We Just Wanted the Dog to Bark: Interview with Mariano Llinás (Part 2) – Senses of Cinema

And Hamed’s great interview with Llinás:

Glory to Small Forms: The recent work of Mariano Llinás – Senses of Cinema

I had the privilege of writing about all the recent films of Mariano Llinás at
@sensesofcinema.bsky.social
— still largely unseen anywhere! — to accompany my friend Hamed Sarrafi’s interview with the filmmaker. Check it out!

This issue was compiled by Arta Barzanji and Gerard-Jan Claes (@gerardjanclaes.bsky.social), and appears in conjunction with an eponymous film programma at ICA London, starting at the end of August!
→ ica.art/serge-daney

🔔 ANNONCE SPÉCIALE : Le Coffret Nico / 5 films en Blu-ray 💥

C’est un projet au long cours qui touche bientôt à son terme: la sortie prochaine d’un coffret Blu-ray réunissant 5 films rares de Philippe Garrel autour de sa collaboration intime et fascinante avec Nico.

🌐 + d'infos : shorturl.at/ehJS2

The Last Things Before the Last, Jonathan Mackris, 2025 What is new in these posthumous films is the amount of access they offer into Godard’s working process, his thinking about films, and his working relationship to his collaborators in the last two deca...

I wrote about Godard's posthumous films for @sabzian.bsky.social www.sabzian.be/text/the-las...

Crazy discussion. Thank you.

Opening Doors from Inside: a conversation with Laura Citarella on El Pampero Cine Interview conducted by TWY (in English) and Wang Mila (in Spanish) for TheDissidents, in collaboration with Gu Shutong, Sharon “Xialuo”, Shi Xinyu, Liu Weijian, D-Will, Luoman. Thanks t…

Had the pleasure of interviewing Laura Citarella about the great El Pampero Cine back in January with a number of friends. We talked about production, distribution, economic crisis, working as collective, with a tease on their latest and future works!

twycinema.com/2025/04/26/l...

Favorite first viewings of Jan 2025:

Iguana (1988)
Secret Beyond the Door (1947)
Stage Fright (1950)
Stranded in Canton (2005)
The Magic Gloves (2003)

I love this take.

Haven’t seen a single new film since Lynch’s passing. Today I cleaned the house and got a haircut, and will put on a movie featuring his estranged brother - Jacques Rivette.

that Lynch’s *final* short film was him lip-syncing to Edger G. Ulmer’s DETOUR while promoting his album.

January 19

‘What Do I Do With This Grief?’ The owner of Laura Palmer’s house has been comforting David Lynch fans for years. She has no plans of stopping.

spoke to the wonderful Mary Reber — who owns Laura Palmer’s house and plays a memorable role in The Return — about David Lynch, death, trauma, and the Twin Peaks fans she’s been connecting with for years www.vulture.com/article/mary...

Thanks to all for your kind remembrances on this awful day. Words will come later. Only feelings at the moment. Mourn and remember him but don’t forget to celebrate too. We won’t see his like again. The man from another place has gone home. #DavidLynch #TwinPeaks

Issue 51: David Lynch Archives - Bright Wall/Dark Room September 2017

A truly awful day for movies and art, losing one of the most singular and brilliant voices to ever make them.

We've unlocked our full David Lynch issue from 2017, which is now entirely free to read.

R.I.P. Mr. Lynch, and thank you forever for the work and example you left us.

And that Lang literally draws « moves » for the actors before shooting…

SECRET BEYOND THE DOOR... : Watching Lang's spatial mise-en-scene is the equivalent of watching the perfect chess game, where all moves move towards a draw, and when there are only kings on the board, there is only the absolute, the most naked and the most secret emotion.

2025 opens with Monte Hellman’s IGUANA. So violent, direct yet sad. Probably his best film.

2024: Discoveries A list of 25 films compiled on Letterboxd, including The Man I Love (1946), Way of a Gaucho (1952), Violent Saturday (1955), Land of the Pharaohs (1955) and The Naked Dawn (1955).

My favorite first viewings of the year! boxd.it/yVkL8

The double sucker punches when Manoel de Oliveira reveals Leonor Silveira’s face accompanied with Beethoven’s fourteenth sonata: 🤯🤯🤯🤯🤯🤯🤯😭😭😭😭😭😭

two films from 2024 that make a great double feature. no explanations.

L’HOMME ATLANTIQUE (Duras 81) - the rare film where not knowing French and having to read subtitles will only enhance the experience. “Black night, absolute night. Only Duras could have filmed that.” - Jacques Rivette

This summer I was lucky to have a long piece about El Pampero Cine included in the big dossier at @sensesofcinema.bsky.social, on the role of music within the fiction, particularly LA FLOR. Still quite proud of it!

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alas

THE MAN I LOVE by Raoul Walsh 🖤

I can’t believe it. Godard’s King Lear in it’s original ratio, on Blu-ray… God.

No one edits his films quite like Robert Kramer. So clear with each shot yet so rapid, as if not wanting to own these images.

Robert Kramer’s short SayKomSa (1998), newly released this year from Re:voir

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