When Walls Talk: Learning from Historic Interiors
Join us on 10 Dec for a webinar exploring how interiors reveal identity, status, and lived experience — and why this matters for conservation today.
£25 CPD. Tickets: www.lincolnconservation.co.uk/training/onl...
Posts by Lincoln Conservation
Check out our series of 'Lunchtime Talks', sharing our expertise in bite sized pieces!
#lincolnconservation #heritage #academic #expertise #lunchtimegoals
🚨 New Webinar Alert!
Join Lincoln Conservation for the first in our Heritage Horizons series:
🎙️ Dr. Dan Ellin:
“The IBCC Digital Archive – An Inclusive Approach to Difficult Heritage”
📅 Wed 15 Oct | 🕛 12:30 BST
💻 Online | 🎟️ Tickets via our website → [link in bio]
🔗 lnkd.in/e-nQ2rNF
Hey folks! It’s been a while since our last update, but we’ve been deep in the action—on site and behind the scenes—working on some really exciting stuff. Can't wait to share it with you very soon!
Stay tuned! 🚀
#Updates #Innovation #TeamInAction #conservation #heritage
Architectural paint / finishes research isn’t just for buildings. We’re currently analysing the historic paint on two of London Museum of Water and Steam’s Cornish steam engines: The Ninety-Inch (1846) and The Hundred-Inch (1871).
waterandsteam.org.uk
www.lincolnconservation.co.uk
Discover the vibrant world of paint research at Lincoln Conservation, where history and discovery blend beautifully! 🎨🔬 #lincolnconservation #paintresearch #discovery
Did you know...
The beautiful colours of Elizabeth Tower at the Palace of Westminster, including Big Ben, were researched by our amazing team in 2018.
Check out our website for more information.
www.lincolnconservation.co.uk
New webinar dates coming soon...Don't miss out!😁
We visited Temple Newsam recently, where the newly restored Butler’s Pantry was officially opened. Lincoln Conservation provided the architectural paint analysis of the historic paint and wallpaper schemes in this room!
The first step in conserving the painting was to remove the yellowed layer of degraded varnish. Removing the overpaint has been a slow process, but it has revealed many details, such as the ploughed fields in the background near the church spire, and the detailed costume of the Lady in Blue.