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#rivera
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Secretary of State little #Rubio is about to be dragged into the mud of corruption and spy stories by his old #Miami friend former Congressman David #Rivera that is on trial for charges failing to register as a foreign agent for #Venezuela.
www.miamiherald.com/news/local/c...
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Beautiful weather for takeoff from Presidente General Don Oscar D. Gestido International airport in Rivera area (Uruguay) “METAR SURV 241300Z 18006KT CAVOK 18/09 Q1015” : See what it means on https://www.bigorre.org/aero/meteo/surv/en #presidentegeneraldonoscardgestidointernationalairport […]
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Natalia Jiménez usa ambulancia para llegar a fiesta de Carlos Rivera, ’de que llego, llego’ La cantante Natalia Jiménez, de la ‘Quinta estación’, usó una ambulancia para llegar del Vive...
#Principales #Vida+ #008vida #AICM #ambulancia #Carlos #Rivera #Natalia […]
[Original post on 24-horas.mx]
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Natalia Jiménez usa ambulancia para llegar a fiesta de Carlos Rivera, ’de que llego, llego’ La cantante Natalia Jiménez, de la ‘Quinta estación’, usó una ambulancia para llegar del Vive...
#Vida+ #008vida #AICM #ambulancia #Carlos #Rivera #Natalia #Jiménez […]
[Original post on 24-horas.mx]
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Natalia Jiménez usa ambulancia para llegar a fiesta de Carlos Rivera, ’de que llego, llego’ La cantante Natalia Jiménez, de la ‘Quinta estación’, usó una ambulancia para llegar del Vive...
#Carrousel #Vida+ #008vida #AICM #ambulancia #Carlos #Rivera #Natalia […]
[Original post on 24-horas.mx]
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#Far #Rockaway #(Queens, #NY) #Queens #(NYC) #Jonathan #Diller #Guy #Rivera #Murders,
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Temporary exhibition at the Museum of Modern Art in Mexico City.
Temporary exhibition at the Museum of Modern Art in Mexico City.
Temporary exhibition at the Museum of Modern Art in Mexico City.
Temporary exhibition at the Museum of Modern Art in Mexico City.
#Art
Seldom has one the chance to admire some of the most famous paintings of #Mexican artists such as Diego #Rivera, Frida #Kahlo, or María Izquierdo, but now there is a temporary exhibition of the private "Gelman Collection" at the Museum of Modern Art in #Mexico City (until 17 May, 2026).
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#Kelsey #Rivera #- #English #Taylor #Swift #- #English #Kansas #City #Chiefs
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Mexican artist Diego Rivera painted this in Paris during his Cubist period, and it is also a candid portrait of his life there. A standing woman is his first wife, the artist Angelina Beloff, speaking with their friend and fellow artist Alma Dolores Bastián (nicknamed “Moucha”), who is seated. The setting is tied to their Montparnasse building at 26, Rue du Départ for an everyday studio world reframed through the avant-garde grammar of multiple viewpoints and flattened space. The two women fill a tall canvas built from crisp, interlocking planes. At left, Alma, in a white dress, reclines in a chair. Her bent arm and hands gather around a small book, its warm cover a rare block of earthy color amid cool grays. At right, Angelina, in a deep blue dress, leans slightly forward, hands clasped at her waist as if pausing mid-thought. Their faces, hair, and bodies are “broken” into facets with cheeks, collarbones, and sleeves suggested through angled shapes rather than smooth contour … so we experience them as both people and architecture. Behind the two ladies, a simplified Paris skyline rises in stacked blocks, turning rooftops and walls into a rhythmic backdrop. The mood is intimate but unsentimental showing two artists sharing space, attention, and conversation inside a modern city that feels close enough to press against the figures. The Arkansas Museum of Fine Arts notes Rivera looked out on a “vast sea of rooftops” with a “rumble of trains” nearby, a sensory detail that fits the painting’s angular pulse of city and motion. The work’s comparatively lighter palette hints at Rivera’s next turn when he moved away from abstraction and toward socially legible imagery. Within a few years, shaped by revolution and the impact of Italian frescoes, he redirected his ambition into murals meant for broad public audiences, carrying this hard-won modern structure into storytelling about workers, politics, and Mexican history.
