POSSESSION
SYNOPSIS
(Not For Publication)
After a long absence, a man (Sam Neill) returns home to find that his beautiful young wife (Isabelle Adjani) is leading a double life. Indeed the young woman has always been pro-miscuous: tiring quickly of her lovers and abandoning them. She seeks a fulfillment that has always eluded her; that she has never been able to discover in work, in marriage, nor even in her innermost self.
She and her husband have a son, and she looks after him by day, but she disappears from their apartment at night and reappears only the following morning. The husband cannot resign himself to this fate and refuses to admit that his marriage is a failure.
Not unexpectedly, his rival (Heinz Bennent) turns out to be his exact opposite. Where the husband is plodding, the lover is worldly. Nevertheless, they have something in common; the lover is every bit as frustrated as the husband, for his mistress is cheating on him as well. And the third "partner" it seems, is what really counts in her life. She keeps his identity a secret — so jealous a secret that she almost let's herself be run over by a truck one day when her husband is following her, rather than allow the third man's identity to be revealed.
In desperation, the husband hires a private detective. But the wife kills the detective when he discovers the existence of the sorry little apartment she rents, in which, obviously she does not live alone...
Her secret is discovered in turn by the detective's assistant, before he too, is murdered. The husband next discovers her morbid passion and because he loves her still, in spite of every-thing, he sets about covering her, protecting her from the consequences of her demented behavior, from human retribution, from the police and from the lover who, when he discovers the impossible truth, decides to blackmail her.
The estranged husband and wife are momentarily reunited; but the husband admits, "I loved you blindly, but I no longer can be blind..." Becau…
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