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Digital portrait of Aziraphale in his Regency/Bastille era costume and curly hairdo, painted in warm sepia tones. He wears a ruffled cravat and a brown coat, set against the dark stone brick background of his cell. He is smiling with the quiet confidence of someone who has absolutely been getting away with things for several millennia.

Digital portrait of Aziraphale in his Regency/Bastille era costume and curly hairdo, painted in warm sepia tones. He wears a ruffled cravat and a brown coat, set against the dark stone brick background of his cell. He is smiling with the quiet confidence of someone who has absolutely been getting away with things for several millennia.

Digital portrait of Crowley in his Bastille era costume and his hair in elaborate Victorian rolls and pin curls. He’s painted in dark moody tones against the stone brick wall and gate of Aziraphale’s cell. He wears his small round tinted glasses, the yellow serpent eyes just visible beneath them, a black cravat, and a deep burgundy coat. His expression is somewhere between brooding and deeply in love, which is just his face.​​​​​​​​​​​​​​​​

Digital portrait of Crowley in his Bastille era costume and his hair in elaborate Victorian rolls and pin curls. He’s painted in dark moody tones against the stone brick wall and gate of Aziraphale’s cell. He wears his small round tinted glasses, the yellow serpent eyes just visible beneath them, a black cravat, and a deep burgundy coat. His expression is somewhere between brooding and deeply in love, which is just his face.​​​​​​​​​​​​​​​​

The Patrons have voted!

I present you with #Slutziraphale, who knows exactly what he’s doing with that smile and the three perfect curls, and bad-hair-day Crowley, whose hair is a war crime and he has never looked better. This is unfair.

#goodomens #ineffablehusbands #aziracrow #ineffableeras

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Digital portrait drawing of Aziraphale in the final scene of the Good Omens 2 minisode "A companion to owls", with glistening eyes and devastated expression , thinking that his lie about Job's children will make him fall.

Digital portrait drawing of Aziraphale in the final scene of the Good Omens 2 minisode "A companion to owls", with glistening eyes and devastated expression , thinking that his lie about Job's children will make him fall.

Digital portrait drawing of Crawley as Bildad the Shuite in the final scene of the Good Omens 2 minisode "A companion to owls". He's grinning widely, a reaction to Aziraphale's statement that he's a fallen angel now.

Digital portrait drawing of Crawley as Bildad the Shuite in the final scene of the Good Omens 2 minisode "A companion to owls". He's grinning widely, a reaction to Aziraphale's statement that he's a fallen angel now.

Poor angel thinks his lie will yeet him straight to Hell but we all know that our favourite midwive/cobbler would be down there immediately like “Worry not, my angelic Eccles Cake, I’ll be your tour guide. Who looked at you funny? POINT THEM OUT!”
#goodomens #ineffableeras #bildad #ineffablehusbands

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A digital portrait drawing of Crowley during the Globe Theatre scene, being smitten with whoever stands next to him (which is, of course, always Aziraphale)

A digital portrait drawing of Crowley during the Globe Theatre scene, being smitten with whoever stands next to him (which is, of course, always Aziraphale)

A digital portrait drawing of Aziraphale during the Globe Theatre scene, smiling lovely at whoever stands next to him (which is, of course, always Crowley)

A digital portrait drawing of Aziraphale during the Globe Theatre scene, smiling lovely at whoever stands next to him (which is, of course, always Crowley)

Drawing the historical eras based on the order my Patrons voted for.

Aziraphale's ANTIQUATED FRIPPERY™️ (shoutout to @mielpetite.bsky.social) + Crowley's cursed goatee & Rapunzel-on-a-red-bull-binge locks of doom murdered my drawing hand!

#goodomens #ineffablehusbands #ineffableeras #globetheatre

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A digital portrait drawing of Aziraphale during the Mesopotamia/Noah's arc scene in Good Omens S1.

A digital portrait drawing of Aziraphale during the Mesopotamia/Noah's arc scene in Good Omens S1.

A digital portrait drawing of Crawley during the Mesopotamia/Noah's arc scene in Good Omens S1.

A digital portrait drawing of Crawley during the Mesopotamia/Noah's arc scene in Good Omens S1.

I'm drawing all the historical eras based on the order my Patrons voted for.

Next on the list is Mesopotamia. So, enjoy an angel absolutely enamoured with a particularly slinky demon and Crawley serving snake rizz in 4K.

#aziraphale #crowley #ineffablehusbands #goodomens #aziracrow #ineffableeras

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A digital drawing of Aziraphale during the candlelit wine scene in the bookshop from the 1941 minisodes of Good Omens Season 2. He sits at the table in his bookshop, a warm smile on his lips, a candle flickering in front of him. His gaze is fixed on Crowley, eyes full of affection, as he raises his wine glass.

A digital drawing of Aziraphale during the candlelit wine scene in the bookshop from the 1941 minisodes of Good Omens Season 2. He sits at the table in his bookshop, a warm smile on his lips, a candle flickering in front of him. His gaze is fixed on Crowley, eyes full of affection, as he raises his wine glass.

A digital drawing of Crowley during the candlelit wine scene in the bookshop from the 1941 minisodes of Good Omens Season 2. He sits at the table in Aziraphale’s bookshop, one arm propped up, fingers loosely holding his wine glass. A candle flickers in front of him as he gazes at Aziraphale with a fond smile—his heart-eyed expression barely concealed behind his sunglasses.

A digital drawing of Crowley during the candlelit wine scene in the bookshop from the 1941 minisodes of Good Omens Season 2. He sits at the table in Aziraphale’s bookshop, one arm propped up, fingers loosely holding his wine glass. A candle flickers in front of him as he gazes at Aziraphale with a fond smile—his heart-eyed expression barely concealed behind his sunglasses.

I'm drawing all the historical eras based on the order my Patrons voted for.

Ngl, I thought 1941 would slay the ranking but alas, here we are!

The way these two are side-eyeing each other with *hereditary enemies to heart-eyes*

#aziraphale #crowley #ineffablehusbands #goodomens #ineffableeras

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Illustration of a depiction of the fallen angels descending into hell (Good Omens.) All of the falling angels have morphed into their animal forms and are scrambling angrily at the base of a large cliff. Crawley (serpent) is craning upwards. Aziraphale, bending over the edge of the cliff, is reaching for the serpent. Other angels stand by and watch.

Illustration of a depiction of the fallen angels descending into hell (Good Omens.) All of the falling angels have morphed into their animal forms and are scrambling angrily at the base of a large cliff. Crawley (serpent) is craning upwards. Aziraphale, bending over the edge of the cliff, is reaching for the serpent. Other angels stand by and watch.

Finally get to share my @ineffableeras.bsky.social zine piece! This was so fun to do and I’m so thankful for everyone who worked to contribute to such an awesome project <3

#goodomens #ineffableeras #illustration

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A digital drawing of Aziraphale and Crowley standing side by side in their 33 AD Golgotha clothes.

A digital drawing of Aziraphale and Crowley standing side by side in their 33 AD Golgotha clothes.

I'm drawing all the historical eras based on the order my Patrons vote for.

So many wanted to see the gorgeous Lady Golgotha and her cleavage-baring angelic companion.

#aziraphale #crowley #ineffablehusbands #goodomens #aziracrow #ineffableeras #LadyGolgotha

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