Marc van de Klashorst wonders whether it's better to build bridges or burn them in James Benning's EIGHT BRIDGES, a look at both past and future at a moment America is standing on the precipice of a chasm #cinemadureel buff.ly/SqS6I2G
As Iran is at a possible crossroads, Marc van de Klashorst thinks that the country needs the urgency of Bani Khoshnoudi's deeply personal and evocative THE VANISHING POINT more than ever #cinemadureel buff.ly/bXUjJgY
Matthew Joseph Jenner goes on a quest for the Holy Grail in Peter Treherne's MATTER OF BRITAIN, a rather unique examination of the past in a way that feels innovative and daring #cinemadureel buff.ly/VzBDtvk
Marc van de Klashorst is in the oil business in Sanaz Sohrabi's exhaustive AN INCOMPLETE CALENDAR, an artistically fulfilling, essayistic documentary about a region's struggle for autonomy and solidarity #cinemadureel buff.ly/bhbV0rE
Matthew Joseph Jenner is searching for headless statues in Justin Jinsoo Kim's debut AND THE MON SETS OVER THE TEMPLE THAT WAS, the rare kind of film that is felt more than it is understood #cinemadureel buff.ly/PeOOl6R
Marc van de Klashorst sees the direct effects of deportation in Laurence Garret's I CROSSED THE DESERT WITH A GUN IN HAND, a film that shows that the credo 'all men are created equal' does not apply in America, not even for the people that fought for it #cinemadureel buff.ly/Xbo5o9C
Matthew Joseph Jenner sees a culture fade in Guillermo Quintero's RELICTO, a harrowing portrait of cultural extinction and a poignant tribute to the past in the form of a hauntingly beautiful effort to record what is left #cinemadureel buff.ly/CSOHEky
Marc van de Klashorst is slightly disappointed by James Benning's LITTLE BOY, a politically charged but scattershot film about America's problems in the past 60 years that is too unfocused to work as a successful indictment of American politics #cinemadureel buff.ly/JUuiY79
Matthew Joseph Jenner attempts to understand the march of time in Gaspard Hirschi's I AM NIGHT AT NOONDAY, an offbeat and often outrageously funny work #cinemadureel buff.ly/mEDPYzc
Lumière de mes yeux de Sophie Bredier en compétition Cinéma du Réel mardi 25 mars 18h30 à l'Arlequin suivi d'une rencontre. Jeudi 27 mars 18h45 cinéma St-André des arts #SophieBredier #cinemadureel #cinemaArlequin #validisme #cécité #revolutionegyptienne #lumièredemesyeux @mediapart.fr #filmsd'ici
Marc van de Klashorst examines Lee Anne Schmitt's EVIDENCE, and comes to the conclusion that it is an urgent and necessary film that may have sadly come too late, and an enraging exposition of the corrosive nature of capitalism and religion #cinemadureel buff.ly/lSNqu89
Le festival #cinemadureel aura lieu du 22 au 29/03 dans 4 salles du Quartier Latin : l’Arlequin, le Reflet Médicis, le Saint-André-des-Arts et le Christine Cinéma Club.Au programme : R. Hamaguchi et sa Trilogie du Tōhoku ; W. Bing, J. Loktev et G. Salhab seront aussi à l'honneur.
▪️ cinemadureel.org
Mills of Time de Pauline Rigal en Première mondiale au festival #cinemadureel 2025
#perspectivefilms
#RegionOccitanie
#OccitanieFilms
#Mecenesdusud
#ParcnationaldesCevennes
#ENSAPC
#NavireArgo #Labominable
#Lightcone #Atelier105
"In the 35 and 65mm images, a post-industrial landscape appears to us in splendid desolation....The discoloured landscape then appears as a memorial to human, animal and vegetal lives." #CinemaDuReel
"Site 2" de
Rithy Panh
remporte le Prix Préludes au
@Cinemadureel
2024. JBA Production
@Inafr_officiel
@Ina_audiovisuel
La Sept
@artefr.bsky.social
@ZDF
#Histoire #Cambodge #cinemadureel tinyurl.com/ctbb5ba9
