DANCE OF THE SEVEN VEILS I Page xxvi Consistent with what I said there, my aim will be to show how by wiping away the distortive effects of biocultural experiences at birth, in the womb, and around conception, we might come closer to purer perception. This is how, indeed, we cleanse the doors of perception; that is, by clearing away the personal pain and pre- and perinatal trauma imbuing and slanting them, if not out and out creating them. In doing this clearing away of fear- and pain-laden prompts to our perception and interpretations of it, we might approach that view ec- static, that cosmic overstanding that is normally denied us out of the fact that we have such powerful determinants on our perception at the beginnings of our lives as the traumas prenatally and perinatally. So it is that in Book Five, Womb with a View, I continue the exploration of the Veils across our perception of clear Reality begun in The Secret Life of Stones and continued in these volumes, Dance of the Seven Veils I, II, and III. Specifically, I do this regarding the perceptional configurations arising from our experience in the womb. I touch as well upon some of those emanating from our experience of birth and the events around conception. However, the elements of mythology surrounding birth are addressed already with thoroughness by Stanislav Grof, so I leave that to him, and I bring his insights forward with appropriate credit. And the

*DANCE OF THE SEVEN VEILS I* (2017) by Michael Adzema

Preface, p. xxvi

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DANCE OF THE SEVEN VEILS I Page xxvi …exists outside them. It seems to me there is a huge amount to be gained by an attempt at revealing what is Real, what exists, outside the peculiar human perspective on everything that is so taken up, for humans, with our births and prenatal experiences. The second aspect of my difference with the Grofians’ view lies in that those events that configure our species worldview go all the way back to conception, way before birth. So it is that in Womb with a View I bring out the mythological, psychological, and archetypal elements and relate them to underlying womb, and to some extent birth, events. Yet, in the book following this one in the Series, Cells with a View (expected publication, 2020), I do the same regarding cellular events, our experiences around conception, that is, periconceptionally. In both cases, wombular and cellular events, my view is that they overlay and configure the way we will view what might be considered truly non-Formular events or entities. What I will say is consistent with what I have laid out in The Secret Life of Stones related to biologically- constituted realities, in particular the bioculturally-constituted realities.

*DANCE OF THE SEVEN VEILS I* (2017) by Michael Adzema

Preface, p. xxvi

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Yet, in view of the findings brought out in my works, Planetmates (2014) and Prodigal Human (2016) — which detail the way humans evolved (devolved) the peculiar kind of birth from which we suffer, which is radically distinct from all of Nature — it is curious to think what it might mean for these events, specifically resonating with our unique birth experiences, to have an existence independent of humans. While this might mean that they are rooted in a kind of collective unconscious that exists prior to and independent of any individual’s experience, still, that collective unconscious is humanly derived; it is distinctly and only human. In which case, we might wonder about the components of any Reality separate from the human: That is to say, what it is that might be true for humans as well as all other beings in existence, the other planetmates, any life forms on other planets or in other dimensions. In that light, in my endeavor here, in peeling back the pre- and perinatal overlays on human experience — even if they are rooted in some overarching reality, independent of any individual events, like a collective unconscious — I am still aiming for a peek at the reality that… PREFACE. A DANCE OF THE SEVEN VEILS Page xxv

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by M Adzema

Preface, p xxv

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PREFACE. A DANCE OF THE SEVEN VEILS Page xxv …reality than the realities that emanate from our events as humans. In fact, the term biological materialism has been used by those in Grof’s camp to describe the idea that birth-like mythological and archetypal symbolism and experiences are derived from birth events. Saying they are derived is saying that they would not occur except for the birth traumas, and to that they do not agree. The Mythological-Archetypal Veil I have a different take on it, however. I do not dispute that some of their view is true. I really do not know the ontological status of these birth- like mythological and archetypal symbols. Nonetheless, I view the actual events of one’s life as having strong determination on the way one views and interprets everything that comes after them. That would include these transpersonal and archetypal realities as being at least shaped, if not caused, by our early experiences. My difference lies in two things: One, that these events shape or they configure our religious and spiritual understandings, especially our religious ones, is what I elaborate upon in the relevant portions of this book and especially the four following it. However, I do not know the extent to which these events create or originate these transpersonal realities.

