Ottilie Roederstein | Quinces, 1929
tempera on canvas, 38,3 x 46,3 cm,
Museum of Fine Arts Bern, Switzerland

Ottilie Roederstein | Still life, 1930, oil and tempera on canvas, 50 x 33.5 cm., © Kunsthaus Zürich, 2019 Inv. No ZKG.2019/0037 / Hatje Cantz Verlag

Ottilie Roederstein | The Sisters, 1900, oil on canvas, 22.9 x 18.2 cm., Städel Museum, Frankfurt am Main, Germany

Ottilie W. Roederstein: Wisdom of Life or Three World-Reclusive Women, 1926, 1926, tempera on canvas, 46 × 73 cm, Stadtmuseum Hofheim am Taunus

It depicts three women posing as "Three Wise Monkeys" (hear no evil, see no evil, speak no evil), symbolizing a turning away from the world.

Ottilie Roederstein | Boy with Cherries, 1899, oil on canvas, Private collection

Ottilie Roederstein | Portrait of a Painter in a Parisian Studio, 1887
oil on canvas
86.1 x 49.5 cm. (33.9 x 19.49 in.)
Städel Museum, Frankfurt am Main, Germany

Ottilie Roederstein | Portrait Elisabeth Winterhalter, 1887
oil on canvas, Städel Museum, Frankfurt am Main, Germany

Elisabeth Winterhalter (17 December 1856– 13 February 1952), was one of the first female doctors, the first female surgeon in Germany and the long-time companion of the artist.

Ottilie Roederstein | Self-portrait with keys, 1936
oil on canvas
105.3 x 74.6 cm. (41.46 x 29.37 in.)
Städel Museum, Frankfurt am Main, Germany

#BOTD Ottilie Wilhelmine Roederstein (22 April 1859 – 26 November 1937) was a German-Swiss painter.

She continued to paint until her death, as National Socialist policies began to marginalize modern art in Germany.

Self-portrait with red cap, 1894, Tempera on wood, 36 x 44 cm, Kunstmuseum Basel

Alfred Henry Maurer | Landscape, ca. 1907-1910. Oil on wood panel, 8 7/16 x 10 1/2 in. (21.4 x 26.7 cm). Brooklyn Museum, Gift in memory of Harriet Mandelbaum, 1992.173.1

Alfred Henry Maurer | Still Life with Vase and Flowers, ca. 1926, oil on canvas

Alfred Henry Maurer | Vase of Flowers, s.d., oil on canvas

Alfred Henry Maurer | Two Sisters, 1924, oil on canvas, 30x19.875 in., Hirschhorn Museum and Sculpture Garden

Alfred Henry Maurer | Two Heads, ca. 1924-1925. Oil on composition board, 21 7/8 x 18 1/8 in. (55.5 x 46.1 cm). Brooklyn Museum, Gift of Mr. and Mrs. H. Lawrence Herring, 74.210. © artist or artist's estate

Alfred Henry Maurer | Portrait of a Girl, 1923, opaque watercolor, Smithsonian American Art Museum, Gift of Dr. and Mrs. George P. Blundell, 1968.4

Alfred Henry Maurer | Portrait of a Woman, 1908, oil on canvas, Honolulu Museum of Art

Alfred Henry Maurer | Gabrielle, ca.1900, oil on canvas, 72 x 40 in., Montana Museum of Art and Culture, Gift of Fra Dana

Alfred Henry Maurer | An Arrangement, 1901, oil on paperboard, 36 3/16 x 32 1/8 in., Whitney Museum of American Art
Painted in a style heavily influenced by Whistler, this work was a critical success for Maurer, winning the gold medal at the juried Carnegie International exhibition in 1901.

Born #OTD Alfred Henry Maurer (21 April 1868 – 4 August 1932) was an American modernist painter. He exhibited his work in avant-garde circles internationally and in New York City during the early twentieth century.

Self-portrait, 1897

Grace Cossington Smith | Wildflowers, 1940, oil on paperboard, 62.5 x 51.0 cm , Art Gallery NSW, Gift of twenty admirers of the artist's work 1940

Grace Cossington Smith | Wonga Wonga Street, Turramurra,
circa 1930, pencil, watercolour on paper on paperboard, 33.0 x 25.5 cm, Art Gallery NSW

Grace Cossington Smith | Bonfire in the bush, circa 1938, oil on paperboard, 44.7 x 36.5 cm, Art Gallery NSW

Grace Cossington Smith | The School Cape, ca.1916, oil on canvas on pulp board, 32x24 cm.

It is considered a jewel of early Australian modernism, created shortly after "The sock knitter".

In August 2025, this work set a record for an Australian female artist at auction, selling for $981,818.

Grace Cossington Smith | The Sock Knitter, 62x51 cm., Art Gallery, New South Wales

Grace Cossington Smith's 'The sock knitter' has been acclaimed as the first post-impressionist painting to be exhibited in Australia.

Grace Cossington Smith | The Curve of the Bridge, 1928-29, oil on cardboard, 110.5 x 82.5 cm board, Art Gallery NSW, Purchased with funds provided by the Art Gallery Society of New South Wales and James Fairfax AO 1991

Grace Cossington Smith | The Bridge in curve, 1930, tempera on cardboard, 83.6 × 111.8 cm, National Gallery of Victoria, Melbourne
Presented by the National Gallery Society of Victoria, 1967
© Estate of Grace Cossington Smith

Born #OTD Grace Cossington Smith AO OBE (20 April 1892 – 20 December 1984) was an Australian artist who was instrumental in introducing Post-Impressionism to her home country.

Self-portrait, 1948, oil on cardboard, 39.5 x 30.7 cm., National Portrait Gallery, Australia

In 1947, he met Picasso who welcomed him warmly as he had heard of his actions during the civil war. Picasso became interested in his painting and sought out the dealer María Cuttoli to make it known. In 1948, he held his first exhibition in Paris at the Mirador gallery.

Miguel García Vivancos | Still life, 1961, oil on canvas, 38 x 46 cm.

Miguel García Vivancos | La Farandole, 1964, oil on canvas, 20.125 x 24 in.