My Eva Green portrait from a few years ago.
Drawn on a 260g Craftpaper with #FaberCastell #Polychromos coloured pencils and #Schmincke Watercolour.
#EvaGreen #JamesBond #CasinoRoyale #portrait

Art and photo by Katherine Gingrich on April 4, 2026. All rights reserved. You’re looking at a small, intimate art‑making moment laid out on a tabletop. Everything is close together, as if the artist has just paused mid‑stroke. At the center is a small, square watercolor painting. It’s a vertical rectangle filled with horizontal bands of warm color that fade gently into one another. The top is a soft, glowing yellow. The middle is a deeper golden orange. The bottom is a warm sunset red. The colors feel like heat moving downward, or light sinking into warmth. Along the right edge of the painted rectangle, five red circles march downward in a loose column. They vary in size—smallest near the top, largest near the bottom—like drifting bubbles or rising embers. Each circle is outlined in black ink, giving them a crisp, graphic feel against the watercolor softness. The whole painting is edged with thin black ink lines and tiny hatch marks, adding texture you could imagine as faint scratches or stitched threads. Above the painting, two pens rest horizontally. One is a Pigma Micron 003, a very fine‑tipped archival ink pen used for delicate linework. The other is a uni POSCA marker, black, thicker, used for bold strokes or solid outlines. Their presence tells you this piece mixes both precision and boldness. To the right, there’s a watercolor palette labeled Schmincke—a metal tray with small rectangular pans of paint. The visible colors are mostly yellows, oranges, and greens, echoing the warm palette of the artwork. A red‑handled paintbrush lies across the palette, its bristles still slightly stained, as if recently dipped. The scene feels warm, focused, and handmade—like catching an artist in the middle of exploring color and shape. The combination of soft watercolor gradients, crisp ink lines, and the tools scattered nearby gives the impression of a quiet, thoughtful creative moment. Three inches by three inches.

Sunrise. Sunset. We are still here.

Daily Doodle -- 04/04/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #schmincke #artist #art #pigmamicron #posca

Art and photo by Katherine Gingrich on April 2, 2026. All rights reserved. The photo shows a small square piece of paper with a precise, geometric drawing with triangles filled with blue watercolor. Around it lie pens and a watercolor palette, giving the sense of an artist’s workspace paused mid‑creation. The drawing is abstract and geometric, built from several overlapping rectangular frames. Inside each frame, triangular shapes radiate outward, like sunbursts or folded fans. Each triangle is filled with fine diagonal blue lines, giving them a textured, almost fabric‑like feel. The entire design is outlined in crisp black ink, making the shapes feel sharp, intentional, and architectural. The composition feels like a stack of windows, each containing a spinning, patterned star. The effect is orderly but dynamic—like motion captured inside a grid. The paper sits on a flat surface with art tools arranged casually around it. Above the mixed-media art are a beige technical pen labeled Micron 005, known for extremely fine archival ink lines and a black pen labeled Mitsubishi uniball UB‑155, a smooth‑flowing writing pen. To the right of the artwork is a watercolor palette with several wells of yellow paint, some of them visibly used. Resting across the palette is a maroon‑handled dip pen, the kind used for calligraphy or fine ink work. The palette is branded Schmincke, a well‑known watercolor manufacturer. The scene feels calm, focused, and craft‑oriented—like someone is in the middle of a meditative drawing session. The geometric pattern is tidy and rhythmic, while the surrounding tools hint at creativity and experimentation. Three inches by three inches.

The world is still spinning, so I’m adding structure to it. Triangles are strong shapes from an engineering perspective. Worth a try.

Daily Doodle -- 04/02/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #schmincke #artist #art #pigmamicron #uniball