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by M. Adzema

Pref, p. xxv

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Seen Grof’s way, mythological events have an a priori standing; a priori meaning they are not reducible to life events such as the traumas of birth. They arise “of themselves” and have an independent or self- contained quality, not a derived one. According to Grof, transpersonal events are not a posteriori events; they do not “come after.” They are not derived from earlier experience. Which is to say, their existence is not dependent upon — let alone, caused by — the early pre- and perinatal experiences they so express. While some might say we have the mythologies we do because we all have these early experiences and that is why myths are so similar across different individuals and cultures, proponents of Grof’s view would say that our mythologies are not attributable to our early events and that they exist independently of human life. They are seen as archetypes in the Jungian sense of being outside of and prior to human events. Much like Plato’s Forms, or iconic Ideas, they have a kind of prior and greater… DANCE OF THE SEVEN VEILS I Page xxiv

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Preface, p. xxiv

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DANCE OF THE SEVEN VEILS I Page xxiv Book Five, Womb with a View While our births and our species biology — as exhibited in the species congratulation we do of ourselves, which is called anthropocentrism — are influential veils, distorting our perceptions of reality, still earlier experiences are even more influential. For what happens first lays down the foundation upon which all later prejudices will be constructed. To this end, several theorists in particular — beginning with Otto Rank as long ago as 1929, with his book The Trauma of Birth, and including Frances Mott (1960, 1964) and Michael Irving (1988), but especially coming out in expansive detail with Stanislav Grof (1970, 1979, 1980, 1985, 1988a, 1993, 1998) — have noted the cross-over of birth experiences and traumas with religious and mythological beliefs and symbols. Of special relevance is that in Grof’s view they are distinct. That is, pre- and perinatal events are distinct from transpersonal events according to him. Transpersonal in this sense, in line with transpersonal psychology, refers to the spiritual, archetypal, mythological, supernatural, and religious components of experience. Grof’s perspective is that birth events represent a kind of junction spot between the transpersonal and the personal; thus, between the spiritual and individual aspects of experience, or between the collective unconscious and the personal unconscious, to use Carl Jung’s terminology.

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by Michael Adzema

Preface, p. xxiv

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Books Two through Four, Dance of the Seven Veils It is in this book — divided into three volumes — that I do the grand overview of what that all means for understanding our reality and liberating ourselves from limiting perspectives, unconscious prejudices, and denials of the reality before us which would otherwise be obvious. This book is meant to open your mind to what you are standing upon in your stance in life. It takes you back, layer by layer, like an archaeological dig, to the foundations of your being. Just a hint, you will find Divinity there. You will also sense the path to be free, the way of ecstasy. PREFACE. A DANCE OF THE SEVEN VEILS Page xxiii

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by M. Adzema

Preface, p. xxiii

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PREFACE. A DANCE OF THE SEVEN VEILS Page xxiii …biologically constituted worldview, modern culture has created test tube babies. These are individuals whose early experiences as cells do not even follow the pattern of experience — of sperm traveling to ovum, and so on — that humans have experienced for all our existence and upon which all of what is considered human and human reality has been built. Someday, someone will have to do a study comparing the basic worldviews and mythologies of test-tube conceived humans to those of the rest of us with the normal human beginnings. I predict there will be astonishing differences. However, in the most common example of bioculturally constituted realities emanating from our early lives, every culture determines the way birth will be experienced by the neonate. Thus, in what is the most studied biocultural of all influences, birth has an impact on our lives in vastly different ways depending upon whether it is harsh, or gentle; induced, or spontaneous; and in every other conceivable way. Prenatal and perinatal psychologists from Arthur Janov — with his definitive and ground-breaking book, Imprints (1983) — to Frederick Leboyer (1975, 2009), to Thomas Verny (1981), to David Chamberlain (1988) have detailed the way our birth and that our birth affects us ever after in life ... often in ways that are irreversible and untouchable by any and all later experience and techniques. Before that, even, Otto Rank (1929, 1952), Nandor Fodor (1949), Donald W. Winnicott (1958), David Cheek and Leslie LeCron (1968), and Leslie Feher (1980) added much to our knowledge of how birth creates our underlying feelings and our perceived realities.

