoctrination into outmoded and mechanical behavior, befitting a totalitarian state, had people more subdued, more contented in the ‘bread and circuses’ still provided them, even as their rights were incrementally and surreptitiously taken from them.” “...with education and media suppression, along with an ongoing propaganda and misinformation campaign, Americans increasingly were wont to react with familiar though untrue and/or outdated ideas and truisms in the face of increasingly complex and tumultuous events.”

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 3, pp. 50-51

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*FUNNY GOD: The Tao of Funny God & The Mind's True Liberation* (2015) by Michael Adzema Chapter 2, p. x 🧵Click this panel for Thread 🧵 complete book 1/ 🧵👇 💡📚💙 #FnG 🐸☯️ #FnGCH2📖 #TruthWarriors ❕ #psychology ☮️ #transpersonal 🪽 #consciousness 💡 #metaphysics 🌈 #RainbowWarriors 🦋

THE WAY OF PERSEUS, PATRIARCHY, AND SOLAR THEOLOGIES Page 11 Chapter 2: The Way of Perseus: The World Divided, Origins of Monsters, the Third Fall from Grace, and Patriarchal Fantasy of the Feminine

*FUNNY GOD* (2015) by Michael Adzema

Chapter 2, p. 11

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This heroic response does not slay dragons, it jumps into volcanoes, attempting to save the community by putting one’s own body on the line, rather than allow the continued suffering and death of innocents. It is Christ-like in its taking on sufferings, which are the consequences of others’ sins, not theirs. For it knows that we all rise or fall together … that there is one love, yes, but also one pain and suffering collective of humanity … thus one human struggle. This time, more than any other, we need compassionate warriors, not fighters. John Wayne can slumber undisturbed as we look instead to heroes such as Martin Luther King and John Lennon, to Mahatma Ghandi and Abbie Hoffman for our models of brave resistance. Most of all, it corresponds to a world situation that demands the most of us; for the entire fate of the world and all life on it is at risk. The stakes have never been higher. FUNNY GOD Page 10

*FUNNY GOD: The Tao of Funny God & The Mind's True Liberation* (2015) by Michael Adzema

Chapter 1, p. 10

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FUNNY GOD Page 10 …behind it all. What we need today are peaceful warriors and silly heroes. We need folks willing to play cards with their dragons, not slay them. This “resistance” involves sacrifice not additional killing, compassion not “toughness,” and silliness not stoicism. It corresponds to a spiritual and religious approach — one that has been used down through the ages, although less often than a militant one — of surrender, not struggle. It is rooted in a faith in a beneficent Universe, a compassionate and truly loving Divinity, maybe even a funny or silly God. For it relies on an assumption that rightness and Truth are ultimately stronger than evil and untruth. It is sathyagraha, truth-power, as demonstrated by Mahatma Ghandi. It wonders why we would not be borne up by a Universe along the line of whose basic inclinations and nature we are laying down our intents and actions. In this way, it is dharmic and expects to succeed on that basis alone, either overtly, or in some way that one is not able to know or imagine in this life; for so much of the consequences of our actions, subtle and not so, are unknown to us.

*FUNNY GOD* (2015) by M. Adzema

Ch 1, p. 10

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So they have gone deep into themselves and looked at their own tendencies to anger and aggression, to reaction and revenge. And saying, “Let it stop with me,” they start by refusing the act outs that these situations of conflict practically compel. They insist, “Let us do something truly new, in response to the darkness and evil of life.” They wish to get a different result, so unlike the doings of thousands of years, they wish to do anything but apply the same old tired responses and remedies which have never, ever worked, except in the short run. So they wish to take themselves completely out of the normal script. They center themselves on a different and elevated plane of awareness — one of non-attachment to results and identification with a cause and a consciousness and a community of souls larger than themselves. Playing Cards with One’s Dragons This represents a different kind of heroic response — one that is desperately needed at this time in history, lest we consume ourselves in our conflicts. The necessary hero dances above dissonance, lightens up in the face of stress, and sees Divinity, not demons,… THE WAY OF PERSEUS, PATRIARCHY, AND SOLAR THEOLOGIES Page 9