Art and photo by Katherine Gingrich on April 1, 2026. All rights reserved. The artwork is small and intimate. It feels like a quiet moment of concentration made visible. At its heart is a circular form on the left—soft, pale gray-brown watercolor that looks like a gentle cloud or a stone worn smooth by touch. It isn’t a perfect circle; its edges breathe a little, giving it a natural, organic feel. Emerging from this circle is a delicate network of brown ink lines, drawn with an extremely fine pen. The lines curl and unfurl like tendrils, vines, or tiny gusts of wind. Some loops resemble petals or small blossoms; others feel like swirling currents. The linework is intricate but never chaotic—each stroke seems placed with care, as if the artist were tracing the movement of something alive. To the right, the ink lines gather into a shape that feels feather-like—long, tapering, and slightly curved, as though a quill or plume is drifting outward from the central circle. The feather form is airy and light, with small decorative marks that give it texture and rhythm. Behind all of this, soft gray watercolor washes create a gentle backdrop. The washes are uneven in a way that adds depth—like shadows, mist, or the grain of stone. They don’t overwhelm the ink; instead, they cradle it, giving the drawing a sense of atmosphere. Above the artwork lies a very fine-tipped brown pen, and to the right sits a watercolor palette with a well of black paint and a brush resting across it. These objects make the scene feel like a moment paused in the middle of creation—tools still in reach, the artwork still warm from the artist’s hand. Three inches by three inches.

Back to fine flourishes. We’ll see if Pinterest still hates me.

Daily Doodle -- 04/01/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #schmincke #artist #art #pigmamicron

kaylee the cat watercolor portrait by mike theuer from photo

I recently painted this 9x12 watercolor portrait of Kaylee the cat from a family photo using Schmincke transparent watercolors on Strathmore paper.
www.miketheuer.com

#watercolor #cat #schmincke #strathmore

Art and photo by Katherine Gingrich on March 29, 2026. All rights reserved. The scene feels like a small, intimate art workspace—everything arranged neatly around a single, vibrant piece of artwork, as if the artist has just paused mid‑creation. At the center lies a small square illustration of a stylized flower. The flower has five broad petals, each painted in soft purples that shift gently from lavender to deeper violet. The petals are decorated with fine golden swirls, tiny multicolored dots, and miniature flower motifs, giving the whole piece a sense of delicate ornamentation. The center of the flower is warm pink, ringed with green and yellow accents, almost like a glowing core. Surrounding the artwork are the tools that brought it to life. Above the artwork, three pens are lined up horizontally: a metallic bronze pen that catches the light, a black Posca marker labeled “Metallic Green M6,” chunky and bold, and a sepia-colored Pigma Micron 003 pen, beige-bodied and extremely fine-tipped—made for tiny, precise lines. To the right, there’s a compact watercolor palette with the brand name Schmincke. Its paint wells show sunny yellow, rich red, and deep purple pigments. A small paintbrush rests nearby, its bristles stained with color. The overall mood is warm, creative, and focused—like a snapshot of someone joyfully mixing media, blending ink, metallic accents, and watercolor to build a tiny, jewel-like floral design. Three inches by three inches.

Pinterest has tagged my doodles as spam. Tailwind thinks it’s because they are too similar in appearance. So.. A decorated flower doodle.

Daily Doodle -- 03/29/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #schmincke #artist #art #pigmamicron #posca #uniball

Art and photo by Katherine Gingrich on March 28, 2026. All rights reserved. You’re looking at a small square piece of paper resting on a light surface. On it is a delicate, intricate black‑ink drawing softened with gentle gray watercolor washes. The artwork feels intimate, like something made slowly and lovingly at a desk. At the center of the drawing is an oval shape that suggests an eye or a seed—something enclosed, alive, and slightly mysterious. Around this central form, the artist has built a dense halo of patterns: tiny spirals, clusters of dots, petal-like curves, and fine radiating lines. The inkwork is extremely detailed, almost lace-like, with a sense of movement that pulls your attention inward and outward at the same time. The watercolor is subtle—soft gray shadows that pool and fade behind the ink, giving the piece depth and a gentle sense of atmosphere. It feels like mist behind architecture. Above the artwork lies a beige technical pen labeled “Pigma Micron 003,” a very fine archival ink pen often used for precision linework. To the right is a small watercolor palette with black and gray paint wells, and a paintbrush resting across it. These tools make the image feel like a moment captured mid‑creation, as if the artist has just paused. Overall, the scene conveys quiet focus, craftsmanship, and the pleasure of making something intricate by hand. Three inches by three inches.

More scroll work.

