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Form telling me my painting has a chance of getting into the prestigious Mall Gallery in London, it has been chosen out of thousands of entrants, so fingers crossed it will get into the exhibition.

Form telling me my painting has a chance of getting into the prestigious Mall Gallery in London, it has been chosen out of thousands of entrants, so fingers crossed it will get into the exhibition.

Urban Decay, my oil painting that I entered of a decaying window and dying poppy, with the paint peeling off of the window and wall underneath.

Urban Decay, my oil painting that I entered of a decaying window and dying poppy, with the paint peeling off of the window and wall underneath.

#Blueskart #womensart #hastingsartist #oilpainting #Urbana So my painting has got a chance of being in my favourite London gallery The Mall, it's off to the gallery on the 18th April to be judged whether it's worthy, nail biting stuff, just pleased it got picked!.

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A dark haired young woman holds a poignant sign: "Children need to know silence of good people is wrong."  Trees and other marchers are behind her.

A dark haired young woman holds a poignant sign: "Children need to know silence of good people is wrong." Trees and other marchers are behind her.

Two close up signs against the backdrop of trees on the mall.  "Patriots are anti-fascist" and "Our military is not your toy," with a picture of a woman soldier brandishing her fist while holding a weapon.

Two close up signs against the backdrop of trees on the mall. "Patriots are anti-fascist" and "Our military is not your toy," with a picture of a woman soldier brandishing her fist while holding a weapon.

No Kings 3, Arlington, Virginia. March 2026. #Nokings #Photography #WashingtonDC #womensart #AJsfreespiritphotography.com

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Sarah #Stewart (@rattlesnakesandrainbows) •Hierophant• #WomensArt #ArtByWomen

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Jacoba #vanHeemskerck was a Dutch avant-garde painter graphic designer and stained glass artist. During her short life van Heemskerck contributed substantially to the development of modern art in the early 20th century. #WomenArtists #WomensArt #ArtByWomen

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🚀 BlueSky trending hashtags (15m) #16-30:

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👇 #1-15 trending hashtags

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Painting: Sky with a few clouds appears over water; no sun is visible but colors in the sky suggest sunset.

Painting: Sky with a few clouds appears over water; no sun is visible but colors in the sky suggest sunset.

WIP ~ #stunday #eck #sunsetpainting #watercolorsunset #skyscape #cloudscape #mood #moodysky #artyear #womensart #watercolor #watercolour #watercolorsky #skypainting

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Stylised illustration of a tall thin white woman in white with long dark hair next to green rocks

Stylised illustration of a tall thin white woman in white with long dark hair next to green rocks

Jessie Marion King (1875-1949), Scottish illustrator, jewellery/fabric designer, one of the artists known as the 'Glasgow Girls' #womensart

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#Art: Landscape Forms (1959)
#Artist: Eva Hesse

#Art: Landscape Forms (1959) #Artist: Eva Hesse

#Art: Landscape Forms (1959)
#Artist: #EvaHesse (b. 1936/d. 1970; #🇩🇪)
#ArtMovement/Style: #Abstract
Medium: Oil on canvas
76.2 x 61 cm (30 x 24 in)

#DailyArt #TalkArt #Artsy
#ArtPost #FineArt #ArtHerstory #WomensArt

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🌟 BlueSky trending hashtags (1h):

#domingoderabos #nokings #photography #art #fotovorschlag #섹블 #nsfw #stunday #섹트 #nature #gay #womensart #birds #cock #twink

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Māori weaving, or raranga, is a traditional art of identity, heritage and expression of spirituality. The patterns woven into items such as cloaks and baskets all have meaning #womensart

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🌟 BlueSky trending hashtags (1h):

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🔥 BlueSky trending hashtags (30m) #16-30:

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👇 #1-15 trending hashtags

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🔥 BlueSky trending hashtags (30m):

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Abstracción con manchurriones de colorines.

Abstracción con manchurriones de colorines.

Blackbird Love. Marisol Escobar.

Feliz día 🎨

#womensart #art #painting #pintoras

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Stained glass artwork featuring a sitting hare among grasses depicted on green panels of glass

Stained glass artwork featuring a sitting hare among grasses depicted on green panels of glass

English stained glass artist Ann Sotheran, 'Isa's hare' (2011) #WomensArt

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Photo of a chess board with models of household goods such as a stove, lamp and chair for chess pieces

Photo of a chess board with models of household goods such as a stove, lamp and chair for chess pieces

Chess Set, 2005 by Rachel Whiteread #WomensArt

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Painting featuring an open jar of marmalade with the lid next to it on a white surface

Painting featuring an open jar of marmalade with the lid next to it on a white surface

Marmalade, 2021 by US painter Leah Gardner #womensArt

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The painting captures a specifically British pre-wedding custom, the hen party, but artist Beryl Cook treats it as more than comic spectacle. She makes working-class and middle-class women the stars of public life by being visible, celebratory, self-possessed, and fully entitled to pleasure. Her art often centered women in pubs, clubs, cafés, and streets, recording the sociability of everyday life with affection rather than condescension.

