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Posts by Skionar

LE FANU, Joseph Sheridan. The House by the Church-Yard. In three volumes. Second edition. Tinsley, Brothers. The odd spot. Contemp. half black sheep, marbled boards, raised bands gilt, brown morocco labels; a bit rubbed & worn but still a nice copy. A warm 4pp signed letter from Le Fanu, dated 5 September 1863, from his 18 Merrion Square address. Le Fanu writes to a Mr Macauley: I hope you will accept these volumes I am so happy to send to the old & kind friend whom I remember long ago among those happy scenes which I have chosen for the story... I have to thank you too, again, for the details you were so kind as to give me about the Royal Irish Artillery & which make me feel as if I had seen that fine old corps in its shorts, leggings, cocked hat ruffles pulling their guns up the Chapleizod road. A lovely copy evidently presented to someone influential from Le Fanu's "happy early days, who seems to have helped with some of the finer historical points of this iconic novel. Following the lukewarm reception of Torlogh O'Brien, Le Fanu stopped writing novels for over a decade, in favour of publishing short stories in periodicals, not revisiting the genre until the early 1860s when he published this, one of his most acclaimed works. M.R. James described The House by the Churchyard as 'a book which seems to bring together in a concentrated form all of Le Fanu's best qualities as a story-teller. The author's final Irish-based novel and his last foray into historical fiction, it is set in Chapelizod, the land of his youth. The tale is comprised of interconnected crimes brought to light following the discovery of a human skull with evidence of terrible injuries disappearances, murder, deception, and betrayal weave through years in the small village community. The cast of characters is sprawling, each with their own connections, neuroses, and motivations, and these diverging plots and myriad roles allow Le Fanu to explore different aspects

LE FANU, Joseph Sheridan. The House by the Church-Yard. In three volumes. Second edition. Tinsley, Brothers. The odd spot. Contemp. half black sheep, marbled boards, raised bands gilt, brown morocco labels; a bit rubbed & worn but still a nice copy. A warm 4pp signed letter from Le Fanu, dated 5 September 1863, from his 18 Merrion Square address. Le Fanu writes to a Mr Macauley: I hope you will accept these volumes I am so happy to send to the old & kind friend whom I remember long ago among those happy scenes which I have chosen for the story... I have to thank you too, again, for the details you were so kind as to give me about the Royal Irish Artillery & which make me feel as if I had seen that fine old corps in its shorts, leggings, cocked hat ruffles pulling their guns up the Chapleizod road. A lovely copy evidently presented to someone influential from Le Fanu's "happy early days, who seems to have helped with some of the finer historical points of this iconic novel. Following the lukewarm reception of Torlogh O'Brien, Le Fanu stopped writing novels for over a decade, in favour of publishing short stories in periodicals, not revisiting the genre until the early 1860s when he published this, one of his most acclaimed works. M.R. James described The House by the Churchyard as 'a book which seems to bring together in a concentrated form all of Le Fanu's best qualities as a story-teller. The author's final Irish-based novel and his last foray into historical fiction, it is set in Chapelizod, the land of his youth. The tale is comprised of interconnected crimes brought to light following the discovery of a human skull with evidence of terrible injuries disappearances, murder, deception, and betrayal weave through years in the small village community. The cast of characters is sprawling, each with their own connections, neuroses, and motivations, and these diverging plots and myriad roles allow Le Fanu to explore different aspects

A Le Fanu on sale at Jarndyce

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Thank you

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Thank you

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Thank you

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A surprise delivery from Sciensus, the dreadful company that delivers medicine for NHS hospitals. They are trying to force me to use their app. It's not necessary, as I find with another medicine delivery company, and I am refusing to add another app to my old phone with no memory left!

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Was down there the other day, admiring the old Mulberry which is all that is left of the fine gardens

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You too! Very much so

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I know you understand, Nina. I've been thinking about you.

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Every day I wake up, and I feel so ill I wonder how it's possible to continue

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Goodnight

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“I looked up and saw a cylindrical figure like a glass tube…
its contents appeared to be a dense fluid… pale azure…”

“passing behind my wife, it paused… over her right shoulder…
she shrieked out, ‘Oh Christ, it has seized me.’”