Daily Doodle -- 03/28/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #schmincke #artist #art #pigmamicron

Art and photo by Katherine Gingrich on March 25, 2026. All rights reserved. You’re looking at a small, vibrant piece of mixed‑media art resting on a pale, softly textured surface—something like a light tabletop or desk. The artwork itself is a hand‑painted circle made with watercolor and fine ink lines. At the center of the circle, there’s a deep, cool blue—almost like looking into a calm pool of water. From that center, concentric rings ripple outward in different shades of blue, each one slightly lighter or darker than the last. The rings aren’t perfectly mechanical; they feel hand‑drawn, organic, and alive. Decorating these rings are tiny, joyful details: small dots in bright colors like orange, yellow, and pink; delicate floral or petal‑like motifs that seem to dance around the circle; and fine black ink lines that give the piece structure and rhythm. The overall effect is soothing and playful—like a mandala made of water and sunlight. Around the artwork, you can sense the presence of an active creative moment: Four paint markers lie nearby—thin Uni Posca pens in bright orange and pink. A black Mitsubishi Uni‑ball pen and a Sakura Pigma Micron 005 sit close, both known for their precise, fine lines. To the right is a watercolor palette, its wells filled with dried and semi‑wet paints: warm oranges, reds, browns, and cool blues. A paintbrush rests across the palette, as if the artist just paused mid‑stroke. The whole scene feels intimate and inviting—like catching someone in the middle of a joyful, meditative art session. Three inches by three inches.

Trying my hand at a happy doodle. The forsythia is starting to bloom. Spring is in the air.

Daily Doodle -- 03/25/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #schmincke #lukas #artist #art #uni-ball #pigmamicron #posca

Art and photo by Katherine Gingrich on March 24, 2026. All rights reserved. The photo captures a small, intimate art-making moment—soft, quiet, and full of delicate detail. At the center is a hand‑painted piece of art, surrounded by the tools that created it: two gel pens (one white, one metallic bronze), a watercolor palette, and a brush resting nearby. The whole scene feels gentle and handcrafted. The artwork itself is a small square of watercolor paper. Its background is a wash of gray watercolor, shifting from pale silver-gray to deeper charcoal tones. The paint has a cloudy, atmospheric quality—soft edges, subtle gradients, and a slightly textured surface. Layered over the gray are intricate decorative patterns drawn with white and bronze metallic gel pens. The patterns feel mandala-like and botanical, with: swirling tendrils, tiny dots arranged like constellations, petal shapes, looping curls, and delicate lace-like arcs. The white ink adds a crisp, snowy contrast, while the bronze ink catches the light, giving the piece a quiet shimmer. The overall effect is ornamental and dreamy, like frost patterns mixed with filigree jewelry. Three inches by three inches.

They say that there’s a silver lining in every cloud. So… maybe bronze and white since they showed up better on the cloudy background.

Daily Doodle -- 03/24/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #schmincke #artist #art #uni-ball #signo

Art and photo by Katherine Gingrich on March 23, 2026. All rights reserved. You’re looking at a small, intimate art‑making workspace—almost like a snapshot taken mid‑creation, with all the tools still resting where the artist last touched them. This watercolor is meant to capture the weird spring weather. One day it’s cold and snowing. The next day is warm and the blossoms are coming out. The day after, it’s cold and raining. There are overlapping bands of gray gloom and green and pink stylized flowers. At the center lies a small square piece of watercolor paper. On it is a delicate mixed‑media design: soft gray vertical shapes that feel organic and slightly uneven, like drifting tree trunks or rising smoke. Over these, the artist has added fine black ink swirls, looping and curling like decorative vines. Threading through the composition are thin green lines that resemble living tendrils, and scattered among them are tiny pink dots, almost like blossoms or berries. The whole piece feels gentle, botanical, and quietly whimsical. Surrounding the artwork are the tools that created it: At the top left, two small Posca paint markers lie side by side. One is labeled Pink, the other Green. Their caps are bright and cheerful, hinting at the colors inside. Just below them are two Pigma Micron pens, extremely fine‑tipped—sizes 005 and 003—used for precise, archival‑quality linework. To the right, a watercolor palette sits open. Its wells hold various shades of black and gray, some dry, some still glossy with water. A red‑handled paintbrush rests across the palette, its bristles stained with diluted gray paint. The background surface is a neutral tabletop, giving the impression of a calm, focused workspace. The overall mood is one of quiet creativity—tools scattered not in chaos but in the natural rhythm of someone absorbed in making something small, thoughtful, and beautiful. Three inches by three inches.