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Pref, p. xxiii

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The Biocultural Veil I also establish, in The Secret Life of Stones, that there are bioculturally constituted realities. These are the realities that emanate from our biological experiences as they are modified by culture. They come in most especially during out time in the womb, when events are shaped strongly both by biology but also by culture. For culture, as experienced by the mother, begins to heavily influence the experiences the fetus will have. We all experience a time in the womb. What follows from that, which I say in The Secret Life of Stones, is that there are universal aspects of that experience which determine the human world view: Our feelings of freedom vying with those of constriction and oppression, for example, emanate from this time. Nonetheless, our womb experiences also vary by culture. Different cultures have different ideas about what the mother should be doing during pregnancy, how she will interact with her unborn child, and so on. These all affect the child in ways at least small, but usually in huge ways. These are aspects of the biocultural veil across perception. To make clear this interplay of biology and culture, let me use an example. In the most egregious instance of cultural influence on our… DANCE OF THE SEVEN VEILS I Page xxii

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DANCE OF THE SEVEN VEILS I Page xxii …within which everything that comes after is configured. They determine what we will see; how we will see it; how we will interpret it; what our reaction will be to it; and what we will do about it. We are human and have an experiential awareness extending back into a time prior to appearing on Earth. Then, in coming into Form, what we perceive and how we act are determined not so much by genetics but by prior experience. Hence, these periconceptional experiences, these absolute earliest experiences of ours in the Form State, are the first of the Veils across our windows to the world, creating the screen upon which we will view our drama of human life. So it is that our biological and anatomical makeup along with our individual histories prenatally and perinatally, beginning as early as when we were sperm and ova cells inside our parents, determine our human reality. They create the parameters of our experience in Form. They put down the ground rules of the board game of the human life we will experience and in which we will participate.

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Preface, p. xxii

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Then, it hovers above those astonishing revelations and glories in the implications of them for understanding our Reality, our non-separation from each other, our Identity as Self and Divinity, and for guidance for our lives. In so doing, we peer through a portal wherein we are again one with the Universe. We find ourselves on the edge of a coming together as grand as that which we experienced at conception. We receive the gift of a heritage we long ago and mistakenly repudiated — a worldview in which we are seen as belonging, at home, and once again noble within the world we inhabit. The Biological Veil Most relevant to this book, in Book One, as well, I establish there are biologically constituted realities. These are one of the screens of distortion across our perception of clear Reality. That is to say that reality, for humans, is constructed for us out of our unique biological set from an infinity of everything possible that could be or is in the Universe — something that Aldous Huxley (1954) called, Mind at Large. I point out that everything that we experience in life, beginning even before conception, before the coming together of sperm and ovum that created us, are learning experiences and are formative. They create imprints that skew all experiences coming afterward; they set templates… PREFACE. A DANCE OF THE SEVEN VEILS Page xxi

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by M. Adzema

Preface, p. xxi

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DANCE OF THE SEVEN VEILS I Page xx I show in particular how our ideas about who to be and what to be, as rooted in culture and mythology; what to do, as rooted in early childhood experience; what to believe, as linked to religion, God, spirituality, mythology, good and evil, and much else, are rooted in the patterns of experiences we universally experience over the course of our lives, leading up to adulthood. Further, I show how peeling back the layers of that onion is ever more liberating, at every step. And where it ultimately leads ... what is ultimately true ... what is the center of the onion?... Well, the image that emerges is your original face. And your original face is all these things — Divine, true, realer than real, more positive and loving than you ever thought you could be, and more wonderful and exciting than you can imagine. In the same vein as William Blake, I am saying that, when the Veils across perception are pulled to the side, everything appears as it is ... infinite. Book One, The Secret Life of Stones In Book One, my premise is that there is a secret life in the Universe and that the physical world is an illusion arising from our human perception. I propose that the fundamental reality is consciousness; more correctly, it is experiential. That matter, the physical world, is a projection of human perception thrown upon the formless is the conclusion of quantum physics and our latest consciousness research.

