OSS

Propaganda média da Times Square Brasil

Jesse Rogers - Hadacol Boogie (1949) YouTube video by HillbillyBoogie1

5/5

Hadacol was viral craze, especially in the south. There were even records made about it.

www.youtube.com/watch?v=a43h...

Cedell Davis - She's Got the Devil in Her (1994)
youtube.com/watch?v=JeM0...

Freak Out USA magazine cover featuring the Monkees, the Fugs, Paul Revere & the Raiders, Frank Zappa, other unlikely teen groups

happy to see fanzine hemmorhage out of retirement & even happier to see them covering freak out, usa #1, published in fall 1967. fanzinehemorrhage.com/2026/04/16/f...

arte

Manic Monday: Muddy Waters Plugs In Loud at the 1960 Newport Jazz Festival - Glide Magazine Up until 1960, Newport Jazz Festival crowds expected relaxing jazz and maybe some polite acoustic blues. What they got instead in 1960 from Muddy Waters

Up until 1960, Newport Jazz Festival crowds expected relaxing jazz and maybe some polite acoustic blues. What they got instead in 1960 from Muddy Waters was a full Chicago blues band cranked up electric.
glidemagazine.com/324812/manic...

Screamin' Jay Hawkins live with Johnny Otis on Being Locked in Coffin! YouTube video by Docjive

Screamin' Jay Hawkins live with Johnny Otis on Being Locked in Coffin!
youtu.be/pS4QSqtr4QA
“Screamin' Jay was a guest on the Johnny Otis radio show back in the mid-1980s. This clip is an excerpt about the time the Drifters locked Jay in his coffin onstage at the Apollo in 1955!”

Rahsaan Roland Kirk & Louis Armstrong, at 47th street & Times Square (circa early 1960s) Old Friends Radio rdo.to/OFRN OldFriendsRadio.org OldFriendsRadio.studio I'm #LIVE right now. What may I spin for you?

Rahsaan Roland Kirk & Louis Armstrong, at 47th street & Times Square (circa early 1960s)
Old Friends Radio rdo.to/OFRN
OldFriendsRadio.org
OldFriendsRadio.studio
I'm #LIVE right now. What may I spin for you?
#Jazzsky #Jazz #JazzMusic #JazzRadio #Blues #Bebop #BigBand #OnAir #ListenLive #OnTheAir 🎵🎙️

#NowPlaying
Carl Perkins
Honey Don't

#RSD2026 #RecordStoreDay #VinylCommunity

Fela Kuti - Colonial Mentality YouTube video by Fela Kuti

#1977AlbumsTop20
#MusicChallenge

4/18

8. Fela Kuti - Sorrow Tears and Blood

Colonial Mentality

youtu.be/bC6ouP7qRoQ?...

Sete Encruzilhadas
Sete Encruzilhadas
Have you Heard?
Mama's gonna buy me a mockin' bird

Mas isso significa que tem algumas músicas do Martinho da Vila com o ritmo Bo Diddley.

Tem um sem número de toques de candomblé que usam o hambone, aquele ritmo Bo Diddley. Preciso descobrir como chama em iorubá.

Marcos Pasquim

Peppermint Harris - Angel Child YouTube video by daddynap

Let’s keep rockin’, even if we can’t keep postin’/see a fuckin’ thing on here tonight. Like having a lightbulb blow on you in the middle of the night on here atm.

Peppermint Harris - Angel Child

youtu.be/5mVYhTPDe88?...