*FUNNY GOD: The Tao of Funny God & The Mind's True Liberation* (2015) by Michael Adzema

Chapter 1, p. 9

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THE WAY OF PERSEUS, PATRIARCHY, AND SOLAR THEOLOGIES Page 9 …they know that only by operating dharmically and correctly can dharma, or righteousness, arise. So they do not try to impose or overly control the ends or goals; they seek to find them out. For no one, indeed, has done this before, so how could one even see the ends. They, as Occupy protesters, are criticized for exactly that — not having clear goals and ends. What their critics do not understand is that something truly new cannot be foreseen but only discovered. And its discovery is dependent on a righteousness of means — a strict adherence to a code that says that one will not become that which one despises and that, hence, what one will become is unknown, but guaranteed to be better. This stance toward change says defiantly, “I will not be like that which I oppose … whatever the consequences might be.” They see that every slaying of a dragon is merely the cutting off of a head of the Hydra, as in the Heracles myth, with another one sprouting to take its place.

*FUNNY GOD* (2015) by Michael Adzema

Chapter 1, p. 9

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They know that only by refusing to give in to the violence one feels inside can violence truly be overcome. They know that once they allow themselves to act out the same anger in hurtful actions as those who oppose them do, they have lost. The struggle, the battle, the cause might as well not be undertaken … a complete and total waste of time. Ho hum. They think more of themselves as persons and of the importance of their role in life’s events than the average person. They view life, including their own, as precious, so their time on Earth must not be wasted and must be applied most effectively and compassionately toward leaving behind a better world for others after them. At the same time they think less of themselves as egos — as controllers and shapers; instead they view themselves as tools of higher powers, loftier ideals, and of wisdoms far beyond themselves. They think more of themselves in that they refuse to frivel away their time on Earth doing the same things that have never worked before. They think less of themselves in that they consider that the style, or the mode, the means of action is all-important and will determine the result. Unlike those believing ends justify the means, FUNNY GOD Page 8

*FUNNY GOD: The Tao of Funny God & The Mind's True Liberation* (2015) by Michael Adzema

Chapter 1, p. 8

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FUNNY GOD Page 8 This response seeks to win over the opposition through example, thus eliminating it, rather than out and out confronting it and seeking to destroy it using the same violent methods being used on them. These folks have an astute understanding of history, which has seen, time after time, that struggle begets more struggle, that the “new boss” risen up becomes much like the “old boss,” needing then, at a later time, another uprising to install another “new boss.” Many of them, aware of the intransigence of their own unwanted patterns or cycles of emotion and feeling, have gained wisdom in how to go beyond them. They see these cycles of history likewise — as endless reenactments, requiring a stance outside of them for real change to occur. They are impelled into a creative alternative as a reaction to the futility that is inherent in the continuation of these cycles. They understand that evil cannot be overcome through more evil, violence through more violence. Unlike virtually every cinema plot, they do not see that a rising up in arms and a vanquishing of oppressors does anything more than reinforce a world in which “might makes right.”

*FUNNY GOD: The Tao of...* (2015) by Michael Adzema

Chapter 1, p. 8

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Trickster and the Necessary Hero What is the meaning of these developments and events? A good deal of what follows looks into these unique, creative actions and the unusual Trickster approach they are bringing to bear upon the most intractable problems the world is facing right now. It shows how this approach, this Tao of Funny God, is not only important but is necessary right now. It looks into another facet of the Necessary Hero as detailed in a parallel work of mine, Wounded Deer and Centaurs (2014). What is this Necessary Hero, what is this facet, and why is all of this imperative right now? These acts are indicative of a transcendent stance toward life. They are the attempt to go beyond the clashing of forces to a larger and happier perspective within which all people can find a home. These people know that the cycles of violence, of attack and then resistance, can only be ended by taking a stance outside them. By demonstrating an elevated response they attempt to shift the dynamic to a higher plane of events. And sometimes they succeed. Police have been known to tear up, to utter words of support and consolation, to drop their shields and join the protesters, to smile and hug back, however tentatively. THE WAY OF PERSEUS, PATRIARCHY, AND SOLAR THEOLOGIES Page 7

