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Chief Lanternjaw outside the Western Spirit Museum on Scottsdale.
🌵
#westernspiritmuseum #nativeamerican #nativeamericanart #travel #gaytravel #gaytraveler #gaytraveling #iglta #lgbttravel #lgbtqtravel #statue #vacation #experiencescottsdale #arizona

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Progress reel for

D-R3zzd: More Than A Memory

#apsaalooke #CrowTribe #art #spiritart #fypage #farawayfineart #contemporaryart #fyp #native #nativeculture #nativeamericanart

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Today's work.

Unfinished untitled concepts.

#nativeamericanart #fyp #IndigenousArt #nativeculture #farawayfineart #fypage #art #artist #fypage #nativebeauty #indigenousartist #CrowTribe #contemporaryart #spititart #Apsaalooke #nativeamericanculture #native #indigenousartist #originalart

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Modern weaving hanging at the Heard Museum in Phoenix.

#nativeamericanart #weaving #textiles #nativeamerican #myphx #heardmuseum #museum #museummonday #travel #gaytravel #gaytraveler #gaytraveling #iglta #lgbttravel #lgbtqtravel #vacation #worldtravel #solotravel #budgettravel #slowtravel

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Happy 250th everyone !
🇺🇸🇺🇸🇺🇸🇺🇸
#powwow #indigenous #nativeamerican #native #nativepride #nativeart #firstnations #nativeamericans #nativeamericanart #beadwork #indigenouspeoplesday #nativeamericanpride #powwowlife #nativebeadwork #indigenousart #nativeculture #powwows #powwowbling

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New sticker samples came in!

Explore our online store for prints and a variety of merchandise.

Hoodies and other apparel are also available.

Indigenous by Design

Support the Arts and stay blessed.

A'ho!

faraway-fine-art.printify.me

#nativeamericanart #fyp #IndigenousArt #fypage

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#Native #indigenous #spiritart #nativeculture #nativeamericanart #CrowTribe #contemporaryart #Apsaalooke

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Hanging out.

#nativeamericanart #fyp #IndigenousArt #nativeculture #farawayfineart #fypage #art #artist #fypage #nativebeauty #indigenousartist #CrowTribe #contemporaryart #spititart #Apsaalooke #nativeamericanculture #native #indigenousartist #originalart

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And So It Goes...

#nativeamericanart #fyp #spiritart #IndigenousArt #nativeculture #farawayfineart #fypage #art #artist #fypage #nativebeauty #indigenousartist #CrowTribe #contemporaryart #Apsaalooke #nativeamericanculture #native #indigenousartist

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And So It Goes...

A visual meditation on the inevitability of change and a tribute to the formidable preservation of heritage.

​"The weight of what comes after is measured by the sanctity of what is spoken now."

#nativeamericanart #fyp #IndigenousArt #nativeculture #farawayfineart #fypage

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New Designs in the shop.

Check my online selection of Hoodies and other items.

Indigenous by Design

Support the Arts and stay blessed.

A'ho!

faraway-fine-art.printify.me

#nativeamericanart #fyp #IndigenousArt #nativeculture #farawayfineart #fypage #art #apparel #clothingbrand

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Strange Algorithm: Good Omens

​"Tiger got to hunt, bird got to fly;
Man got to sit and wonder 'why, why, why?'
Tiger got to sleep, bird got to land;
Man got to tell himself he understand."
— Kurt Vonnegut

#nativeamericanart #fyp #IndigenousArt #nativeculture #farawayfineart #fypage #art #artist

