A print by Takeda Hideo titled The Final Illness of Kiyomori. It depicts Kiyomori as a naked white androgynous figure sitting cross legged and angrily contemplative leaning on his courtiers baton. On his back a red demon is perched leering over him with fingers and toes dug into the flesh of Kiyomori’s shoulders and head. The demon is covered in tattoos of demons fucking. The background is a marbled swirl of grays and oranges.

This INCREDIBLE upcoming exhibit by @ippikiookami.bsky.social is website official!! 😍 I am beyond pumped. Anyone interested in the Global Middle Ages, Japan, memory studies, classic lit, contemporary art, or just really cool shit should plan to check it out! artmuseum.princeton.edu/exhibitions-...

At Princeton, a Storied Old Collection Gets a Stunning New Home The Princeton University Art Museum opens its David Adjaye-designed building, measuring some 146,000 square feet, on October 31.

reopening hype is at fever pitch 🙊

consumption by birds and animals ftw

Tripod vessel with baby jaguar sacrifice scene (y1986-98)

artmuseum.princeton.edu/collections/...

Dhalsim graphic overlaid onto the rim of a Mayan ceramic vessel

#streetfighterII

A print of two cats next to each other rendered in rainbow shades of vibrant color. The cat on the right is staring straight ahead with huge round eyes and the cat on the left is nuzzling its cheek.

A photo of two cats sitting side by side, in the left a cream colored tabby named Fox wearing a cone of shame with his giant eyeballs round and wide, a tortie cat named Rigatoni to his right nuzzling his cheek to comfort him.

when @ippikiookami.bsky.social sends you an Ay-Ō print you happen to already own

view of an art museum gallery with a case containing a screenprint of rose-patterned wallpaper on a 3D foam pig in foreground, framed works on grey wall in background.

one of my favourite works in the show, "Pig Wall," by Ida Shōichi (1973)

Cut + Paste: Experimental Japanese Prints and Photographs - National Museum of Asian Art This exhibition showcases twentieth and twenty-first century Japanese artists whose multilayered works pushed the limits of their mediums.

my final(?) exhibition at the National Museum of Asian Art, Cut+Paste: Experimental Japanese Prints and Photographs, is up until November 30!

asia.si.edu/whats-on/exh...

“Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand.”
George Orwell, born on this day in 1903

"i asked grok" "i asked chagpt" yeah well I asked a rare books librarian and they found things I didn’t even know I was looking for, while answering questions about provenance

happy friday 13

Sushi Restaurant | LEGO® Ideas Irasshaimase! いらっしゃいませ！ LEGO and Japanese timber frame architecture are both defined by modularity. This LEGO IDEAS project connects these two mediums into an a…

support my sempai's architecturally and historically accurate design for a sushi shop Lego set to become reality 🥳: beta.ideas.lego.com/product-idea...

Cover of Heike book.

Image of book opened with Japanese text on left and man under waterfall in green hills on right with two figures standing on clouds in top right.

Happy St. Patrick's Day! Such beautiful greens in both the cover and illustrations of this absolute gem of a 17th-c. manuscript of The Tale of the Heike from Princeton's Treasures of the East Asian Library. #ManuscriptMonday
dpul.princeton.edu/catalog/z603...

See the Groundbreaking Work of 20th-Century Printmakers Who Formed an Innovative Arts Society in Japan The sosaku hanga movement, now explored in an exhibition at the National Museum of Asian Art, was a showcase for new techniques in creative prints

@smithsonianmag.bsky.social published an article that covered both shows 🥳: www.smithsonianmag.com/smithsonian-...

See the Groundbreaking Work of 20th-Century Printmakers Who Formed an Innovative Arts Society in Japan The sosaku hanga movement, now explored in an exhibition at the National Museum of Asian Art, was a showcase for new techniques in creative prints

@smithsonianmag.bsky.social published an article that covered both shows 🥳: www.smithsonianmag.com/smithsonian-...

Today’s #NCCShowcase is a fantastic student-curated exhibition coordinated by Kana Jenkins & Dr. Alicia Volk: Onchi Kōshirō, Graphic Artist: Picturing Postwar Japan, envisioned as an unofficial companion exhibit to "Print Generation" at the Smithsonian! prangecollection.wordpress.com/2024/12/08/s...

A print bast in shades of magenta, sky blue, and brown with small accents of black. It shows a group of people rendered in a stylized fashion walking the streets of Ginza in Japan. Their faces are simplified, barely showing details or only showing eyes and rosy cheeks, and their clothes are rendered with thick, vector-like lines that emphasize movement and shape. The buildings behind them are the magenta color and the sky is strips of magenta and blue. The print is: Kawakami Sumio, “Night of Ginza From Recollections of Tokyo,” 1945. Woodblock print, ink and color on paper. (Colleen J. Dugan/Kawakami Sumio/National Museum of Asian Art)

!! An exhibition by the amazing @ippikiookami.bsky.social got a write-up in the Washington Post! Read about "The Print Generation," a retrospective on the sōsaku hanga (creative print) movement in early 20th century Japan. 😍 Link archived to avoid the paywall: archive.ph/kJ9UU

Indigo paper with gold drawing of Buddha and assembly. Can also see title of the text in gold and silver lines.