“Dos Mujeres” (Two Women) by Diego Rivera (Mexican) - Oil on canvas / 1914 - Arkansas Museum of Fine Arts (Little Rock, Arkansas) #WomenInArt #DiegoRivera #Rivera #ArkansasMuseumofFineArts #ArkMFA #Cubism #PortraitofWomen #art #AMFA #artText #BlueskyArt #MexicanArt #CubistArt #pintura #MexicanArtist
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A map showing the great circle route from Rivera in Uruguay to a map pin at Minor Basilica of the Immaculate Conception, Micoud Street, Castries, Saint Lucia
Minor Basilica of the Immaculate Conception in #Castries, #SaintLucia -🇱🇨 is around 2,638 km or 1,649 miles from our previous place of worship Rivera in #Rivera, #Uruguay - 🇺🇾
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Ministerio Misionero Nueva Vida in #Rivera, #Uruguay has no wikipedia page, why not become an editor and add one?
en.wikipedia.org/wiki/Wikipedia:Contribut...
#VisitUruguay
#StepByStep 👣
#PlacesOfWorship
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A map showing the great circle route from Kriva Palanka in Macedonia to a map pin at Ministerio Misionero Nueva Vida, Atanasio Lapido, 40000 Rivera, Uruguay
Ministerio Misionero Nueva Vida in #Rivera, #Uruguay -🇺🇾 is around 11,037 km or 6,898 miles from our previous place of worship Kriva Palanka in #KrivaPalanka, #Macedonia - 🇲🇰
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www.youtube.com/watch?v=l56K...
#bonds #rivera #closers #hitters #stairs #basing #balls #timeline #duel #new #friends
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Lupe Marín sits on a woven, rustic bench in a spare studio interior. She has medium-brown skin, short dark hair swept up, and small earrings. Her white dress falls in broad, heavy folds across her lap with a pale belt at the waist. Both hands are clasped firmly over one knee, the knuckles and tendons modeled with weight and warmth. Thick silver bangles circle each wrist, and a strand of turquoise beads with a carved pendant rests at her chest, paired with a closer, shell collar. Her posture is upright with shoulders set, chin slightly lifted, and mouth parted as if mid-breath. She gazes upward and away from us. Behind her, a mirror leans against a wall reflecting a red-brown window frame and her own presence in a quieter register. The floorboards almost glow honey-yellow, grounding the scene in everyday material life. Rivera’s palette keeps the whites luminous without erasing texture so the portrait feels both intimate and monumental. Painted in 1938, this portrait treats Marín not as just an accessory to Mexican artist Diego Rivera. She was one of his recurring models and an incisive cultural presence in her own right. The studio setting in San Ángel and the emphasis on “Mexican” space and adornment situate her within postrevolutionary modernity as a woman framed by national symbols yet refusing to be reduced to them. The doubled image created by the mirror turns the work into a meditation on identity and how a public figure is seen, and how she might see herself when no one is asking her to pose. That same year, Rivera produced portraits connected to Marín’s novel “La única” (published in 1938), a sharp, scandal-stirring literary portrait of her circle. Beside that context, her upward glance can feel like casual independence while her clasped hands insist on self-possession. The painting becomes less a “muse” image than a declaration that Lupe Marín as author of her own narrative, can be depicted with paint, but not contained by it.
“Retrato de Lupe Marín” by Diego Rivera (Mexican) - Oil on canvas / 1938 - Museo de Arte Moderno (Mexico City, Mexico) #WomenInArt #MuseoDeArteModerno #MAM #MexicanArt #DiegoRivera #Rivera #ModernArt #WomenPortraits #LupeMarín #LupeMarin #arte #pintura #artText #MexicanArtist #art #PortraitofaWoman
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