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by M. Adzema

Preface, p. xx

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Dance of the Seven Veils I: Primal/Identity Psychology, Mythology, and Your Real Self (The Path of Ecstasy) Dance of the Seven Veils I: Primal/Identity Psychology, Mythology, and Your Real Self (The Path of Ecstasy) [Adzema, Michael] on Amazon.com. *FREE* shipping on qualifying offers. Dance of the Seven Veils I: Primal/Identity Psychology, Mythology, and Your Real Self (The Path of Ecstasy)

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Dance of the Seven Veils I: Primal/Identity Psychology, Mythology, and Your Real Self (The Path of Ecstasy Book 2) Dance of the Seven Veils I: Primal/Identity Psychology, Mythology, and Your Real Self (The Path of Ecstasy Book 2) - Kindle edition by Adzema, Michael. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Dance of the Seven Veils I: Primal/Identity Psychology, Mythology, and Your Real Self (The Path of Ecstasy Book 2).

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*DANCE OF THE SEVEN VEILS* presents the grand overview for understanding your reality & liberating yourself from limiting perspectives, unconscious prejudices, & denials of the reality before you which would otherwise be obvious. The first volume answers the question, What is the real self? The second, What is the Divine Self? The third, What is Naked Reality? These three books are meant to open your mind to what you are standing upon in your perspective on life. They take you back, Veil by Veil & layer by layer, like an archaeological dig or a dance of Salome, to the foundations of your being & to Naked Reality. Just a hint, you will find Divinity there. You will also sense the path to be free, the way of ecstasy. *Dance of the Seven Veils I: *Identity/Primal Psychology, Mythology, & Your Real Self *Adult to Toddler, Veils One-Three*—the second volume in The Path of Ecstasy Series—is the first of three parts on the Seven Veils. This part answers the questions, who to be? And, what is the real self? It deals with our stage of adulthood & goes back to that of toddlerhood. In this Book Two of The Path of Ecstasy Series, I continue the exploration of the screens of distortion across human perception begun in Book One, *The Secret Life of Stones: Matter, Divinity, & the Path of Ecstasy*. This time I focus on the ways the crucial events & experiences of our lives create our beliefs in life. *Dance of the Seven Veils I* is all about pulling back the Veil of anthropocentrism & species-superiority, which is Veil One; removing our enslavement to the hidden agendas of societies & especially its elites which get construed as rites of passage & initiation into adulthood for young girls & boys & which thus corrupt their personalities along lines not their own, which is Veil Two; and unraveling the layers of parental abuse, misdirection, control & direction, for their ends, not our own, which get impressed upon us in infancy, toddlerhood, & childhood, & which coalesce as t…

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(till April 4). Click link. See "$0. to buy," click “Buy now…” It’s yours

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(till April 4). Click link. See "$0. to buy," click “Buy now…” It’s yours

👇 💡📚💙 #D7V1 🐷🫂 #TruthWarriors ❕ #psychology #psychohistory ☮️ #identity #patriarchy #mythology #ritesofpassage #symbolism

*Dance of the Seven Veils I* primal psychology. Free digital copy, now

amazon.com/Dance-Seven-...

(till April 4). Click link. See "$0. to buy," click “Buy now…” It’s yours

👇 💡📚💙 #D7V1 🐷🫂 #TruthWarriors ❕ #psychology #psychohistory ☮️ #identity #patriarchy #mythology #ritesofpassage #symbolism