This watercolor captures our spring weather. We are alternating cold, snowy winter days with summer heat. Hoping our orchard doesn’t bloom before the last frost.

Daily Doodle -- 03/23/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #pigmamicron #schmincke #artist #art

Art and photo by Katherine Gingrich on March 22, 2026. All rights reserved. The image captures a small, intimate moment of art-making—almost like peeking over an artist’s shoulder while they work. At the center lies a small watercolor painting. The artwork is alive with warm colors—reds, oranges, and yellows—that swirl and fold into one another. The shapes are curved and intertwined, almost like ribbons or flowing figures in motion. Over these soft washes of color, the artist has added fine black ink details: tiny spirals, dots, and decorative curls that dance across the shapes. The effect is both playful and intricate, like a blend of firelight and filigree. Above the painting rests a thin beige pen, labeled “PIGMA MICRON 003,” a tool known for its ultra-fine linework. Its presence hints at the precision behind those delicate black patterns. To the right sits a watercolor palette, its wells filled with the same warm hues used in the painting—sunny yellows, glowing oranges, deep reds. A paintbrush lies across the palette, still damp, as if the artist has just paused mid-stroke. The whole scene feels cozy and creative, a snapshot of someone immersed in their craft. You can almost imagine the quiet concentration, the soft scratch of pen on paper, the gentle clink of the brush against the palette. Three inches by three inches.

Sunrise colors again. We were expecting rain tonight. Appreciating the sun while it’s out.

Daily Doodle -- 03/22/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #pigmamicron #schmincke #artist #art

Okay. After a day of reflection I decided that my Berlin is my Berlin, and in my nook of #Berlin there is no room for this ugly butt #OperaRose. Hashtag #MYberlin. We'll live with #MagentaRose instead. #Schmincke #Horadam #BerlinEdition #watercolor

What to remove from #BerlinEdition from #Horadam? I actually already removed the Titanium White, and this Opera Rose is the most ugly color I've ever seen, in any brand, not just #Schmincke. Yet I could not take it away yet, wondering if it hasn't to have a place in the set. #reflecting #watercolor

Is this #Berlin?
Or should the question be "Is this my Berlin?" #Schmincke #Horadam #BerlinEdition #swatching #watercolor

Art and photo by Katherine Gingrich on March 21, 2026. All rights reserved. The image shows a small, handmade watercolor artwork resting on a clean white surface, surrounded by a few art tools that hint at the creative process behind it. At the center is a rectangular piece of watercolor paper. Across it run seven horizontal stripes, each one a soft wash of color—shades shifting gently from deep red to rose pink to dusty purple. The colors feel warm and emotional, like a gradient of sunset tones laid down in calm, even bands. Layered on top of each stripe are delicate black ink doodles, drawn with a very fine pen. Each stripe has its own pattern, giving the piece a sense of rhythm and playfulness. The doodles include: tiny leaves that look like they’re drifting in a breeze, small hearts tucked into corners, stars scattered like confetti, swirling curls and loops, clusters of dots that add texture, and gentle waves and scallops. The ink lines are crisp and intentional, contrasting beautifully with the soft watercolor beneath them. The overall effect is whimsical and meditative—like a visual journal of small joys. Above the artwork lies a slim beige pen with black lettering, the kind used for precise linework. To the right sits a small watercolor palette with a few wells of yellow and orange paint, along with a paintbrush resting inside it. These items make the scene feel intimate, as if the artist has just stepped away for a moment. Three inches by three inches.

We’ve been getting beautiful sunrises lately. We’ve had a variety of colors from deep red to purples and grays.