*FUNNY GOD: The Tao of Funny God & The Mind's True Liberation* (2015) by Michael Adzema

Chapter 1, p. 7

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THE WAY OF PERSEUS, PATRIARCHY, AND SOLAR THEOLOGIES Page 7 …the idea; he embodied it. He was an enlightened spiritual master in this regard, along with being a comic genius. He left a grand legacy of how to live authentically in this illusion of life and transcend it. According to the film, Kaufman was a student of Transcendental Meditation and it was an important part of his life. One line in particular, from the film, expresses the spiritual attitude toward his life he sought to embody: “I think of the world as an illusion, and we shouldn’t take ourselves so seriously.” Andy Kaufman, like the pro wrestler act that became one of his shticks, created a drama in life of his own making and goofed on us all. Not a little goof; in his life and career he had fun with everyone; there were few people who saw a serious side. He held life lightly, experimented, and played. If, as Sathya Sai Baba says, life is God’s leela, or play, then Andy Kaufman lived his life in a Creator’s mind; he was a silly god … a funny god.2

*FUNNY GOD* (2015) by Michael Adzema

Chapter 1, p. 7

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They painted, danced, performed, practiced yoga, painted faces, drummed, strummed, and plinked. They played. Freed, temporarily, from the confines of the societal straitjacket of normality, their imaginations exploded and they were euphoric. They confronted the police while playing guitars. Threatened with being attacked and ousted from nearby Taksim Square, the Turkish resisters brought in pianos and filled the night with music. Mothers and sisters linked hands and arms and formed a circle around the targeted protesters to keep the police away. As journalists Jody Sabral and Zynep Erdim phrased it for the BBC, “Revolutions take commitment and determination … are often messy and confusing…. Revolutions can also be funny.” I would add, and playful.1 A Silly God If you want to gain a greater understanding of the funny-god/silly god concept in general, a great way is to see the movie of Andy Kaufman’s life, Man on the Moon. The comedian Andy Kaufman lived… FUNNY GOD Page 6

*FUNNY GOD: The Tao of Funny God & The Mind's True Liberation* (2015) by Michael Adzema

Chapter 1, p. 6

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FUNNY GOD Page 6 …the worldwide Occupy movements beginning in 2011, and to the activist resistance in America in the Sixties. Protesters confronted policemen and military with bayonets by placing flowers in their guns in the Sixties. In Turkey, one man read from a book of philosophy to the line of police. The resistances in Turkey, Brazil, Hungary, the United States, the Ukraine, and many more Occupy events worldwide took to activities such as dressing as clowns and grinning at police lines; they hugged and kissed the police at times. One man took a giant pencil and aped that he was attempting to rub off a paint splatter on the shield of a policeman. In Brazil, during their Occupy protests, also in 2013, one man, confronted with attacking police and a gun, aped a karate stance of a swooping bird. Back at Gezi Park in Turkey, in between confrontations, these activists partnered up and waltzed in the streets wearing gas masks; they gave performances where ballet and other dancers, despite wearing gas masks, showed off their skills and brought happiness to their audiences. Mimes, musicians, actors, and dancers frolicked and put on skits.

*FUNNY GOD* (2015) by Michael Adzema

Chapter 1, p. 6

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Chapter 1 The Hidden Land of Origin: Our Astonishing Inability to Acknowledge Our Earliest Experiences and the Surprising Vista of Knowledge That Doing So Reveals “There are few people in our current era who can wrap their minds around this idea, however obvious it appears once considered, that the events occurring to prenates are themselves actually learning events that are as formative as any and all learning events that occur to us after birth and in full view of others.” Page 3 1. THE HIDDEN LAND OF ORIGIN

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by Michael Adzema

Prologue, Chapter 1, p. 3

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