Five women cluster together in a tight, cheerful group, filling nearly the whole picture. Their bodies are rounded and buoyant, with Cook’s signature exaggeration making them feel larger than life, confident, and impossible to ignore. At the center is the bride-to-be, wearing a large tall white party hat trimmed with balloons, ribbons, and floral decorations. The others lean close around her in bright dresses and tops, their faces rosy, amused, and alert with shared excitement. Red lipstick, flushed cheeks, and glossy accessories heighten the mood of a night out before marriage. The scene feels crowded but affectionate, with no background distraction pulling attention away from the women’s camaraderie. Cook turns the group into a monument of laughter, ritual, and collective female presence. These are not idealized bodies or polished society beauties. They are vivid, social, ordinary women made unforgettable through humor, scale, and warmth.

Made in 1995, “Hen Party II” belongs to Cook’s mature period, when her instantly recognizable style had become one of the most widely loved in Britain. A plausible real-life spark for this image survives in local Plymouth memory when a specific woman’s 1995 hen night reportedly inspired both this painting and a related work. That rootedness matters. Cook was not inventing fantasy women from a distance. She was observing the social worlds around her and transforming them into democratic icons. The humor is real, but so is the dignity for a record of female friendship and public joy.

The painting captures a specifically British pre-wedding custom, the hen party, but artist Beryl Cook treats it as more than comic spectacle. She makes working-class and middle-class women the stars of public life by being visible, celebratory, self-possessed, and fully entitled to pleasure. Her art often centered women in pubs, clubs, cafés, and streets, recording the sociability of everyday life with affection rather than condescension. Five women cluster together in a tight, cheerful group, filling nearly the whole picture. Their bodies are rounded and buoyant, with Cook’s signature exaggeration making them feel larger than life, confident, and impossible to ignore. At the center is the bride-to-be, wearing a large tall white party hat trimmed with balloons, ribbons, and floral decorations. The others lean close around her in bright dresses and tops, their faces rosy, amused, and alert with shared excitement. Red lipstick, flushed cheeks, and glossy accessories heighten the mood of a night out before marriage. The scene feels crowded but affectionate, with no background distraction pulling attention away from the women’s camaraderie. Cook turns the group into a monument of laughter, ritual, and collective female presence. These are not idealized bodies or polished society beauties. They are vivid, social, ordinary women made unforgettable through humor, scale, and warmth. Made in 1995, “Hen Party II” belongs to Cook’s mature period, when her instantly recognizable style had become one of the most widely loved in Britain. A plausible real-life spark for this image survives in local Plymouth memory when a specific woman’s 1995 hen night reportedly inspired both this painting and a related work. That rootedness matters. Cook was not inventing fantasy women from a distance. She was observing the social worlds around her and transforming them into democratic icons. The humor is real, but so is the dignity for a record of female friendship and public joy.

“Hen Party II” by Beryl Cook (British) - Oil on board / 1995 - Glasgow Museums Resource Centre (Glasgow, Scotland) #WomenInArt #WomensArt #WomanArtist #WomenArtists #BerylCook #Cook #BritishArt #GlasgowMuseums #GlasgowMuseumsResourceCentre #artText #art #1990sArt #BritishArtist #WomenPaintingWomen

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#fineart #artist #painting #blueskyart #watercolor #traditionalart #art#watercolour #illustration #drawing #watercolorpainting
#aquarelle #watercolorartist
#artist #womensart #womenartists #artistsofbluesky #painting
#digitalart

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Loving these Polka Dot Cats on #Caturday #womensart

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Shamsia Hassani #Afghanistan #artist #streetart #artsky #art #WomensArt #WomensHistoryMonth
love the trompe l'oeil effect

bsky.app/profile/wome...

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GM w/ "Disturbance"
#Photography by @lizahawthorne.bsky.social

Share #art, support artists, sustain culture

#ArtWins
💗 🎨📸 👨‍💻🎶

#DigitalArt #WomensArt #WomenArtists

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Painting featuring a large dog wrapped in a stripey blanket sitting sideways on a floral patterned armchair.

Painting featuring a large dog wrapped in a stripey blanket sitting sideways on a floral patterned armchair.

Molly (artist assistant), 2024 by contemporary Australian painter Lucy Culliton #WomensArt

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Deep blue skies and a narrow island are reflected in still water

Deep blue skies and a narrow island are reflected in still water

View from Nut Island, Quincy MA #BlueSkyArtShow #Background #womensart #eastcoastkin
#photographersofbluesky
#landscapephotographer #notAI #Quincy #NutIsland #GulfofMaine

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Blodau gan ffrind i ffrind!
Flowers from a friend to a friend!
Oil on canvas
#blodau
#flowers
#welshartist
#welshart
#womensart

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Photograph of a land art installation featuring a group of blue sheres placed at irregular intervals on ice with a snow covered mountain in the background

Photograph of a land art installation featuring a group of blue sheres placed at irregular intervals on ice with a snow covered mountain in the background

Lita Albuquerque, Southern Cross from Stellar Axis: Antarctica, Ross Ice Shelf, 2006 #Womensart

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