Daily Doodle -- 03/21/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #pigmamicron #schmincke #artist #art

My #portrait of #DakotaFanning from a few years ago.
Drawn on a 280g Craftpaper with #FaberCastell #Polychromos and #Schmincke #Watercolour

Art and photo by Katherine Gingrich on March 20, 2026. All rights reserved. You’re looking at a small square watercolor painting resting on a tabletop, surrounded by the tools that created it. The whole scene feels intimate and handmade, like you’ve stepped into the middle of someone’s creative process. At the center is a circular, spiral-like design painted in layered shades of blue. The blues range from soft, watery washes to deeper, more saturated tones, creating a sense of movement—almost like a whirlpool or a slowly unfurling shell. Over the watercolor, delicate black ink lines trace intricate patterns. These lines form tiny loops, arcs, and decorative motifs that feel organic, almost botanical. Scattered among the inkwork are small green dots, like little seeds or droplets, adding a gentle contrast to the blues. The overall effect is calm, rhythmic, and meditative—your “circle style” in full bloom. The painting is surrounded by the artist’s tools, giving the sense that the work was just finished or paused mid-flow. Above the artwork lies a wooden pencil labeled “AquaGraph Red HB 183.06 Austria.” Next to it is a very fine black ink pen, a Pigma Micron 003, known for its precise, archival-quality lines. To the right, there’s a watercolor palette from Schmincke, with visible pans of yellow and orange paint. A red-handled paintbrush rests nearby, its bristles stained with color. Everything is arranged casually, as if the artist stepped away for a moment—tools still warm from use, creativity still lingering in the air. Three inches by three inches.

Woo Hoo!! Spring is starting to make an appearance. The forsythia is starting to bloom. The streams are running again. Life is good.

Daily Doodle -- 03/20/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #pigmamicron #schmincke #artist #art #aquagraphite

Art and photo by Katherine Gingrich on March 19, 2026. All rights reserved. You’re looking at a small, intimate moment in an artist’s workspace—something warm, handmade, and quietly joyful. At the center is a small watercolor painting on bright white paper. The artwork is made of several overlapping oval shapes, each one soft-edged and glowing with warm colors: sunny yellow, peachy orange, dusty rose pink, and a gentle brown. The colors feel like late-afternoon light—warm, layered, and slightly translucent. Each oval is decorated with fine black ink patterns drawn around its edges. The patterns are delicate and playful: tiny dots, short lines, and little decorative marks that give each shape its own personality. The ink lines are crisp and precise, as if added with a very fine technical pen. Above the artwork lies the tool that made those lines: a Micron 003 archival ink pen. It’s a slim beige pen with black lettering, and it advertises its extremely fine tip—just 0.15 millimeters, perfect for the tiny details in the painting. To the right of the artwork sits a watercolor palette. It’s a small metal tray with several paint pans, mostly in the same warm yellows and oranges used in the painting. A paintbrush rests across the palette, still carrying a sense of recent use, as if the artist paused only moments ago. The whole scene feels like a snapshot of creativity in progress—quiet, focused, and full of warmth. It captures the harmony between watercolor softness and ink precision, and the pleasure of making something by hand. Three inches by three inches.

Feeling really simple today. The world is still upside down. So is this watercolor.

Daily Doodle -- 03/19/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #pigmamicron #schmincke #artist #art

Schmincke Linocut & Printing Kit

Everything you need to start lino printing: soft lino blocks, carving tools, brayer, hand press, and premium Aqua Lino water-based inks.

Easy to use, vibrant colours, and crisp prints in minutes. Perfect for beginners and printmakers!
#schmincke #linocut

Art and photo by Katherine Gingrich on March 18, 2026. All rights reserved. The artwork sits on a small square piece of watercolor paper. The overall feeling is clean, modern, and geometric—four distinct shapes arranged like characters in quiet conversation. On the far left stands a tall, narrow shape, like a slightly tapered rectangle. It’s filled with a soft red watercolor wash, darker near the edges and lighter toward the center. A thin black ink outline gives it crisp definition, as if it’s standing upright with confidence. Near the middle, two rectangles overlap. A vertical green bar sits on top, like a slim doorway or a standing plank. Beneath it lies a wider horizontal blue rectangle, stretching left to right. The overlap creates a sense of layering, like pieces of colored paper stacked with intention. Both shapes are outlined in fine black ink, giving them a graphic, almost architectural feel. On the right side is a circular brown shape that resembles the cross-section of a tree trunk. Concentric rings radiate outward—thin, hand-drawn ink lines that mimic growth rings. The watercolor inside shifts from warm tan to deeper brown, giving it a natural, earthy presence. It feels organic compared to the crisp geometry of the other shapes. The artwork is photographed in the middle of an active workspace: At the top edge lies a Pigma Micron 003 pen, the kind used for ultra-fine ink lines. To the right sits a Schmincke watercolor palette, open to reveal wells of yellow and orange paint. A paintbrush rests across the palette, still damp, suggesting the artist has just stepped away. The scene feels intimate—like catching the artwork mid-breath, before the tools are put away. The piece blends structure with warmth. The rectangles feel deliberate and balanced, while the circular wood-slice shape adds a grounding, natural touch. The combination of ink and watercolor creates a harmony between precision and softness. Three inches by three inches.

