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These are actions of genocide, just so you know.

#EndIranWar #EndImperialism #AmericanTerror

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A woman in Tehran weeps the destruction of her home, walking away with her cat wrapped in a blanket.
Photo by Erfan Kouchari.

A woman in Tehran weeps the destruction of her home, walking away with her cat wrapped in a blanket. Photo by Erfan Kouchari.

This is supposedly what “liberating” Iranian women looks like.
#AmericanTerror #EndIranWar

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Civilians pulled from rubble after US-Israeli strikes on Tehran Rescuers have pulled civilians from the rubble after a new wave of US-Israeli strikes targeted Tehran.

#Civilians pulled from rubble after #USIsraeli strikes on #Tehran

www.aljazeera.com/video/newsfe...
#AmericanTerror #AmericanTerrorism #MAGA #terror #iranwar

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🎉New Release Alert!🎉
2020 Gondek Draws Signed American Terror
Accepting #XRP #BTC #ETH #USDC & more.
www.dontkill...

#dontkillthecool #dktc #gondek #gondekdraws #simpsons #comicbooks #mcu #darthvader #hardcover #homer #americanterror #venom #marvel #astroboy

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MN, convene a grand jury. This is NOT legal. Attempted kidnapping, terroristic threats. Following orders is NOT a defense. America has no secret police.
#ICELawlessness #AmericanTerror #IMPEACH

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This is illegal — which is no shock to anyone — we have no jurisdiction to “seize” a boat in another countries territorial waters.

This is blatant piracy, terrorism, and abduction. I wouldn’t be surprised if this turns into a mass murder bc we’re run by terrorists.

#AmericanTerror

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The drunken uncle of the Pentagon is a serial killing terrorist.

#AmericanTerror

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Every strike was an illegal strike. The US has no jurisdiction over international waters. The US has no declaration of war.

Every boat bombed was an international crime. It was terrorism.

We can’t be better if we aren’t honest with ourselves — we are the bad guys.

#AmericanTerror

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Content warning: racial terror violence (historical).

This illustration is styled like a distressed, vintage woodcut poster, using a limited palette of deep blood-red, matte black, and aged parchment-yellow tones. At the top of the image, the bold title “LYNCH LAW” is printed in tall serif lettering meant to mimic early 20th-century propaganda broadsides. The composition is deliberately stark and symbolic.

At the center-left, a dark silhouette of a Black man hangs from a tree branch; the figure’s head is lowered, and the body is shown with rough, carved textures that suggest injury, but without individualized likeness or anatomical detail. The figure is intentionally stylized to avoid realism, instead conveying a symbolic representation of racial terror. Beneath the tree, shadowy silhouettes of onlookers stand in a vague crowd — faceless, hat-wearing shapes that imply the presence of a mob without identifying individuals.

To the right side, oversize disembodied hands — drawn in a rough, block-print style — hold a large knife and what looks like a second blade or hatchet. They appear above another symbolic element: a simple rectangular sign that reads “SOUVENIRS FOR SALE.” The hands and the sign are not attached to full bodies; they float in the composition, making them metaphorical gestures rather than depictions of specific people.

Below, the tagline “A LESSON FOR ALL TO TAKE TO HEART” is set in bold, distressed lettering. In the bottom-right corner, a stylized profile of W. E. B. Du Bois is rendered in a simplified, carved-woodcut style with minimal facial detail. He is not shown witnessing the scene, but instead appears as an intellectual figure adjacent to the historical context.

The overall mood is intentionally somber, conveying the brutality and dehumanization of racial terror without depicting graphic realism. The image uses symbolism, abstraction, and poster-like rhetoric to comment on historical injustice.

Content warning: racial terror violence (historical). This illustration is styled like a distressed, vintage woodcut poster, using a limited palette of deep blood-red, matte black, and aged parchment-yellow tones. At the top of the image, the bold title “LYNCH LAW” is printed in tall serif lettering meant to mimic early 20th-century propaganda broadsides. The composition is deliberately stark and symbolic. At the center-left, a dark silhouette of a Black man hangs from a tree branch; the figure’s head is lowered, and the body is shown with rough, carved textures that suggest injury, but without individualized likeness or anatomical detail. The figure is intentionally stylized to avoid realism, instead conveying a symbolic representation of racial terror. Beneath the tree, shadowy silhouettes of onlookers stand in a vague crowd — faceless, hat-wearing shapes that imply the presence of a mob without identifying individuals. To the right side, oversize disembodied hands — drawn in a rough, block-print style — hold a large knife and what looks like a second blade or hatchet. They appear above another symbolic element: a simple rectangular sign that reads “SOUVENIRS FOR SALE.” The hands and the sign are not attached to full bodies; they float in the composition, making them metaphorical gestures rather than depictions of specific people. Below, the tagline “A LESSON FOR ALL TO TAKE TO HEART” is set in bold, distressed lettering. In the bottom-right corner, a stylized profile of W. E. B. Du Bois is rendered in a simplified, carved-woodcut style with minimal facial detail. He is not shown witnessing the scene, but instead appears as an intellectual figure adjacent to the historical context. The overall mood is intentionally somber, conveying the brutality and dehumanization of racial terror without depicting graphic realism. The image uses symbolism, abstraction, and poster-like rhetoric to comment on historical injustice.

