The entire staff of the ONGO GABLOGIAN MUSEUM OF FINE ARTS wishes everyone a non-bullshit, non-derivative Christmas and a 2025 you’d happily trade your limbs for. Thanks for making the ONGO’s first year a huge success! Keep it subtle.
#ongomuseum
#itsalwayssunny #itsalwayssunnyinphiladelphia
During your next visit to the ONGO, don’t forget to stop by Café Artemis and sample one of our featured dishes, like a steamy bowl of Mac’s Famous Mac ‘n’ Cheese or a pippin’ hot Philly Milk Steak sandwich. And if you’re over 21, make sure to wash down your meal with a delicious WHITE ARMENIAN: it’s our innovative twist on the classic White Russian, made with Kahlua Coffee Liqueur, Grey Goose Vodka and crowtein-infused Fight Milk. Smooth, creamy and oddly invigorating, the WHITE ARMENIAN is the Cadillac of cocktails and a surefire way to warm up your insides on a cold December day. Come to the ONGO and try the hottest drink in town...plan your visit today!
This holiday season, we’re dreaming of a…WHITE ARMENIAN! #ItsAlwaysSunny #OngoMuseum #FightMilk
Very little is known about this Scottish artist beyond the fact that he was the son of noted painter Erksine Nicol. It is generally believed that he was instructed by his father, later becoming known for his historical pieces and portraits. His most famous painting remains ‘Lochaber No More’, a tribute to the Highland Clearances of 1750-1860. ‘The Joker’ is a lesser known but no less dynamic work of Nicol’s which captures the mischievous glint in the eye of an aging court jester, one who’s likely witnessed a lifetime’s worth of palace intrigue during his years of service and has long since resigned himself to taking those secrets to the grave lest he run afoul of his master. Like the painter, little is known about the model employed for this portrait; speculation about his trade has ranged from tavern owner to musician to barrister specializing in bird law. Come see this engaging masterpiece and countless others up close at the ONGO. Plan your visit today! https://www.instagram.com/ongomuseum/
Very little is known about this Scottish artist beyond the fact that he was the son of noted painter Erksine Nicol. It is generally believed that he was instructed by his father, later becoming known for his historical pieces and portraits. His most famous painting remains ‘Lochaber No More’, a tribute to the Highland Clearances of 1750-1860. ‘The Joker’ is a lesser known but no less dynamic work of Nicol’s which captures the mischievous glint in the eye of an aging court jester, one who’s likely witnessed a lifetime’s worth of palace intrigue during his years of service and has long since resigned himself to taking those secrets to the grave lest he run afoul of his master. Like the painter, little is known about the model employed for this portrait; speculation about his trade has ranged from tavern owner to musician to barrister specializing in bird law. Come see this engaging masterpiece and countless others up close at the ONGO. Plan your visit today! https://www.instagram.com/ongomuseum/
John Watson Nicol, ‘The Jester’ (1878) #ItsAlwaysSunny #OngoMuseum #CharlieDay
![Francisco de Zurbarán, ‘Saint Francis In Prayer In A Grotto’ (1650-1655)
This Spanish painter was best known for his religious pieces and his use of ‘chiaroscuro’ (i.e. a style of painting involving strong contrasts between light and dark). His nickname ‘Spanish Caravaggio’ is derived from his skill at chiaroscuro.
Saint Francis of Assisi was a frequent subject of Zurbarán’s paintings, usually depicted in prayer, meditation or a state of religious ecstasy. This particular work has proven rather controversial in recent years as a result of several wild conspiracy theories that have sprouted about its possible symbolism. Some historians have surmised that the appearance of the skull (which is generally agreed to represent Christ’s crucifixion) instead hints at a centuries-old rumour that Saint Francis was a notorious serial killer. As further “proof”, these same historians argue that the stigmata seen on his right hand is actually a blood stain left by one of his victims.
Other conspiracy theorists take issue with Francis’ wearing of the three-knotted rope wrapped around his waist. While the knots have long been believed to represent the Franciscan vows of poverty, chastity and obedience, some remain convinced that they instead depict a set of anal beads. Seen in this alternate light, they argue that this painting depicts a repentant Saint Francis praying for guidance and forgiveness regarding his sexual orientation. [The less said about the largely ridiculed theory that the open book seen in front of Francis is actually a set of instructions on how to build a dildo bike, the better.]
Come see this provocative masterpiece and countless others up close at the ONGO. Plan your visit today!](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:cmh5ckdimfdblou6pncszqlt/bafkreiebaxy4ifrnudzah6pjlrbhmic6l3kpyvywikuyotu3cvcn5mnv3y)
Francisco de Zurbarán, ‘Saint Francis In Prayer In A Grotto’ (1650-1655) This Spanish painter was best known for his religious pieces and his use of ‘chiaroscuro’ (i.e. a style of painting involving strong contrasts between light and dark). His nickname ‘Spanish Caravaggio’ is derived from his skill at chiaroscuro. Saint Francis of Assisi was a frequent subject of Zurbarán’s paintings, usually depicted in prayer, meditation or a state of religious ecstasy. This particular work has proven rather controversial in recent years as a result of several wild conspiracy theories that have sprouted about its possible symbolism. Some historians have surmised that the appearance of the skull (which is generally agreed to represent Christ’s crucifixion) instead hints at a centuries-old rumour that Saint Francis was a notorious serial killer. As further “proof”, these same historians argue that the stigmata seen on his right hand is actually a blood stain left by one of his victims. Other conspiracy theorists take issue with Francis’ wearing of the three-knotted rope wrapped around his waist. While the knots have long been believed to represent the Franciscan vows of poverty, chastity and obedience, some remain convinced that they instead depict a set of anal beads. Seen in this alternate light, they argue that this painting depicts a repentant Saint Francis praying for guidance and forgiveness regarding his sexual orientation. [The less said about the largely ridiculed theory that the open book seen in front of Francis is actually a set of instructions on how to build a dildo bike, the better.] Come see this provocative masterpiece and countless others up close at the ONGO. Plan your visit today!
Francisco de Zurbarán, ‘Saint Francis In Prayer In A Grotto’ (1650-1655)
Come see this provocative masterpiece and countless more up close at the ONGO. Plan your visit today! #ItsAlwaysSunny #OngoMuseum #RobMcElhenney
