Advertisement · 728 × 90
#
Hashtag
#Yumeji
Advertisement · 728 × 90
A young maiko (舞妓 or apprentice geisha) sits outdoors beside a pale blue lake, her body angled away while her head turns back over her shoulder toward us. Her skin is rendered porcelain-white with a soft blush at the lips. Her expression is quiet and slightly wistful, with unfocused eyes and a gentle tilt of the chin. Her glossy black hair is arranged in a formal updo adorned with clustered blue and white flowers. She wears a layered kimono with an under-robe of repeating fan-and-flower motifs, and an outer layer patterned with long, green leaves over muted violet. Slender tree trunks rise at the left and right edges like a natural frame, their sparse branches sketched in ink. Beyond her, a low mountain ridge arcs across the horizon under a washed, gray-blue sky. At the lower right, a small tea setting, with teapot and cups on a round tray, rests on a red cloth, hinting at a pause for hospitality, conversation, or private reflection rather than a performance.

Made in Japanese artist Takehisa Yumeji’s (竹久夢二) early Shōwa-period style, the work pairs an intimate, modern mood with the cultural codes of maiko identity like trained elegance, controlled gesture, and beauty shaped by craft. The “framing” trees and broad, open lake create a stage-like stillness so she appears held between public role and inner life, turned halfway back as if caught by a thought or an approaching voice. 

Yumeji’s celebrated bijin-ga (美人画) often uses simplified features such as large, Western-leaning eyes and a small mouth to heighten emotional clarity. Here, a restrained palette and airy background let pattern and posture carry meaning. The tea service functions like a narrative clue for a completed or anticipated meeting creating a brief interlude and a moment where time softens and we are allowed close enough to notice the careful pins in her hair, yet still kept at the respectful distance her turned shoulder maintains.

A young maiko (舞妓 or apprentice geisha) sits outdoors beside a pale blue lake, her body angled away while her head turns back over her shoulder toward us. Her skin is rendered porcelain-white with a soft blush at the lips. Her expression is quiet and slightly wistful, with unfocused eyes and a gentle tilt of the chin. Her glossy black hair is arranged in a formal updo adorned with clustered blue and white flowers. She wears a layered kimono with an under-robe of repeating fan-and-flower motifs, and an outer layer patterned with long, green leaves over muted violet. Slender tree trunks rise at the left and right edges like a natural frame, their sparse branches sketched in ink. Beyond her, a low mountain ridge arcs across the horizon under a washed, gray-blue sky. At the lower right, a small tea setting, with teapot and cups on a round tray, rests on a red cloth, hinting at a pause for hospitality, conversation, or private reflection rather than a performance. Made in Japanese artist Takehisa Yumeji’s (竹久夢二) early Shōwa-period style, the work pairs an intimate, modern mood with the cultural codes of maiko identity like trained elegance, controlled gesture, and beauty shaped by craft. The “framing” trees and broad, open lake create a stage-like stillness so she appears held between public role and inner life, turned halfway back as if caught by a thought or an approaching voice. Yumeji’s celebrated bijin-ga (美人画) often uses simplified features such as large, Western-leaning eyes and a small mouth to heighten emotional clarity. Here, a restrained palette and airy background let pattern and posture carry meaning. The tea service functions like a narrative clue for a completed or anticipated meeting creating a brief interlude and a moment where time softens and we are allowed close enough to notice the careful pins in her hair, yet still kept at the respectful distance her turned shoulder maintains.

“湖畔舞妓図 (Maiko at the Lakeside)” by 竹久夢二 / Takehisa Yumeji (Japanese) - Color on paper / c. 1928–1932 - Yumeji Art Museum (Okayama, Japan) #WomenInArt #TakehisaYumeji #竹久夢二 #Yumeji #YumejiArtMuseum #夢二郷土美術館 #Nihonga #日本画 #Bijinga #美人画 #Maiko #舞妓 #artText #art #BlueskyArt #JapaneseArt #JapaneseArtist

33 5 0 0
A comic panel from "Eden of Witches Volume 2" from Abrams Kana Manga imprint featuring a talking wolf standing in a detailed forest setting, speaking two lines of dialogue about leaving for Eden immediately.

A comic panel from "Eden of Witches Volume 2" from Abrams Kana Manga imprint featuring a talking wolf standing in a detailed forest setting, speaking two lines of dialogue about leaving for Eden immediately.

Promotional image of the book 'Eden of Witches' by Yumeji, featuring an illustrated character holding a cat amidst a magical forest setting. Text on the image invites to pre-order now.

Promotional image of the book 'Eden of Witches' by Yumeji, featuring an illustrated character holding a cat amidst a magical forest setting. Text on the image invites to pre-order now.

Humanity vs. Nature. Magic vs. Survival. Can Pili uncover her true power and find Eden? Kana’s Eden of Witches Vol. 2 by Yumenji is coming soon! Preorder now and join the quest! bit.ly/42upVHb

#EdenOfWitches #Yumeji #YAFiction #WitchyVibes #Witches

1 0 0 0
Post image

In a world ravaged by humanity, witches are nature's last hope.
Eden of Witches Vol 1 by #Yumeji is a fantasy of nature vs mankind. Follow apprentice witch Pili as she sets out to restore Mother Earth.

#Kana #EdenOfWitches #YAFiction #WitchyVibes

1 0 1 0
"The Sumptuous art quickly establishes this as something special" quote graphic overlaid over artwork from Eden of Witches from Kana Manga

"The Sumptuous art quickly establishes this as something special" quote graphic overlaid over artwork from Eden of Witches from Kana Manga

"What's immediately striking from the very first page of Eden of Witches is how gorgeous the detailed, organic line work is...the sumptuous art quickly establishes this as something quite special." Kevin Cormack, animenewsnetwork.com bit.ly/3YXu5DO

#EdenOfWitches #Yumeji

2 1 0 0