Sam Hose wasn’t just lynched — his body was carved up and sold. A whole town turned torture into commerce. Du Bois saw that horror and understood: white supremacy wasn’t an aberration. It was an economy. A ritual. A lesson they wanted taught. #AmericanTerror #SamHose1899

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Terror, not law, decided who belonged. Black birthright met with bombs, bullets, and silence. #AmericanTerror #BirthrightDenied

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White League and Red Shirts in Reconstruction The White League and Red Shirts undermined Reconstruction through paramilitary violence and political terror in the post-Civil War South.

The Red Shirts and White League didn’t hide.

They terrorized Black voters in broad daylight — with rifles, flags, and political backing.

This isn’t buried history. It’s unfinished business.

#Brewminate #Reconstruction #AmericanTerror

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Terroristische aanslag verijdeld op Songfestival in Rotterdam Extreemrechts: In februari 2020 verijdelden de Luxemburgse veiligheidsdiensten een aanslag op het Songfestival in Rotterdam. In een document opgesteld door een nu 23-jarige Zweed en zijn Nederlandse h...

Ook Nederland was beoogd slachtoffer van de Amerikaanse terreurgroep The Base.
#USA #americanterror #TheBase #FascistStatesOfAmerica

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The latest #SambaTVWeeklyWrap is here!

1️⃣ #TheLastOfUsSeason2
2️⃣ #RansomCanyon S1 🔥
3️⃣ #BlackMirrorS7
4️⃣ #YourFriendsAndNeighbors S1 🔥
5️⃣ The #HandmaidsTale S6 ⬆
6️⃣ #ThePitt
7️⃣ #TheGlassDome S1 🔥
8️⃣ #iHostage 🔥
9️⃣ #TheWhiteLotus S3 ⬇
🔟 #OklahomaCityBombing: #AmericanTerror 🔥

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Post image Post image Post image "168 people, including 19 children, died on April 19, 1995 in Oklahoma City. This film is dedicated to them, to all the people who tried to save them and to all the friends and family who miss them."

"168 people, including 19 children, died on April 19, 1995 in Oklahoma City. This film is dedicated to them, to all the people who tried to save them and to all the friends and family who miss them."

Still the largest homegrown act of terror. "The arrest of Tim McVeigh was the result of an extraordinary combination of skill, luck, and timing on the part of the very government that he allegedly detest[ed] for incompetence."
#OklahomaCityBombing #AmericanTerror #Netflixdocumentary #AprilAction

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Watching #OKLAHOMACITYBOMBING
#AMERICANTERROR

@netflix.com

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‘Oklahoma City Bombing: American Terror’ staat nu op Netflix Vanaf vandaag kan je op Netflix kijken naar de nieuwe documentairefilm Oklahoma City Bombing: American Terror. De documentaire gaat over de aanslag van 19 april 1995 op het Alfred P. Murrah-gebouw in Oklahoma City. De datum voor de release van de film is niet geheel toevallig gekozen. Morgen is het namelijk precies 30 jaar geleden dat […] The post ‘Oklahoma City Bombing: American Terror’ staat nu op Netflix appeared first on Newsmonkey.

‘Oklahoma City Bombing: American Terror’ staat nu op Netflix #OklahomaCity #Netflix #Documentaire #AmericanTerror #Terrorisme

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If they ever say "human rights" again with a straight face. Remind them what they paid for.

Do better.
Sit with your genocide.
#liberal #AmericanTerror

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‘Oklahoma City Bombing: American Terror’ krijgt officiële trailer Vanaf volgende week vrijdag, 18 april, zal je op Netflix kunnen kijken naar de nieuwe documentairefilm Oklahoma City Bombing: American Terror. De documentaire gaat over de aanslag van 19 april 1995 op het Alfred P. Murrah-gebouw in Oklahoma City. De datum voor de release van de film is niet geheel toevallig gekozen. Op 18 april […] The post ‘Oklahoma City Bombing: American Terror’ krijgt officiële trailer appeared first on Newsmonkey.

‘Oklahoma City Bombing: American Terror’ krijgt officiële trailer #OklahomaCity #Bombing #AmericanTerror #Documentaire #Netflix

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Netflix kondigt documentaire ‘Oklahoma City Bombing: American Terror’ aan Netflix heeft een nieuwe documentairefilm aangekondigd. Oklahoma City Bombing: American Terror gaat over de aanslag van 19 april 1995 op het Alfred P. Murrah-gebouw in Oklahoma City. De film zal niet geheel toevallig op vrijdag 18 april 2025, één dag voor de 30ste verjaardag van de aanslag, verschijnen op de streamingdienst. Netflix pakt volgende maand […] The post Netflix kondigt documentaire ‘Oklahoma City Bombing: American Terror’ aan appeared first on Newsmonkey.

Netflix kondigt documentaire ‘Oklahoma City Bombing: American Terror’ aan #Netflix #OklahomaCityBombing #Documentaire #AmericanTerror #Aanslag1995

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#Otd 2017

#americanTerror

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