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Family tree entry of John Loftus

Family tree entry of John Loftus

I've been conducting a good deal of ancestry research recently.

It's good when it touches on a famous ghost story

This great-uncle took over from the man who saw a famous ghost at the Tower of London, a ghost story I've known since childhood and mention in my book

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Image of Georgian country house with text: ‘The Haunting at the Rectory: Ghost Stories and Women’s Lives in Early Modern England’
RHS Lecture at the University of Warwick.
With Professor Sasha Handley (University of Manchester). Part of the visit by the RHS Council to the University of Warwick.
5.30pm, Friday 1 May 2026.

Image of Georgian country house with text: ‘The Haunting at the Rectory: Ghost Stories and Women’s Lives in Early Modern England’ RHS Lecture at the University of Warwick. With Professor Sasha Handley (University of Manchester). Part of the visit by the RHS Council to the University of Warwick. 5.30pm, Friday 1 May 2026.

On Friday 1 May, the Society's Council is at the University of Warwick to meet with historians from the region.

The day closes with a public lecture (5.30pm) by Sasha Handley on ‘The Haunting at the Rectory: Ghost Stories and Women’s Lives in Early Modern England’ bit.ly/4tnpwRa All welcome.

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🪷 In the centre of the cuirassed chest of this marble bust of #Hadrian is, not a traditional #Medusa "Gorgoneion," but the instantly recognisable face of #Antinous! Excavated 1995 in Kynouria, Peloponnese. Symbolically, #Antinoos shields his emperor, warding off all evil and misfortune! 🪷

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Biscuit!!

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Goodnight

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Unfortunately gate-keeping also ends up in the mix...

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I had exactly the same thought about Dennis Wheatley! That's so funny. I hear his house in Lymington got knocked down

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Love this stone in St Ives Museum

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Oh I was being facetious! No industry, people at the ghost groups I suppose. Not sure about PU orientation but always assumed he was a car keys in a bowl kind of man.

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I went off him, to be honest. I was a friend of Andrew Green and used to stay with him and Norah in Sussex. A good, decent man. He warned me about the large amounts of Homosexuals in the industry, advice which was rather wasted on me

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All the melodrama and mythomania of a Borley lawn tea

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I'll see you in three weeks

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Goodnight

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I always remember when his name was first mentioned some suspected that he was not even a person but some kind of ludic concoction, a postmodern joke with more than one individual involved

3 days ago 1 1 0 0

Reading this, I really feel for him - I never much cared for his books and once reviewed him poorly before the Orr meltdown - but anyone suffering like this deserves some comfort, some kindness

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A page from Geoffrey Of Monmouth's 'History Of The Kings Of Britain' showing Merlin (portrayed as a giant figure) placing one of the lintels onto two upright stones at Stonehenge, watched by two other men.

A page from Geoffrey Of Monmouth's 'History Of The Kings Of Britain' showing Merlin (portrayed as a giant figure) placing one of the lintels onto two upright stones at Stonehenge, watched by two other men.

"Aurelius ordered Merlin to erect round the burial-place the stones which he had brought from Ireland. Merlin obeyed the King's orders and put the stones up in a circle round the sepulchre."
- Geoffrey of Monmouth's 12thC account of the erection of Stonehenge.
#BookWormSat #StandingStoneSunday

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The plaque for Christopher Marlowe showing recent relics left by modern hands, a tilted candle, a scull, a chiromantic hand

The plaque for Christopher Marlowe showing recent relics left by modern hands, a tilted candle, a scull, a chiromantic hand

'Above our life we love a steadfast friend'

Hero and Leander

At the grave of Kit Marlowe near to his murder point in Deptford

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‘Simon Being Taken out to Sea for the First Time since His Father Drowned’, Skinningrove, North Yorkshire, 1983, photo by Chris Killip. Weekly ritual to prevent him becoming afraid of the sea, where the community earned its living.

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Goodnight

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