para o @filmspot.pt.web.brid.gy: em 2025, Portugal acolheu 40 filmes rodados em película, mas continuamos sem ver cinema nesse suporte — não haverá mesmo, no nosso país, a iniciativa comercial que o possibilite?
filmspot.pt/artigo/resum...
Montage of creative works entering the public domain in the US in 2026.
When the clock strikes midnight on January 1, creative works from 1930 & sound recordings from 1925 will enter the public domain in the US, like:
💄 Dizzy Dishes, first Betty Boop cartoon
🕵️♀️ First 4 Nancy Drew novels
🚂 The Little Engine That Could
🎩 Morocco
🍑 Georgia on My Mind
and many more!
🧵👇
Jonathan Furmanski has been digitizing the battered, often unlabeled, relics of the International Videoletters, a feminist video exchange network that ran from 1975 to 1977. https://loom.ly/LvDOoow
#FilmRestoration
www.filmcomment.com/blog/the-bes...
"plain folk."
(folk horror, shot in Super 16mm, with a Brueghelian touch; will always be ready for that).
#JustWatched 'Harvest' (2024, Athina Rachel Tsangari)
#ShotOnFilm
it's a pity that you can't (or shouldn't 🤭) actually project this to an audience.
#filmleaders
#rcaindianhead
#smpte
#smpteleader
#35mm
#35mmfilm
#projectonfilm
#filmisnotdead
"Bet your bottom dollar you'll lose the blues in Chicago, Chicago"
#JustWatched 'Roxie Hart' (1942, William A. Wellman)
#35mm
Backlit filmstrip magnified under a loupe showing the title card for Peter Hujar’s Day.
Backlit filmstrip magnified under a loupe showing Ben Whishaw in Peter Hujar’s Day.
Backlit filmstrip magnified under a loupe showing Rebecca Hall in Peter Hujar’s Day.
Backlit filmstrip magnified under a loupe showing Ben Whishaw smoking in Peter Hujar’s Day.
Saw Peter Hujar’s Day last week and loved it, and I’m excited we got it on 35mm for a short run at @brattletheatre.bsky.social Fri-Tues! Shot on 16mm, there’s a lovely warmth and texture to this movie, evocative of the mid-70s setting, it’s gonna look so great on film
Adam Savage tours through the Paramount Pictures film archives, where Executive Director Chuck Woodfill shows us the many types of media inventoried and preserved for digitalization and restoration. https://loom.ly/JNapBWA
#projectonfilm
www.in70mm.com/presents/195...
looking like an 80's college girl – leader lady found in a 35mm print of 'The Man I Love' (1929, William A. Wellman).
#leaderladies
#themanilove1929
#williamawellman
#35mm
#35mmfilm
#filmleaders
#projectonfilm
#filmisnotdead
"Displaying both the most extreme artifice in self-presentation and the most authentic emotion in performance, she exemplifies Hollywood’s paradoxes in concentrated form."
www.newyorker.com/culture/the-...
always a classic.
#nowspinning
#theloniousmonk
#undergroundtheloniusmonk
#columbiarecords
#jazz
#vinyl
the bureaucracies of memory.
#JustWatched 'O Agente Secreto' (aka 'The Secret Agent', 2025, Kleber Mendonça Filho)
The heads and tails of film reels, sometimes wildly etched into, sometimes hastily written on, sometimes graciously labeled, always feel like private discoveries we make on the inspection table or while threading up. Here is beautiful Reel 4 leader from
Kurosawa’s Drunken Angel.
'One Battle After Another' will never be my PTA's favourite film.
but I will love the technical wizardry ("long live VistaVision!" – and that Jonny Greenwood score!) of this sequence for as long as I live.
youtube.com/watch?v=h9Wh...
'Eyes Wide Shut' (1999, Stanley Kubrick)
Top: Old Blu-ray
Middle: New Criterion
Bottom: 35mm scan
#filmsky #moviesky #filmnoir
#Noirvember
Robert Ryan #BOTD
as Earl Pfeiffer, a film projectionist in,
Clash By Night, 1952
about last night projection (plus, as a gift, my hands recording it).
Portuguese Experimental Cinema: The Cinema of the Artists, 1960s and 70s
'Sem Título II' (1973, Luís Noronha da Costa)
16mm . colour . 1.37 : 1 (18 fps)
#cinematecaportuguesa
#16mm
#projectionbooth
#projectonfilm
#filmisnotdead
Tatsuya Nakadai (1932 - 2025)
"Barbara Stanwyck as Joan Gordon"
'The Purchase Price' (1932, William A. Wellman)
www.cinemateca.pt/Programacao....
35mm . colour . 1.37 : 1
#thepurchaseprice1932 #williamawellman #barbarastanwyck #cinematecaportuguesa #35mm #35mmfilm #eastmanfilm #projectonfilm #filmisnotdead
"The collection of film includes Terry's personal 16mm copies of the Python feature films, a 35mm print of his film adaptation of The Wind In The Willows (1996) and early sketches from series including The Late Show (BBC, 1966-67)."
small (gauge) pleasures.
social malaise.
#JustWatched 'Entroncamento' (aka 'Night Passengers', 2025, Pedro Cabeleira)
