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#charnel
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Charnel de la chatte

Relatif à la chair ou au corps, désignant généralement ce qui est physique et matériel, souvent associé à des aspects immédiats ou sensibles de la réalité. #Charnel #Physique #Materiel #Sensibles #Reality

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Tout est là.
Rien n’est caché.
Juste retenu.

#corpsnu #charnel #desir #peau #souffle #sensuel #noirblanc #portrait #tension #gay #photo #blackandwhite #jock #jockstrap #tension #charnel #desir #corps #peau #geste #retenu #sensuel #noirblanc #photographie #intime

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Corps nu.
Souffle chaud.
La fumée s’échappe, pas le désir.
#corpsnu #charnel #desir #peau #souffle #fumee #regard #sensuel #noirblanc #portrait #tension

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Ça serait pas le #mecredifesses ?

Mélange de textures pour Steph 🔥

Ambiance Aubaderotique

#lingerie #mecredifesse #resille #artnude #erotic #erotique #charnel #body #blackandwithe

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The procession moved slowly. The minister reverently held the box containing the #charnel #fragments of the deceased.

The Dreth attack had ravaged the poor man, purple goo acting like acid had dissolved everything in its path, only fragments remained to be placed in the charnel house

#weirdmicro

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“Make your life your path.” ~ Jack Kornfield

Better live now while you can because you’ll be a dead skeleton soon enough. As Jim Morrison told us, “The future’s uncertain and the end is always near”

#cittipatti #tattoo #chrisodonnell #NYC #bodyart #buddhism #charnel #mahakali #art #death

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The citipati are the lords of the funeral pyre and charnel or burial grounds, and are the skeleton companions of Yama, the Lord of Death. And yet, they are intended to be humorous or comic figures in Mongolian and Tibetan sacred dance, despite their gruesome appearance. This accounts for their dynamic dance poses and their smiling countenances.
Citipati are most properly represented as a pair
- one is male and the other is female, and most usually (though not always) they are thought to be brother and sister.
This superb pair of dancing citipati is from 19th century Mongolia. The two are shown on a lotus petal base, and with an oval backing plate or aureole. The group is made from painted papier mache, wood, clay and cloth.
Each citipati balances on one leg only with arms thrown up in joyous abandon. Each has three eyes (or at least empty eye sockets), and a crown of five mini-skulls, attesting to their high status among the denizens of the underworld.
Their rib cages are particularly evocative with the gaps between the ribs being coloured blood-pink. They wear a green and a blue waist sash.
Each holds an attribute - one holds a skull kapala bowl, and the other hold the upside down remnants of perhaps a small human.
It is rare to find citipati from the 19th century represented in this way. More typically they are found portrayed on tsa tsa tablets or in tankas or other forms of painting. By the same token, the use of papier mache for sculptural works and masks was common in 19th century Mongolia, almost alone among the Buddhist kingdoms of Asia.

The citipati are the lords of the funeral pyre and charnel or burial grounds, and are the skeleton companions of Yama, the Lord of Death. And yet, they are intended to be humorous or comic figures in Mongolian and Tibetan sacred dance, despite their gruesome appearance. This accounts for their dynamic dance poses and their smiling countenances. Citipati are most properly represented as a pair - one is male and the other is female, and most usually (though not always) they are thought to be brother and sister. This superb pair of dancing citipati is from 19th century Mongolia. The two are shown on a lotus petal base, and with an oval backing plate or aureole. The group is made from painted papier mache, wood, clay and cloth. Each citipati balances on one leg only with arms thrown up in joyous abandon. Each has three eyes (or at least empty eye sockets), and a crown of five mini-skulls, attesting to their high status among the denizens of the underworld. Their rib cages are particularly evocative with the gaps between the ribs being coloured blood-pink. They wear a green and a blue waist sash. Each holds an attribute - one holds a skull kapala bowl, and the other hold the upside down remnants of perhaps a small human. It is rare to find citipati from the 19th century represented in this way. More typically they are found portrayed on tsa tsa tablets or in tankas or other forms of painting. By the same token, the use of papier mache for sculptural works and masks was common in 19th century Mongolia, almost alone among the Buddhist kingdoms of Asia.

Dancing Citipati Buddhist sculpture
paper mache, paint
late 19th century CE
Mongolia

#citipati #dancing #sculpture #papermache #mongolia #lordyama #death #charnel #buddhist #buddhism #buddhistsculpture #19thcentury #handmade #art

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Jeu de mains 🙌
Merci Caro & David pour votre confiance 🤗📸
#photo
#sexy
#seins
#nude
#libertins
#coquines
#coquins
#sensual
#érotique
#erotic
#modelephoto
#osezunshooting
#charnel

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Contact charnel vue de mon objectif 📸📸😉
#charnel
#sexe
#sexy
#nude
#nue
#women
#men
#hot
#sensual
#sensualphoto
#coquins
#coquines
#libertins

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L'on présente souvent l'homme étant comme la logique dominante

Dans le monde du BDSM, la soumission, les femmes dominatrices sont des Maîtresses impitoyables.
Elles font respecter leurs soumis au doigt et à la baguette.

👉 amzn.to/3Btsy0M 👈
#bdsm #soumission #femdom #hardcore #charnel

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