#musicsky #nowplaying #nowspinning

Mar Y Sol Pop Festival, Manati, Puerto Rico, 4-1-1972, Part 2: B. B. King Here's the second album from the first day of the Mar Y Sol Pop Festival. There are three albums from this day in total. This one consists only of a set by blues legend B. B. King. As I explained in the first album from this festival, the festival was a bit of a fiasco overall. But there still was a lot of good music, and most accounts said that King's set was one of the highlights. Unfortunately, we only have some of the set. Just one song, "Why I Sing the Blues," made it onto the official album from the festival, "Mar y Sol: The First International Puerto Rico Pop Festival." So I used that version for that song. For the rest, I relied on a surprisingly good sounding audience bootleg that I mentioned in the write-up for the first album. But as I mentioned, that bootleg only has portions of the festival (or at least that's all that's been made public. This definitely wasn't King's full set. In fact, one of the songs, "Hummingbird," wasn't even complete. I found a different live recording of that from this era and used it to finish it off. That's why that song has "[Edit]" in its title. Now, I want to say a little more about the festival that has nothing to do with B. B. King per se, but I didn't want to write too much in the write-up for the first album. I want to mention the musical acts that were supposed to attend the festival but didn't perform for some reason. The biggest miss, by far, was John Lennon. He was very interested in performing at the festival, and that would have been a massively big deal, since he only performed a couple of full concerts after leaving the Beatles. Around 1972, he got to be friends with musician John Peel, who did perform at the festival, and he knew some other people who were going. So he wanted to be a part of it as well. Unfortunately, he was having legal problems with the U.S. government over his visa, and leaving the U.S. to go to Puerto Rico apparently would have added to those problems, despite the fact that Puerto Rico was and still is a U.S. territory. So instead, he and Yoko Ono sent a message of support. You can hear that here: https://www.youtube.com/watch?v=KSGbEVUbZoY There were other big misses. Black Sabbath made it to Puerto Rico, and were supposed to perform on the third and last night. But while other bands were flown by helicopter from a hotel in the main city of San Juan to the festival site, no helicopters were available for the band. It was also determined that the roads were clogged, due to the festival, so they couldn't make it that way either. In the end, they simply stayed in their hotel. They didn't mind that much, since they'd already been paid. Bloodrock, Flash Cadillac, Fleetwood Mac, and Malo also didn't perform for various reasons. Probably a lot of it had to do with the uncertainty surrounding the festival, since it almost didn't happen due to legal issues. A bunch of other musical acts were scheduled to perform, but it's unknown if they did or not: Ashton, Gardner and Dyke, Savoy Brown, Roberta Flack, Al Kooper, Loggins & Messina, Poco, Billy Preston, Mitch Ryder & the Detroit Wheels. If anyone reading this attended the festival and can shed some light on this, that would be great. This album is 25 minutes long. 01 Everyday I Have the Blues (B.B. King) 02 Hummingbird [Edit] (B.B. King) 03 How Blue Can You Get (B.B. King) 04 Guess Who (B.B. King) 05 Why I Sing the Blues (B.B. King) 06 The Thrill Is Gone (B.B. King) https://pixeldrain.com/u/HWrLrgKc alternate: https://bestfile.io/en/Oeez4DxyNBChLXg/file The cover photo is from this exact concert. It's one of the few color photos I could find. The top of his head was missing, but I used AI features in Photoshop to fill out the missing part.

Mar Y Sol Pop Festival, Manati, Puerto Rico, 4-1-1972, Part 2: B. B. King albumsthatshouldexist.blogspot.com/2026/04/mar-y-sol-pop-fe...

Meio PENITENZIAGITE das ideia

Eu quero o Sam Altman apanhando de mendigo na rua por pedaço de papelão 🙏🏻

Bom entendedor é marreta

Do nada lembrei do Paulo Guedes Bot

Ranie Burnette - Dough Roller Blues (1980)
youtube.com/watch?v=j8tM...

Ontem o YouTube me recomendou um video asmr com um orangutango. Eu não sei o que eles pensam de mim ou se sabem melhor do que eu o que se passa na minha cabeça.

Billy Eckstine Orchestra performing with saxophonists Gene Ammons, Leo Parker, John Jackson, Bill Frazier, Dexter Gordon, Tommy Potter on bass, possibly Connie Wainwright on guitar, possibly John Malachi on piano, Art Blakey’s drums on the right, Hill City Auditorium (Savoy Ballroom), October 1944

Tudo isso começou no Rio de Janeiro quando dois homens usando máscaras de chumbo tiveram contato com inteligências não humanas da estrela-dupla de Sírius.

A screenshot of The Devil's skeleton from the game "Cuphead". After dealing enough damage in Phase 1, The Devil will pull his skeleton out from his skin and drop into a hole to start Phase 2 of the fight.

Cuphead

pra mim (que sou professor) é mais importante a criança aprender este disco do que coinceitos abstratos como ler ou escrever