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photo of the matted artwork on display at museum
Modern abstract / figural synthesis print, silhouette of a coyote facing left in side profile against black background with multicolor splattering (red, yellow, green, blue) throughout 
numbered 58/100, titled, signed, and dated in pencil along bottom margin

photo of the matted artwork on display at museum Modern abstract / figural synthesis print, silhouette of a coyote facing left in side profile against black background with multicolor splattering (red, yellow, green, blue) throughout numbered 58/100, titled, signed, and dated in pencil along bottom margin

photo of gallery sign:
“Rick Bartow (1946-2016)
Segyp Kas'Ket Suit Taup (Coyote Where Are You Going)
1997
Offset lithograph on paper
22 × 30 inches (55.9 x 76.2 cm)
Museum Purchase, 2023.9.1
Coyotes, such as the one featured here, play a prominent role in Native American mythology. Both revered and feared for their cunning, playfulness, and adaptability, coyotes are frequently portrayed playing pranks in instructive stories suggesting how one can learn from foolish mistakes.
Bartow was a member of the Mad River Band of Wiyot Indians, a small tribe indigenous to Humboldt County, California.
He produced this print as part of an artist residency program of the Brandywine Workshop and Archives in Philadelphia.”

photo of gallery sign: “Rick Bartow (1946-2016) Segyp Kas'Ket Suit Taup (Coyote Where Are You Going) 1997 Offset lithograph on paper 22 × 30 inches (55.9 x 76.2 cm) Museum Purchase, 2023.9.1 Coyotes, such as the one featured here, play a prominent role in Native American mythology. Both revered and feared for their cunning, playfulness, and adaptability, coyotes are frequently portrayed playing pranks in instructive stories suggesting how one can learn from foolish mistakes. Bartow was a member of the Mad River Band of Wiyot Indians, a small tribe indigenous to Humboldt County, California. He produced this print as part of an artist residency program of the Brandywine Workshop and Archives in Philadelphia.”

For #NationalCoyoteDay:
Rick Bartow (Mad River Band of Wiyot Indians, Humboldt Co., CA, 1946-2016)
Segyp Kas'Ket Suit Taup ( #Coyote Where Are You Going), 1997
Offset lithograph on paper
22 × 30 in. (55.9 x 76.2 cm)
On display @ Biggs Museum of American Art 2023.9.1
#IndigenousArt
#NativeAmericanArt

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composite photo of wood carving bear mask mounted on display at museum on blue/grey background and its gallery label:
“Bear mask,
1973-1974
Boyd Owle (Eastern Band of Cherokee, b. ca. 1955),
Cherokee, North Carolina
Wood, paint, metal wire
Transferred from the Indian Arts and Crafts Board Collection, Department of the Interior, 2000 (25/5233)”

composite photo of wood carving bear mask mounted on display at museum on blue/grey background and its gallery label: “Bear mask, 1973-1974 Boyd Owle (Eastern Band of Cherokee, b. ca. 1955), Cherokee, North Carolina Wood, paint, metal wire Transferred from the Indian Arts and Crafts Board Collection, Department of the Interior, 2000 (25/5233)”

For #WorldBearDay 🐻:
#Bear mask, 1973-4
Boyd Owle (Eastern Band of Cherokee, b. c. 1955), Cherokee, North Carolina, USA
Wood, paint, metal wire
Smithsonian NMAI collection
#NativeAmericanArt #IndigenousArt

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"Hohokam Petroglyphs
2022
South Mountain Park And Preserve
Phoenix, Arizona
These petroglyphs were done between 450 and 1450 AD by the Hohokam people native to this area.
#BluesktArtShow #Stone #Photography #NativeAmericans
#Arizona #Petroglyphs #NativeAmericanArt #Snapshots

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Anime Native American girl by MightyVox.

Her name is Cheveyo from the hopi tribe. (A real tribe btw.)

(I had to repost this because I forgot to sign it and I don't want people stealing my art.)
(Here's the dates for proof)
#nativeamericantribute #nativeamericanart #givecredit #animegirl #hopitribe

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This modern pictorial rug was created by Diné weaver Louise Nez and won first place in a 1991 Museum of Northern Arizona art competition. Can you name the dinosaurs depicted? Museum of Northern Arizona collections | E9622 #NavajoWeaving #NavajoRug #nativeamericanart #dinosaurs #TriviaTuesday

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Preview
Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject Child of the Fire is the first book-length examination of the career of the nineteenth-century artist Mary Edmonia Lewis, best known for her sculptures ins

For more on Edmonia Lewis, I recommend Kristin Pai Buick's fascinating biography "Child of Fire"--a wonderful account of Lewis' career in the US and Europe. So much I didn't know . . .