Daily Doodle -- 03/18/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #pigmamicron #schmincke #artist #art

I put a link for the halfpan's STL file for anyone that interested to print it your own. It's a size that will fit with Schmincke Horadam Aquarell portable case that I own.

Here is the link from my Google Drive:
drive.google.com/file/d/1MV48...

#3dp #3DPrinting #STL #3DModel #halfpan #schmincke

Art and photo by Katherine Gingrich on March 17, 2026. All rights reserved. The image shows a small, hand‑made artwork resting on a flat surface, surrounded by the tools that created it. The whole scene feels intimate, like a quiet moment at a desk where someone has been joyfully experimenting with color and pattern. The artwork is a compact grid made of eight small rectangles and squares, arranged more or less in three rows of three. Each little block holds its own personality — a different color, a different texture, a different rhythm of lines. The color block are described here. A warm red square filled with tight, parallel lines. A soft pink rectangle with a loose, swirling spiral pattern. A bright orange square covered in tiny, evenly spaced dots. A green rectangle with diagonal stripes, like a tilted field. A brown square with a tight, cross‑hatched grid, giving it a woven feeling. A yellow rectangle with a checkerboard pattern, cheerful and tidy. A blue square filled with looping, wave‑like curves. A teal rectangle with vertical lines that vary in thickness. And, finally a pinkish‑red square with a spiral that expands outward like a tiny galaxy. Each block is painted with watercolor, so the colors have that soft, slightly uneven glow where pigment pools and thins out. Over the watercolor, the patterns are drawn in fine black ink, giving the whole piece a playful, tactile contrast with gentle color beneath, crisp linework above. To the top of the artwork lies a Micron 003 archival ink pen, very thin and precise: the kind used for delicate linework. To the right, there’s a Schmincke watercolor palette, its wells filled with dried paint in many colors. A small paintbrush rests across it, as if the artist just paused mid‑stroke. Three inches by three inches.

Taxes are almost sorted out. Just need to go through one last time and send them off to the accountant. Everything is pretty much in order.

Daily Doodle -- 03/17/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #pigmamicron #schmincke #artist #art

My oilpainting of Al Pacino from a few years ago
Painted on a 50 x 70 cm/20 x 28“ Canvas with #DaVinciBrushes and #Schmincke #Norma #Oilpaints
#AlPacino #MichaelCorleone #TheGodfather

Art and photo by Katherine Gingrich on March 16, 2026. All rights reserved. You’re looking at a small, intimate workspace where an abstract artwork is in progress. The center of the image is filled by a hand‑painted piece that blends watercolor softness with very fine black ink lines. The background is a wash of greens and yellows, like sunlight filtering through leaves—soft, uneven, and organic. Layered on top are intricate black ink patterns made with an extremely fine pen. The lines form spirals, waves, and looping shapes, almost like wind currents or ripples in water. The ink work is delicate and precise, giving the impression of movement flowing across the page. The overall feeling is both calm and dynamic—fluid watercolor beneath, structured ink dancing above it. At the top edge of the photo lies a Micron 003 archival ink pen, very thin and precise, the kind used for detailed linework. To the right is a Schmincke watercolor palette, open to reveal pans of yellows and greens that match the painting. A paintbrush rests across the palette, still damp, as if the artist paused mid‑stroke. The scene feels peaceful and focused—like a quiet moment in the middle of creating something intricate. The combination of tools, colors, and textures gives a sense of care, patience, and artistic exploration. Three inches by three inches.

Revisiting an idea from February 23 with a lot more squiggles. Yes, back to green.

Daily Doodle -- 03/16/2026. . #gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #pigmamicron #schmincke #artist #art