My thoughts at #ArtsReview on #IOpera’s The Man Who Mistook His Wife for a Hat — an intellectually stimulating, emotionally resonant and unexpectedly comic work that showcases the enthusiasm, talent and resourcefulness of Melbourne’s independent opera scene.
artsreview.com.au/the-man-who-...
Proving the power of contemporary opera to move and unsettle audiences, Mary Motorhead & Trade, presented by @acoco_go, stand as compelling examples of modern storytelling intensified through musical and vocal soundscapes. My thoughts at #ArtsReview: artsreview.com.au/mary-motorhe...
Under @VictorianOpera AD Stuart Maunder’s lively direction of Martin & Peter Wesley-Smith’s Boojum!, the cast’s enthusiasm carry the evening, even when the path through Lewis Carroll’s bizarre wonderland grows a little muddled. My thoughts at #ArtsReview: artsreview.com.au/boojum/
From the orchestra pit to the wings, @UniMelb’s Cendrillon displays artistry, imagination and a professional level of collaboration — all at a rare bargain basement price that can entice and enchant one and all. My thoughts at #ArtsReview: artsreview.com.au/cendrillon/
Three decades on since the premiere of dir. Elijah Moshinsky’s twist on Rossini’s The Barber of Seville, @OperaAustralia’s production is back again with its trademark wit, chaos, and theatrical flair. My thoughts at #ArtsReview:
artsreview.com.au/the-barber-o...
Showcasing the extraordinary talents of emerging and developing artists of @MelbourneOpera’s Richard Divall Program, Così fan tutte finds both sparkle and sincerity under Suzanne Chaundy’s direction. My thoughts at
#ArtsReview: artsreview.com.au/cosi-fan-tut...
Created and directed by Diana Burleigh, celebration is at the heart of this passion-abundant musical theatre performance of Jubilee, featuring Trial by Jury by #GSOV. My thoughts at #ArtsReview: artsreview.com.au/jubilee-feat...
With its current and thoughtfully considered staging of The Turn of the Screw and The Old Maid and the Thief, @IOperaAus welcomingly continues its objective to promote access to and interest in opera on an intimate scale. My thoughts at #ArtsReview: artsreview.com.au/the-turn-of-...
At Saturday’s Melbourne premiere of Anaïs Mitchell’s Hadestown, it wasn’t such an easy ride along the way before being won over. But what mattered in the end was the depth of soul, talent and entertainment the show fired off. My thoughts at #ArtsReview:
artsreview.com.au/hadestown/
#ArtsReview 🎭 Have your say on Arts Council England! Participate in the DCMS survey led by Baroness Hodge. Musicians, promoters, and art enthusiasts, share your insights by April 24, 2025. Be sure to skip any non-applicable questions. Take part now! 👉 Ask for link! #Culture #MusicSurvey
The Scoop review of Black Swan Theatre and Belvoir Street theatre production of August Osage County for Perth Festival
thescoop.au/review-augus...
@AugustOsage @perthfest @BelvoirSt
#theatrereview #thescoop #livetheatre
#review #artsreview #liveperformance #play