Rolled up indigo scroll and its box.

#ManuscriptMonday used to be a thing; I'd like to join the effort to bring it back. What better manuscript could there be for my first Bluesky #ManuscriptMonday than Princeton Art Museum's 12th-c. indigo scripture inscribed with gold script and silver lines 📜 artmuseum.princeton.edu/collections/...

Hannah Rothstein's work in this beautiful book, along with Monet, Hokusai, & Whistler. The painting, “Waheed’s Mother,” reimagines a famous Whistler painting & is part of a series that celebrates immigrants’ importance in America.
Authors: Kit Brooks & Katherine Roeder
gilesltd.com/product/tale...

This print serves as a parodic rendering of the Kanjin jukkai zu (Ten Realms Mandala), a graphic text that extols the teachings of Buddhism, visible within the abdomen of a geisha-like woman, with the kanji character for "heart" in the center. The Ten Realms illustration functions here to reflect the new, modern world of Meiji-era Japan, in which the upper realms depict those who commit good deeds and the lower realms, evil. The text in the upper left explains the importance of treating all living things, even insects, with the same respect as is given to humans, and without losing one's sense of compassion. The text and image combined present a perspective of re-evaluating even Buddhist teachings within the context of modern society. Title: Fubu no on o shiru zu Date: 1880 Collection: UCSF Japanese Woodblock Print Collection Owning Institution: UC San Francisco, Library, Special Collections Source: Calisphere Date of access: December 5 2024 15:37 Permalink: https://calisphere.org/item/ark:/13030/hb2r29p0bv/

Fascinating online (and physical) exhibit on "how women and their families experienced pregnancy and childbirth in early modern Japan," with many amazing images like this one, a parodic rendering of the Buddhist Ten Realms Mandala placed within the womb. www.nichibun.ac.jp/online/ucsf_...

Devotional Creatures: Amphibians, Bugs, and Creepy Crawlies in Chinese Religions From the silkworms that serve as a synecdoche for civilization itself to the locusts that periodically ravage agricultural society, the multifarious little creatures known as chong 虫/蟲 contributed to ...

At Princeton tomorrow, Monday, Dec 2, 4:30 PM: "Devotional Creatures: Amphibians, Bugs, and Creepy Crawlies in Chinese Religions," a lecture by Stuart Young and Daniel Burton-Rose about their new collaborative project. csr.princeton.edu/events/2024/...

Telling a machine I am not one of them so that it, the machine, will permit me access to the things that are mine

2025 - AAS - Premodern Japan-related panels Premodern Japan-related Sessions, Association for Asian Studies 2025 Below is a list of sessions at AAS 2024 related to premodern Japan. I’ve done my best to locate everything, but if anything has ...

If you are attending @aasasianstudies.bsky.social #AAS2025 in March and are interested when all the panels on premodern and early modern Japan are happening, I've created my annual list to help you build your program! docs.google.com/document/d/1...

view of a gallery with a bench in the middle, framed prints on each side and banners hanging from the ceiling

finished product is not bad either

A carving of a dog made from black persimmon wood. The dog is delightfully plump, has never not been fed, and is gazing wistfully upwards while holding a rope in its mouth.

absolute unit

my favourite part of exhibitions is always the install #theprintgeneration #創作版画

A Tale of Two Balconies - Giles ltd A cleverly designed book about Katsushika Hokusai’s The Sazaidō of Gohyakurakanji and James McNeill Whistler’s Variations in Flesh Colour and Green – The Balcony, that includes drawing, collage, colou...

my new co-authored book with Prof. Kerry Roeder came out this week! Writing with Kerry was a dream, and I'm grateful to all the colleagues who helped our weird little idea come to life 🥂

gilesltd.com/product/tale...

#japaneseart #hokusai #whistler

Today in super cool stuff: @ippikiookami.bsky.social & K. Roeder collaborated on "A Tale of Two Balconies," about Hokusai’s The Sazaidō of Gohyakurakanji and Whistler's Variations in Flesh Colour and Green--and it has cut-out activities?! Want! 😍 Available for preorder! www.amazon.com/dp/1913875822

And now for something joyful: revisiting this 1974 painting by Ay-Ō (b. 1931) from my visit to @ippikiookami.bsky.social's amazing "Ay-Ō's Happy Rainbow Hell" exhibit last year. This piece "Smoky Mountain" was one of my favorites. There's no way to *really* capture the vibrant colors on camera.