#sculpture #Blackartists #NativeAmericanArt #herstory #womenshistorymonth
read.dukeupress.edu/books/book/1...

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Work in progress

From Such Great Heights: Valley of the Chiefs

#apsaalooke #CrowTribe ##nativeamericanculture #indigenousartist #NativeBrand #fyp #nativeculture #nativeamericanart #art #artist

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For Whom The Bell Tolls 1,2, & 3
#fyp #nativeculture #firstnations #indigenousart #nativeamericanculture #indigenousartist #contemporaryart #artcollector #indigenousart #nativeamericanculture #nativeamericanart #art #artist #fypage #CrowTribe #intertribal #powwowlife #powwowtrail

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Art Opportunities: Art Competitions and Juried Art Exhibitions Deadlines for Art Opportunities: Art Competitions, Juried Art Exhibitions, and Art Contests

Pond-Dakota Mission Park Sculpture RFQ - Bloomington, MN - $80,000 budget. Deadline: Apr 16
artshow.com/juriedshows/...

#CallForPublicArt #CallForSculpture #CallForArtists #CallForSculptors #CallForArt #PublicArtOpportunities #IndigenousArt #IndianArts #NativeAmericanArt #ArtOpportunities

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Time Is On My Side

Progress reel.

#art #native #spiritart #fypage #farawayfineart #artist #fyp #nativeculture #nativeamericanart #CrowTribe #NativeAmericanArt #nativeculture #nativehistory #indigenousculture #indigenousart #indigenous

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Lonesome Whistle

Inspired by The Major Arcana The Magician.

Check out the progress reel for this piece.

Stay safe and stay blessed. A'ho

#apsaalooke #art #CrowTribe ##nativeamericanculture #spiritart #native #nativeamericanart

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3D Experimental Piece.

As The World Falls Down

#fypageシ #farawayfineart #nativebeauty #nativepride #nativeamericans #apsaalooke #fyp #native #nativeculture #nativeamericanart #art #nativeamericanhistory #indigenousculture #CrowTribe #NativeAmericanArt #artist

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At the #HeardMuseum in Phoenix. One of the best museums of Southwestern Native art in the USA.
🌵
#myphx #museum #museummonday #nativeamericanart #travel #gaytravel #gaytraveling #gaytraveler #iglta #lgbttravel #lgbtqtravel #vacation #worldtravel #solotravel #art #weaving #budgettravel #slowtravel

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A seated Hopi contemporary Kachina doll, meticulously crafted by Robert L. Begay. The figure is a Koshare or "Glutton" clown, characterized by its bold black and white striped body. It wears a wide-brimmed straw hat over dark hair, a vibrant red neckerchief, and fringed tan leggings. The clown holds a painted wooden watermelon slice in its left hand and a piece of red fabric in its right, with another large watermelon painted on its lap. The entire figure is perched on a natural wood stump against a dark, rustic wooden background.

A seated Hopi contemporary Kachina doll, meticulously crafted by Robert L. Begay. The figure is a Koshare or "Glutton" clown, characterized by its bold black and white striped body. It wears a wide-brimmed straw hat over dark hair, a vibrant red neckerchief, and fringed tan leggings. The clown holds a painted wooden watermelon slice in its left hand and a piece of red fabric in its right, with another large watermelon painted on its lap. The entire figure is perched on a natural wood stump against a dark, rustic wooden background.

This striking Hopi contemporary kachina by Robert L. Begay, hand‑carved from cottonwood root, honors the living ceremonial traditions of the Hopi people.

nativeskiesgallery.com/product/hopi...

#HopiKachina #RobertLBegay #NativeAmericanArt #handmade #AuthenticNativeArt #HandCarvedArt #CollectorsArt

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A scene of the Creator showing the Apsaalooke Nation where our home is. Part of the migration mythos that leads us to where our home is today.

#fyp #NativeAmericanArt #nativeculture #nativehistory #indigenousculture #CrowTribe #Apsaalooke #farawayfineart #contemporaryart #nativeamericanhistory

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Some older work.

#native #spiritart #native #art #nativeamericanart #artist #fypage #farawayfineart #indigenousartist #NativeBrand #CrowTribe #Apsaalooke

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Check out our online store.

Take a look at our selection of Native American-inspired apparel and Prints.

Indigenous by Design

Support the Arts and stay blessed.

A'ho

faraway-fine-art.printify.me

#nativeamericanart #farawayfineart #indigenousartist #fyp

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Two Indigenous (Native American) women crouch close together on sunlit ground, turned slightly toward our right as if focused on something just beyond the frame. Both hold their hands raised at chest level, palms nearly caught mid-clap to suggest a steady rhythm rather than a single loud strike. The woman at left appears older, with a deeply lined face and a calm, intent expression. She wears a light blanket or shawl draped over her shoulders with geometric banding. The woman at right appears slightly younger, her dark hair pulled back. She wears a pale top and a warm, reddish skirt. The background is pared down to soft, sandy tones with minimal detail, so the women’s bodies, garments, and gestures carry the whole scene. Their posture is grounded, balanced, and purposeful like communal music and movement you can almost hear.

American artist Joseph Henry Sharp frames the women’s clapping as both performance and prayerful attention, emphasizing rhythm as a shared form of knowledge and something made together, not possessed. As an artist closely associated with Taos, New Mexico and the early 20th-century art colony there, he repeatedly painted Indigenous life through an outsider’s eye, often blending careful observation with the era’s taste for “timeless” images of Native cultures. That tension matters here because the women’s identities are not named, yet their presence is rendered with dignity and concentration, asking us to notice skill (timing, breath, cadence) rather than spectacle.

Scholarship around this work’s dating is complicated. Museum records place it around 1930, while other research links the title and signature style to Sharp’s earlier western period which suggests he may have revisited a long-held subject over time. Either way, the painting lingers on what endures: synchronized hands, shared song, and the authority of women shaping ceremony through sound and movement.

Two Indigenous (Native American) women crouch close together on sunlit ground, turned slightly toward our right as if focused on something just beyond the frame. Both hold their hands raised at chest level, palms nearly caught mid-clap to suggest a steady rhythm rather than a single loud strike. The woman at left appears older, with a deeply lined face and a calm, intent expression. She wears a light blanket or shawl draped over her shoulders with geometric banding. The woman at right appears slightly younger, her dark hair pulled back. She wears a pale top and a warm, reddish skirt. The background is pared down to soft, sandy tones with minimal detail, so the women’s bodies, garments, and gestures carry the whole scene. Their posture is grounded, balanced, and purposeful like communal music and movement you can almost hear. American artist Joseph Henry Sharp frames the women’s clapping as both performance and prayerful attention, emphasizing rhythm as a shared form of knowledge and something made together, not possessed. As an artist closely associated with Taos, New Mexico and the early 20th-century art colony there, he repeatedly painted Indigenous life through an outsider’s eye, often blending careful observation with the era’s taste for “timeless” images of Native cultures. That tension matters here because the women’s identities are not named, yet their presence is rendered with dignity and concentration, asking us to notice skill (timing, breath, cadence) rather than spectacle. Scholarship around this work’s dating is complicated. Museum records place it around 1930, while other research links the title and signature style to Sharp’s earlier western period which suggests he may have revisited a long-held subject over time. Either way, the painting lingers on what endures: synchronized hands, shared song, and the authority of women shaping ceremony through sound and movement.

“The Chanters” by Joseph Henry Sharp (American) - Oil on canvas / c. 1930 - New Mexico Museum of Art (Santa Fe, New Mexico) #WomenInArt #JosephHenrySharp #JosephSharp #NativeAmericanArt #IndigenousWomen #PortraitofWomen #art #artText #AmericanArt #AmericanArtist #NewMexicoMuseumofArt #TaosSchool

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